Awards for 2017

Golden Reel Award

Best Sound Editing - Music in a Feature Film

WINNER

Warcraft: Michael K. Bauer (music editor), Peter Myles (music editor)

NOMINEES

13 Hours: Alex Gibson (supervising music editor), Lee Scott (music editor), Nate Underkuffler (music editor)

Arrival: Clint Bennett (music editor)

Doctor Strange: Steve Durkee (supervising music editor), Stephen M. Davis (music editor), Nashia Wachsman (music editor), Warren Brown (music editor), Anele Onyekwere (music editor)


Hacksaw Ridge: Matt Friedman (music editor), Andy Patterson (music editor)

Rogue One: John Finklea (supervising music editor), Stephen M. Davis (music editor), Warren Brown (music editor)

Star Trek Beyond: Stephen M. Davis (music editor), Paul Rabjohns (music editor), Warren Brown (music editor)

Best Sound Editing - Music in a Musical Feature Film

WINNER

La La Land: Jason Ruder (music editor)

NOMINEES

Florence Foster Jenkins: Gerard McCann (supervising music editor), Neil Stemp (music editor), Stuart Morton (music editor)

Moana: Earl Ghaffari (music editor), Daniel Pinder (music editor)

Sing Street: Kieran Lynch (music editor), Becky Bentham (supervising music editor)

Trolls: Fernand Bos (music editor), Erich Stratmann (music editor), Vicki Hiatt (music editor)

Best Sound Editing - Special Venue

WINNER

Pearl: Jamey Scott (supervising sound editor, sound designer), Scot Blackwell Stafford (audio director), Alexis Harte (music editor), JJ Wiesler (music editor)

NOMINEES

A Beautiful Planet: Peter Thillaye (supervising sound editor), Paul Talbott (supervising music editor), Alison Fisher (supervising adr editor), Andy Malcolm (foley editor), Goro Koyama (foley artist), Cory Mandel (music editor), Ed Douglas (sound designer), Karl Mohr (sound effects editor), Rowan Thillaye Kerr (vocal editor)

National Parks Adventure: Darren 'Sunny' Warkentin (dialogue editor), David Stanke (foley editor), Alicia Stevenson (foley artist), Dawn Lunsford (foley artist), Steve Wood (music editor), Michael Payne (sound designer), Jay Wilkinson (sound designer)

Extreme Weather: Brian Eimer (supervising sound editor), Nicholas Cochran (music editor), Michael Bonini (sound effects editor), Taylan Cevik (sound effects editor)

Best Sound Editing - Direct to Video - Live Action

WINNER

The Duel: David Barber (supervising sound editor), Micah Loken (dialogue editor), Gonzalo Espinoza (foley artist), David Kitchens (foley artist), Ben Zarai (music editor), Sean Gray (sound effects editor), Ken Skoglund (sound effects editor), Steve Urban (sound effects editor), Michael Kreple (adr editor)

NOMINEES

Broken Vows: Sean Higgins (supervising sound editor), Eric Lalicata (supervising sound editor), Dan Snow (audio lead), Dhyana Carlton-Tims (dialogue editor), Leah Putlek (foley editor), Ryan Gegenheimer (sound effects editor), Kyle Lane (sound effects editor)

Zinzana: Trip Brock (supervising sound editor), Bruce Stubblefield (supervising dialogue editor), Ian Shedd (dialogue editor), Matt Salib (foley artist), Sanaa Kelley (foley artist), Raymond Park (sound designer), Zheng Jia (sound effects editor), G.W. Pope III (sound effects editor), John Kochanczyk (sound effects editor), Rory O'Shea (sound effects editor), Terry Boyd Jr. (foley editor)

The Thinning: Trip Brock (supervising sound editor), Ian Shedd (supervising dialogue editor), Ben Whitver (supervising adr editor), Jordan McClain (foley editor), Matt Salib (foley artist), Sanaa Kelley (foley artist), Raymond Park (sound designer), Zheng Jia (sound effects editor), Sean Heissinger (sound effects editor)

USS Indianapolis: Men of Courage: David Barber (supervising sound editor), Karol Urban (dialogue editor), David Kitchens (foley editor), Gonzalo Espinoza (foley artist), Roland N. Thai (sound designer), David Barbee (sound effects editor), Sean Gray (sound effects editor), Ben Zarai (sound effects editor), Zigmund Gron (music editor)

