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...Best Costume Design |
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...Best Sound |
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...Best Film Editing |
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| 21 March |
| Whoopi Goldberg |
| Dorothy Chandler Pavilion, L.A. County Music Center, Los Angeles, California, USA |
| - For the first time ever the ceremony is held on a Sunday.
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| | Awarded to: | | | - Elia Kazan
- In appreciation of a long, distinguished and unparalleled career during which he has influenced the very nature of filmmaking through his creation of cinematic masterpieces. (Oscar statuette).
- A great deal of controversy surrounded the presentation of this award to Elia Kazan, as there was still lingering resentment over his appearances before the House of Un-American Activities Committee 47 years earlier. In addition to a handful of protesters outside the theater, many attendees remained seated when he received his award, even refusing to applaud.
- The executive council of the Eastern unit of the Writers Guild of America voted to protest against the Academy's decision to present an honorary Oscar to Elia Kazan, accusing Kazan of causing irrevocable harm to the lives and careers of several professional colleagues by informing the House of Un-American Activities Committee that they had once belonged to the Communist Party.
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| | Awarded to: | | | - David W. Gray
- For his past and on-going dedication to the advancement of motion picture sound technology.
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| 27 February |
| Anne Heche |
| Regent Beverly Wilshire Hotel, Los Angeles, California, USA |
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| | Winner: | | | - Avid Technology, Inc.
- For the concept, system design and engineering of the Avid Film Composer for motion picture editing.
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| | Winners: | | | - Arnold & Richter Cine Technik; Carl Zeiss Company
- For the concept and optical design of the Carl Zeiss/Arriflex Variable Prime Lenses.
- Walter Trauninger (Arnold & Richter Cine Technik); ARRI USA, Inc.; Arnold & Richter Cine Technik (engineering staff)
- For the concept (ARRI USA) and the engineering (Arnold & Richter Cine Technik/Trauniger) of the ARRI 435 Camera System.
- Roy Ference; Steve Schmidt (V); Richard J. Federico; Rocky Yarid; Mike McCrackan
- For the design and development of the Kodak Lightning Laser Recorder.
- Stephen J. Kay (K-Tec Corporation)
- For the design and development of the Shock Block.
- Derek C. Lightbody (OpTex)
- For the design and development of Aurasoft luminaires.
- James A. Moorer
- For his pioneering work in the design of digital signal processing and its application to audio editing for film.
- Colin Mossman; Hans Leisinger; George John Rowland
- For the concept and design of the Deluxe High Speed Spray Film Cleaner.
- Iain Neil; Takuo Miyagishima; Panavision, Incorporated
- For the optical design (Neil), the mechanical design (Miyagishima) and the concept and development (Panavision) of the Primo Series of spherical prime lenses for 35mm cinematography.
- Bob Predovich; John Scott; Ken Husain; Cameron Shearer
- For the design and implementation of the Soundmaster Integrated Operations Nucleus operating environment.
- Mark Roberts; Ronan Carroll; Assaff Rawner; Paul Bartlett (I); Simon Wakley
- For the creation of the Milo Motion-Control Crane.
- Thomas G. Stockham Jr.; Robert B. Ingebretsen
- For their pioneering work in the areas of waveform editing, crossfades and cut-and-paste techniques for digital audio editing.
- Michael Sørensen (I) (Sorensen Designs International); Richard Alexander (IV) (Sorensen Designs International); Don Trumbull
- For advancing the state-of-the-art of real-time motion-control, as exemplified in the Gazelle and Zebra camera dolly systems.
- Gary Tregaskis; Dominique Boisvert (IV); Phillippe Panzini; Andre LeBlanc (II)
- For the primary design (Tregakis) and for the development and implementation (Boisvert/Panzini/LeBlanc) of the Flame and Inferno software.
- Ronald E. Uhlig (Eastman Kodak); Thomas F. Powers (Eastman Kodak); Fred M. Fuss (Eastman Kodak)
- For the design and development of KeyKode latent-image barcode key numbers.
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| | Winners: | | | - Thaddeus Beier
- For the design and implementation of ras_track, a system for 2D tracking, stabilization and 3D camera and object tracking.
- M.J. Bogdanowicz (Eastman Kodak Company); Jim Meyers (III) (Rosco Laboratories, Inc.); Stan Miller (Rosco Laboratories, Inc.)
- For the design of the CalColor Calibrated Color Effects Filters.
- Garrett Brown (I); Jerry Holway
- For the creation of the Skyman flying platform for Steadicam operators.
- Mike Denecke
- For refining and further developing electronic time-code slates.
- Edmund M. Di Giulio (Cinema Products); James Bartell (Cinema Products)
- For the design of the KeyKode Sync Reader.
- David DiFrancesco; N. Balasubramanian; Tom Noggle
- For their pioneering efforts in the development of laser film recording technology.
- Nick Foster (I)
- For his software development in the field of water simulation systems.
- Carl F. Holtz; David F. Kopperl; A. Tulsi Ram; Richard C. Sehlin
- For the research and development of the concept of molecular sieves applied to improve the archival properties of processed photographic film.
- Manfred N. Klemme; Donald E. Wetzel
- For the design and development of the K-Tek Microphone Boom Pole and accessories for on-set motion picture sound recording.
- Ivan Kruglak
- For his commitment to the development of a wireless transmission system for video-assisted images for the motion picture industry.
- Ivan Kruglak
- For his pioneering concept and the development of the Coherent Time Code Slate.
- Mike MacKenzie (I) (Industrial Light & Magic); Mike Bolles (Industrial Light & Magic); Udo Pampel (Industrial Light & Magic); Joe Fulmer (Industrial Light & Magic)
- For their pioneering work in motion-controlled, silent camera dollies.
- Takuo Miyagishima (Panavision, Inc.); Albert K. Saiki (Panavision, Inc.)
- For the design and development of the Eyepiece Leveler.
- Cary Phillips (I)
- For the design and development of the "Caricature" Animation System at Industrial Light & Magic.
- Doug Roble
- For his contribution to tracking technology and for the design and implementation of the TRACK system for camera position calculation and scene reconstruction.
- Jim Rodnunsky (Cablecam Systems); Jim Webber (Cablecam Systems); Bob Webber (Cablecam Systems); Thornton Bayliss
- For the design and engineering of Cablecam.
- Remy Smith; James K. Branch; Nasir J. Zaidi
- For the software and electronic design and development (Smith) and for the design and development (Branch/Zaidi) of the Spectra Professional IV-A digital exposure meter.
- Barry Walton (I) (Sony Pictures Imageworks); Bill Schultz (II) (Sony Pictures Imageworks); Chris Barker (II) (Sony Pictures Imageworks); David Cornelius (Sony Pictures Imageworks)
- For the creation of an advanced motion-controlled, silent camera dolly.
- Bruce Wilton (Mechanical Concepts); Carlos Icinkoff (Mechanical Concepts)
- For their modular system of motion-control rotators and movers for use in motion control.
- Ed Zwaneveld (National Film Board of Canada); Frederick Gasoi (National Film Board of Canada); Mihal Lazaridis (Research in Motion); Dale Brubacher-Cressman (Research in Motion)
- For refining and further developing electronic time-code slates.
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