Best Sound Editing - Game Cinematics

WINNER

Gears of War 4: Charles Deenen (supervising sound editor), Csaba Wagner (supervising sound editor), Tim Walston (sound designer), Samuel Justice (sound designer), Crispin Hands (sound designer), Braden Parkes (sound effects editor), Justin M. Davey (sound effects editor), Chris Diebold (sound effects editor), Michael Schapiro (sound effects editor), Malte Bieler (sound effects editor), Jamey Scott (sound effects editor), Matt Cavanaugh (foley editor), Colin Hart (foley editor), George Pereyra (foley editor), Craig Tomlinson (foley editor), John Morgan (audio director), Josh Linton (audio lead)

NOMINEES

Call of Duty: Infinite Warfare: Charles Deenen (supervising sound editor), Csaba Wagner (supervising sound editor), Shannon Potter (supervising sound editor), Stephen Miller (audio director), Matt Cavanaugh (foley editor), Tim Walston (sound designer), Eliot Connors (sound designer), Braden Parkes (sound effects editor), Brent Burge (sound effects editor), Patrick Ginn (sound effects editor), Chad Bedell (sound effects editor), Scott Wolf (sound effects editor), Michael Schapiro (sound effects editor), Sam Marshall (music editor), Gary A. Hecker (foley artist)

Mafia III: Matt Bauer (audio director), Scott Curtis (foley editor), Jason Butler (foley editor), John Roesch (foley artist), Sean England (foley artist), Shelley Roden (foley artist), Dennie Thorpe (foley artist), Jana Vance (foley artist), Ronni Brown (foley artist), Alexandre Saba (sound designer), Jamey Scott (sound designer), Petr Klimunda (sound designer), Kegan Chau (sound effects editor), Mitchell Lincoln (sound effects editor), Jesse Harlin (scoring editor), Ronan Chris Murphy (music editor)

Uncharted 4: A Thief's End: Shannon Potter (supervising sound editor), Phillip A. Kovats (audio director), Chad Bedell (sound designer), Patrick Ginn (sound designer), Scott Wolf (sound designer), Dutch Hill (sound designer), Alan Rankin (sound designer), Jeremy Rogers (sound designer), Robert Krekel (sound designer), Erick Ocampo (sound designer), Neil Uchitel (sound designer), Scott Hanau (supervising music editor), Andrew Buresh (music editor), Ernest Johnson (music editor), Rob Goodson (music editor), Ted Kocher (music editor), Alicia Stevenson (foley artist), Dawn Lunsford (foley artist), Alex Johnson (sound effects editor), Jesse James Garcia (sound effects editor), Clinton Jones (sound effects editor), Keith Bilderbeck (sound effects editor)

World of Warcraft: Legion: Caroline Hernandez (supervising sound editor), Neal Acree (supervising music editor), Paul Menichini (supervising sound designer), Darrin Mann (foley editor), Gregg Barbanell (foley artist), John Kurlander (scoring editor), Alexander Ephraim (sound designer), David Farmer (sound designer), Andrea Toyias (dialogue lead), Michael Roache (dialogue editor), Gary Rizzo (dialogue editor), Isaac Hammons (sound effects editor)

Best Sound Editing - Sound Effects and Foley in a Feature Film

WINNER

Hacksaw Ridge: Robert Mackenzie (supervising sound editor), Steve Burgess (foley editor, sound effects editor), Alex Francis (foley editor), Mario Vaccaro (foley artist), Liam Price (sound effects editor), Tara Webb (sound effects editor)

NOMINEES

Arrival: Sylvain Bellemare (supervising sound editor), Nicolas Becker (foley artist), Gregory Vincent (foley artist), Dave Whitehead (sound designer), Olivier Calvert (sound designer), Michelle Child (sound designer), Pierre-Jules Audet (sound effects editor), Alan Robert Murray (sound effects editor), Mathieu Beaudin (sound effects editor), Mimi Allard (sound effects editor), Daniel Capeille (sound effects editor), Simon Girard (sound effects editor), Patrick Rioux (sound effects editor), Steven Ghouti (foley editor), Olivier Guillaume (foley editor), Niels Barletta (foley editor), Luc Raymond (foley editor)

Captain America: Civil War: Shannon Mills (supervising sound editor), Daniel Laurie (supervising sound editor), Jacob Riehle (foley editor), Nia Hansen (sound designer), David C. Hughes (sound designer), Josh Gold (sound effects editor), J.R. Grubbs (sound effects editor), Jeremy Bowker (sound effects editor), John Roesch (foley artist), Shelley Roden (foley artist)

Deadpool: Wayne Lemmer (supervising sound editor), Jim Brookshire (supervising sound editor), Dan O'Connell (foley artist), John T. Cucci (foley artist), Craig Henighan (sound designer), Warren Hendriks (sound designer), Ai-Ling Lee (sound designer)

Deepwater Horizon: Wylie Stateman (supervising sound editor), Renee Tondelli (supervising sound editor), Gary A. Hecker (foley artist), Rick Owens (foley artist), Harry Cohen (sound effects editor), Sylvain Lasseur (sound effects editor), Dror Mohar (sound effects editor), Kris Fenske (sound effects editor), Hector C. Gika (sound effects editor), Eric Hoehn (sound effects editor), Branden Spencer (sound effects editor)

Doctor Strange: Shannon Mills (supervising sound editor), Daniel Laurie (supervising sound editor), Ryan J. Frias (foley editor), Steve Orlando (foley editor), Nia Hansen (sound designer), David C. Hughes (sound designer), Josh Gold (sound effects editor), J.R. Grubbs (sound effects editor), David Chrastka (sound effects editor), John Roesch (foley artist), Shelley Roden (foley artist)

Rogue One: Matthew Wood (supervising sound editor), Christopher Scarabosio (sound designer), David Acord (sound designer), Frank Rinella (foley supervisor), Luke Dunn Gielmuda (foley editor), Ryan J. Frias (foley editor), Kimberly Patrick (foley editor), Ronni Brown (foley artist), Margie O'Malley (foley artist), Jonathan Borland (sound effects editor), Josh Gold (sound effects editor), J.R. Grubbs (sound effects editor)

The Jungle Book: Christopher Boyes (supervising sound editor), Frank E. Eulner (supervising sound editor), James Likowski (foley editor), Dee Selby (foley editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Ken Fischer (sound effects editor), Andre Fenley (sound effects editor), David Chrastka (sound effects editor)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Foreign Feature Film

WINNER

Kongens nei: Christian Schaanning (supervising sound editor, sound designer), Ingela Jönsson (dialogue editor), Espen Rønning (dialogue editor), Lucas Nilsson (foley artist), Fredrik Dalenfjäll (sound effects editor), Erlend Hogstad (sound effects editor), Jens Johansson (sound effects editor)

NOMINEES

Elle: Alexis Place (supervising sound editor), Katia Boutin (supervising dialogue editor, supervising adr editor), Gwennolé Le Borgne (sound effects editor)

Neruda: Toño Cubillo (adr editor), Ivo Moraga (foley artist, sound effects editor), Sebastian Esquivel (foley artist), Hervé Schneid (music editor), Miguel Hormazábal (sound designer)

Ah-ga-ssi: Chul-woo Moon (supervising sound editor), Eun-ah Choi (supervising dialogue editor), Min-kyung Cho (dialogue editor), Yoon-sung Hong (dialogue editor), Eun-jung Kim (foley editor, foley artist), Suk-won Kim (sound designer), Jung-ho Lee (sound effects editor)

Toni Erdmann: Fabian Schmidt (supervising sound editor)

Under the Shadow: Richard Kondal (supervising sound editor), Stelios Koupetoris (dialogue editor), Gwilym Perry (foley editor), Alex Joseph (sound designer), Alex Outhwaite (sound effects editor), Paula Boram (foley artist)

Best Sound Editing - Dialogue and ADR in a Feature Film

WINNER

Hacksaw Ridge: Andy Wright (supervising sound editor), Justine Angus (supervising adr editor), Kimberly Harris (supervising adr editor), Jed M. Dodge (dialogue editor), Michele Perrone (adr editor)

NOMINEES

Arrival: Sylvain Bellemare (supervising sound editor), Stan Sakellaropoulos (supervising adr editor), Claire Pochon (dialogue editor), Valéry Dufort-Boucher (dialogue editor)

Deadpool: Jim Brookshire (supervising sound editor), Wayne Lemmer (supervising sound editor), Susan Dawes (supervising dialogue editor), Teri E. Dorman (dialogue editor), Benjamin Beardwood (dialogue editor), Laura Graham (adr editor), R.J. Kizer (adr editor)

Hell or High Water: Frank Gaeta (supervising sound editor), Christopher Battaglia (dialogue editor), Harrison Meyle (dialogue editor), Kathryn Madsen (adr editor)

Hidden Figures: Wayne Lemmer (supervising sound editor), Derek Vanderhorst (supervising sound editor), Susan Dawes (supervising dialogue editor), Helen Luttrell (dialogue editor), R.J. Kizer (dialogue editor)

Lion: Robert Mackenzie (supervising sound editor), Glenn Newnham (supervising dialogue editor)

Rogue One: Matthew Wood (supervising sound editor), Christopher Scarabosio (supervising sound editor), Richard Quinn (supervising adr editor), James Spencer (dialogue editor)

Sully: Alan Robert Murray (supervising sound editor), Bub Asman (supervising sound editor), Katy Wood (supervising dialogue editor, supervising adr editor), Hugo Weng (dialogue editor)

Best Sound Editing - Direct to Video - Animation

WINNER

Lego DC Comics Superheroes: Justice League - Gotham City Breakout: Devon Bowman (supervising sound editor), Rob McIntyre (supervising sound editor), Mark Keatts (supervising dialogue editor), Aran Tanchum (foley editor), Vincent Guisetti (foley artist), Evan Dockter (sound effects editor), Lawrence Reyes (sound effects editor), Marc Schmidt (sound effects editor), D.J. Lynch (sound effects editor), Kelly Ann Foley (dialogue editor), Mike Garcia (dialogue editor), Patrick J. Foley (dialogue editor)

NOMINEES

Batman: Bad Blood: Otis Van Osten (supervising sound editor), Mark Keatts (supervising dialogue editor, supervising adr editor), Mike Garcia (dialogue editor), Robert Monkress (foley editor), Matthew Thomas Hall (sound designer), Gerardo Gonzalez (sound effects editor), Carlos Sanches (sound effects editor)

Lego DC Comics Super Heroes: Justice League - Cosmic Clash: Rob McIntyre (supervising sound editor), Mark Keatts (supervising dialogue editor), Kelly Ann Foley (dialogue editor), Mike Garcia (dialogue editor), Patrick J. Foley (dialogue editor), Aran Tanchum (foley editor), Vincent Guisetti (foley artist), Marc Schmidt (sound effects editor), Lawrence Reyes (sound designer), Evan Dockter (sound designer), Gregory Hainer (sound designer), Tim Kelly (supervising music editor)

Open Season: Scared Silly: Geoffrey G. Rubay (supervising sound editor), James Morioka (supervising dialogue editor), Matt Friedman (music editor), Ryan Collins (sound designer), Alec Rubay (sound effects editor), Gregg Barbanell (foley artist)

Belka i Strelka: Lunnye priklyucheniya: Paul Hollman (supervising sound editor), Dan Snow (audio lead), Elliot Herman (dialogue editor), Josh Ellis (sound effects editor), Jody Berglund (foley artist)

Best Sound Editing - Documentary Feature Film

WINNER

The Music of Strangers: Pete Horner (supervising sound editor), Al Nelson (sound designer), Andre Zweers (sound effects editor)

NOMINEES

13th: Tim Boggs (supervising sound editor), Julie Pearce (music editor), Lise Richardson (music editor), Jeffrey Perkins (sound designer), Alex Lee (sound effects editor)

Amanda Knox: Chris Stangroom (supervising sound editor), Tom Paul (supervising sound editor), Stephen C. Davies (dialogue editor), Diego Jimenez (sound effects editor), Max Holland (sound effects editor), Jesse Peterson (sound effects editor), Oscar Convers (sound effects editor), Joanna Fang (foley artist), Leslie Bloome (foley artist), Ryan Collison (foley editor), Nicholas Seaman (foley editor)

Before the Flood: Allan Zaleski (supervising sound editor), Dave Paterson (sound designer), Lawrence Herman (dialogue editor), Sylvia Menno (dialogue editor), Grant Elder (sound effects editor), Ren Klyce (music editor)

Passage to Mars: Trip Brock (supervising sound editor), Steven Avila (supervising sound editor), Ian Shedd (supervising dialogue editor), Ben Whitver (dialogue editor), Shasha Dong (dialogue editor), Raymond Park (sound effects editor), Peter D. Lago (sound effects editor), Alexander Pugh (sound effects editor), Jean-Christophe Jeauffre (sound effects editor), Matt Salib (foley artist), Terry Boyd Jr. (foley artist)

The Beatles: Eight Days a Week - The Touring Years: Cameron Frankley (supervising sound editor), Jon Michaels (supervising sound editor), Harrison Meyle (dialogue editor), Melissa Muik (music editor), Dan Kenyon (sound effects editor), Will Digby (sound effects editor)

The Eagle Huntress: Lewis Goldstein (supervising sound editor), Tom Ryan (supervising sound editor), Pierre Takal (sound designer), Wen Hsuan Tseng (foley editor), Shaun Brennan (foley artist), Alex Soto (sound effects editor)

The Ivory Game: Michael Plöderl (sound supervisor), Thomas Kathriner (sound supervisor), Klaus Gartner (dialogue editor), Bernhard Zorzi (sound designer), Bernd Dormayer (sound effects editor)

Best Sound Editing - Computer Episodic Entertainment

WINNER

Joyride Prequel: Charles Deenen (supervising sound editor), Csaba Wagner (sound designer), Braden Parkes (sound effects editor), Ozan Biron (sound effects editor), Rustam Gimadiyev (foley walker), Travis Prater (sound editor)

NOMINEES

Future-Worm!: Kate Finan (supervising sound editor), Jacob Cook (dialogue editor), Brad Meyer (foley editor, sound effects editor), Eric Freeman (sound designer)

Overwatch: The Last Bastion: Caroline Hernandez (supervising sound editor), Sam Cardon (supervising music editor), Paul Menichini (audio lead), Darrin Mann (foley editor), Gregg Barbanell (foley artist), Derek Duke (music editor), Harry Cohen (sound designer), Keith Bilderbeck (sound effects editor), Alexander Ephraim (sound effects editor), Kyle Webb (foley editor)

StartUp: Sean Higgins (supervising sound editor), Eric Lalicata (supervising sound editor), Dan Snow (audio lead), Brian Dunlop (dialogue editor), Dhyana Carlton-Tims (dialogue editor), Leah Putlek (foley editor), Ryan Maguire (foley editor), Tara Blume (foley artist), Chris McGeary (music editor), Alex Weiss (sound designer), Ryan Gegenheimer (sound effects editor)

Vixen: Mark Keatts (supervising dialogue editor), David M. Cowan (dialogue editor), Patrick J. Foley (dialogue editor), Kelly Ann Foley (dialogue editor), Mike Garcia (dialogue editor), Shaun Cunningham (foley editor), David Bonilla (foley editor), J. Lampinen (foley artist), Robert Duran (sound designer)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film

WINNER

Moana: Tim Nielsen (supervising sound editor), Jacob Riehle (supervising dialogue editor), Thom Brennan (foley editor), Matthew Harrison (foley editor), Earl Ghaffari (music editor), Daniel Pinder (music editor), Dominick Certo (temp music editor), Tommy Holmes (temp music editor), Jonathan Borland (sound effects editor), Pascal Garneau (sound effects editor), Lee Gilmore (sound effects editor), John Roesch (foley artist), Shelley Roden (foley artist)

NOMINEES

Finding Dory: Steve Slanec (supervising sound editor), James Spencer (dialogue editor), Christopher Flick (foley editor), Jacob Riehle (foley editor), Tim Nielsen (sound designer), Ken Fischer (sound effects editor), Jonathan Borland (sound effects editor), Jack Whittaker (sound effects editor), John Roesch (foley artist), Shelley Roden (foley artist), Bill Bernstein (music editor), Michael Zainer (music editor)

Kubo and the Two Strings: Tim Chau (supervising sound editor, sound designer), Travis Crotts (foley editor), Catherine Harper (foley artist), Gregg Barbanell (foley artist), Clayton Weber (sound effects editor), Thomas O'Neil Younkman (sound effects editor), Dominick Certo (music editor)

Sing: Dennis Leonard (supervising sound editor), Cheryl Nardi (dialogue editor), Richard Gould (foley editor), Zach Martin (foley editor), Steve Boeddeker (sound designer), Mac Smith (sound effects editor), Dustin Cawood (sound effects editor), Luke Dunn Gielmuda (sound effects editor), Larry Oatfield (foley editor), Ronni Brown (foley editor), Michael Connell (music editor), Andre Zweers (music editor), Dominick Certo (music editor), John Roesch (foley artist), Shelley Roden (foley artist), Jana Vance (foley artist)

The Little Prince: Christopher Barnett (supervising sound editor), Tim Nielsen (supervising sound editor), Brad Semenoff (dialogue editor), Doug Winningham (foley editor), Heikki Kossi (foley artist), Bob Badami (music editor), Catherine Wilson (music editor), Jonathan Borland (sound effects editor), Ken Fischer (sound effects editor)

La tortue rouge: Bruno Seznec (supervising sound editor), Sébastien Marquilly (supervising sound editor), Christine Seznec (supervising dialogue editor), Florian Fabre (foley artist), Fabien Devillers (music editor), Matthieu Michaux (sound designer)

Zootopia: Addison Teague (supervising sound editor), Jacob Riehle (supervising dialogue editor), Daniel Laurie (adr editor), Christopher Flick (foley editor), Willard Overstreet (foley editor), Lee Gilmore (sound effects editor), Jack Whittaker (sound effects editor), Jeremy Bowker (sound effects editor), John Roesch (foley artist), Ronni Brown (foley artist), Stephen M. Davis (music editor), Earl Ghaffari (music editor), Daniel Waldman (music editor), Dominick Certo (temp music editor), Tommy Holmes (temp music editor)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in Long Form Documentary in Television

WINNER

My Beautiful Broken Brain: Nick Ryan (supervising sound editor), Claire Ellis (dialogue editor), Tom Foster (sound effects editor)

NOMINEES

I'll Sleep When I'm Dead: Joe Dzuban (supervising sound editor), Justin Dzuban (dialogue editor), Justin Krook (sound effects editor), Pernell L. Salinas (sound effects editor)

Mapplethorpe: Look at the Pictures: Paulette Victor-Lifton (supervising sound editor), Scott Brewster (dialogue editor), Gary Coppola (dialogue editor), Nathan Ashton (foley editor, foley artist), Mark Allen (sound effects editor), Chase Elkins (music editor)

Searching for Home, Coming Back From War: Paulette Victor-Lifton (supervising sound editor), Gary Coppola (dialogue editor), James Gallivan (dialogue editor), Jamison Rabbe (adr editor), Paul Mason (sound effects editor), Gabriel Aronson (sound effects editor)

Team Foxcatcher: Nicholas Montgomery (supervising sound editor), Tom Efinger (supervising sound editor), Jeff Seelye (dialogue editor), Suzana Peric (music editor)

Best Sound Editing - Long Form Music in Television

WINNER

NOMINEES



Girl from Compton: Wolfgang Amadeus (music editor), Kevin Banks (music editor)

Best Sound Editing - Short Form Music in Television

WINNER

NOMINEES





Lethal Weapon: Chris McGeary (supervising music editor), Jenny Leite (music editor)
Episode: "Lethal Weapon: Pilot (#1.1)"


Best Sound Editing - Short Form Sound Effects and Foley in Television

WINNER

Westworld: Thomas DeGorter (supervising sound editor), Matt Sawelson (supervising sound editor), Geordy Sincavage (foley editor), Michael S. Head (foley editor), Tara Blume (foley artist), Rick Owens (foley artist), Mark Allen (sound designer), Marc Glassman (sound designer)
Episode: "Westworld: Trompe L'Oeil (#1.7)"

NOMINEES

Better Call Saul: Kurt Nicholas Forshager (supervising sound editor), Jeffrey Cranford (foley editor), Tim Chilton (foley artist), Jerry Trent (foley artist), Mark Cookson (sound effects editor)
Episode: "Better Call Saul: Nailed (#2.9)"

Black Sails: Benjamin L. Cook (supervising sound editor), Brett Voss (foley editor), Jeffrey Wilhoit (foley artist), Dylan Tuomy-Wilhoit (foley artist), Jeffrey A. Pitts (sound effects editor), Tim Tuchrello (sound effects editor)
Episode: "Black Sails: XX. (#3.2)"

Game of Thrones: Tim Kimmel (supervising sound editor), Brett Voss (foley editor), John Matter (foley editor), Jeffrey Wilhoit (foley artist), Dylan Tuomy-Wilhoit (foley artist), Paula Fairfield (sound designer), Bradley C. Katona (sound effects editor)
Episode: "Game of Thrones: Battle of the Bastards (#6.9)"

Marco Polo: Dave Paterson (supervising sound editor), Rachel Chancey (foley artist), Glenfield Payne (sound effects editor), Damian Volpe (sound effects editor)
Episode: "Marco Polo: Heirs (#2.9)"

Narcos: Randle Akerson (supervising sound editor), Steve Hammond (foley artist), Dino Dimuro (sound effects editor), Erik Culp (foley editor)
Episode: "Narcos: The Good, the Bad, and the Dead (#2.4)"

Stranger Things: Brad North (supervising sound editor), Jacob McNaughton (foley editor), Noel Vought (foley artist), Craig Henighan (sound designer), Jordan Wilby (sound effects editor), Jonathan Golodner (sound effects editor)
Episode: "Stranger Things: Chapter Eight: The Upside Down (#1.8)"

American Horror Story: Gary Megregian (supervising sound editor), Noel Vought (foley artist), Timothy A. Cleveland (sound designer), Paul J. Diller (sound effects editor)
Episode: "American Horror Story: Chapter 1 (#6.1)"

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in Short Form Documentary in Television

WINNER

Sonic Sea: Trevor Gates (supervising sound editor), Ryan Briley (dialogue editor), Ron Aston (sound effects editor), Christopher Bonis (sound effects editor)

NOMINEES

Captive: Claire Ellis (dialogue editor), Kim Tae Hak (sound effects editor)
Episode: "Captive: Prison Riot, U.S.A. (#1.1)"

Chef's Table: William McGuigan (supervising sound editor), Nikola Simikic (sound effects editor)
Episode: "Chef's Table: Alex Atala (#2.2)"

Last Chance U: Pete Nichols (supervising sound editor), Graham Barclay (dialogue editor), Aaron Cross (dialogue editor), Jason Coleman (foley editor, foley artist), Barry S. Weir Jr. (sound designer)
Episode: "Last Chance U: Blood Makes the Grass Grow (#1.5)"

The White Helmets: Claire Ellis (dialogue editor), Tom Foster (sound effects editor)

Best Sound Editing - Long Form Dialogue and ADR in Television

WINNER

The Night Of: Nicholas Renbeck (supervising sound editor), Sara Stern (dialogue editor), Luciano Vignola (dialogue editor), Odin Benitez (dialogue editor), Marissa Littlefield (adr editor)
Episode: "The Night Of: The Beach (#1.1)"

NOMINEES

Harley and the Davidsons: Jamie Caple (supervising sound editor), Dan Green (dialogue editor), Michael Wabro (dialogue editor), Tim Hands (adr editor)
Episode: "Harley and the Davidsons: Race to the Top (#1.2)"

Roots: Gary Megregian (supervising sound editor), Stuart Martin (supervising adr editor), Steven Stuhr (dialogue editor), Christian Buenaventura (dialogue editor), Jason Krane (adr editor)
Episode: "Roots: Part 2 (#1.2)"

Sherlock: Doug Sinclair (supervising sound editor, adr editor), Paul McFadden (dialogue editor)
Episode: "Sherlock: The Abominable Bride (#4.0)"

Westworld: Thomas DeGorter (supervising sound editor), Matt Sawelson (supervising adr editor), Brian Armstrong (dialogue editor), Fred Paragano (dialogue editor)
Episode: "Westworld: The Bicameral Mind (#1.10)"

Best Sound Editing - Short Form Dialogue and ADR in Television

WINNER

Penny Dreadful: Jane Tattersall (supervising sound editor), David McCallum (supervising dialogue editor), Elma Bello (dialogue editor), Dale Sheldrake (adr editor), Paul Conway (adr editor)
Episode: "Penny Dreadful: Ebb Tide (#3.7)"

NOMINEES

Game of Thrones: Tim Kimmel (supervising sound editor), Paul Bercovitch (supervising dialogue editor), Tim Hands (supervising adr editor)
Episode: "Game of Thrones: Battle of the Bastards (#6.9)"


Shooter: Mark Relyea (supervising sound editor), Robert Guastini (dialogue editor), Julie Altus (adr editor)
Episode: "Shooter: Overwatch (#1.4)"

The Shannara Chronicles: Norval D. Crutcher III (supervising sound editor), Michael E. Lawshe (supervising adr editor), Karyn Foster (dialogue editor)
Bloodfire

The Walking Dead: Jerry Ross (supervising sound editor), Lou Thomas (supervising sound editor, dialogue editor), Tim Farrell (supervising sound editor)
Episode: "The Walking Dead: Hearts Still Beating (#7.8)"

Westworld: Thomas DeGorter (supervising sound editor), Matt Sawelson (supervising adr editor), Brian Armstrong (dialogue editor), Fred Paragano (dialogue editor)
Episode: "Westworld: Trace Decay (#1.8)"

Best Sound Editing - Short Form Musical in Television

WINNERS


NOMINEES



Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in Television Animation

WINNER

Albert: Jeff Shiffman (supervising sound editor, sound effects editor), Michael Petak (dialogue editor), Anna Adams (dialogue editor), Tess Fournier (foley editor, sound effects editor), Craig Ng (foley artist), Brad Breeck (music editor), Jessey Drake (sound effects editor)

NOMINEES

Avengers Assemble: Mike Draghi (supervising sound editor), John Brengman (dialogue editor), Roberto Alegria (foley editor), Monique Reymond (foley artist), Marcos Abrom (sound designer), Michael Emter (sound designer), Jesse Aruda (sound designer)
Episode: "Avengers Assemble: Adapting to Change (#3.1)"

BoJack Horseman: Hunter Curra (supervising sound editor), Konrad Piñon (adr editor), Andrew Twite (sound designer), Joy Elett (sound designer), Kailand C. Reilly (sound designer)
Episode: "BoJack Horseman: Fish Out of Water (#3.4)"

Gravity Falls: Heather Olsen (supervising sound editor, sound designer), Robbi Smith (supervising dialogue editor), Aran Tanchum (foley editor), J. Lampinen (foley artist)
Episode: "Gravity Falls: Weirdmageddon 3: Take Back the Falls (#2.20)"

Star Wars: Rebels: Matthew Wood (supervising sound editor), David Acord (supervising sound editor, sound designer), Tony Diaz (dialogue editor), Jacob Ortiz (dialogue editor), Frank Rinella (foley editor), Kimberly Patrick (foley artist), Bonnie Wild (sound effects editor)
Episode: "Star Wars: Rebels: Twilight of the Apprentice (#2.20)"

Teenage Mutant Ninja Turtles: Jeff Shiffman (supervising sound editor), Elliot Herman (dialogue editor), Anna Adams (dialogue editor), Roger Pallan (foley editor), Sebastian Evans (music editor), Jessey Drake (sound effects editor)
Episode: "Teenage Mutant Ninja Turtles: The Ever-Burning Fire (#4.13)"

Voltron: Legendary Defender: Rob McIntyre (supervising sound editor), Devon Bowman (supervising sound editor), Brian F. Mars (supervising dialogue editor), Alfredo Douglas (foley editor), Aran Tanchum (foley editor), Vincent Guisetti (foley artist), Brad Breeck (music editor), Brian Parkhurst (music editor), Marc Schmidt (sound designer), Evan Dockter (sound designer), Lawrence Reyes (sound designer), D.J. Lynch (sound effects editor), Andrew Ing (sound effects editor), Jessey Drake (sound effects editor)
Episode: "Voltron: Legendary Defender: The Black Paladin (#1.11)"

Best Sound Editing - Long Form Sound Effects and Foley in Television

WINNER

Westworld: Thomas DeGorter (supervising sound editor), Matt Sawelson (supervising sound editor), Geordy Sincavage (foley editor), Michael S. Head (foley editor), Rick Owens (foley artist), Tara Blume (foley artist), Mark Allen (sound designer), Marc Glassman (sound designer)
Episode: "Westworld: The Bicameral Mind (#1.10)"

NOMINEES

Preacher: Michael Babcock (supervising sound editor, sound designer), Chris Diebold (sound designer), Ian Herzon (sound effects editor), Catherine Harper (foley artist), Gregg Barbanell (foley artist)
Episode: "Preacher: Pilot (#1.1)"

Roots: Gary Megregian (supervising sound editor), Mitchell Lestner (foley editor), Noel Vought (foley artist), Ginger Geary (foley artist), Timothy A. Cleveland (sound designer), Paul J. Diller (sound effects editor), John Snider (sound effects editor), Marcello Dubaz (sound effects editor)
Episode: "Roots: Part 1 (#1.1)"

Sherlock: Doug Sinclair (supervising sound editor), Jamie Talbutt (foley editor), Julie Ankerson (foley artist), Stuart McCowan (sound effects editor), Jon Salmon-Joyce (sound effects editor)
Episode: "Sherlock: The Abominable Bride (#4.0)"

War & Peace: Lee Walpole (supervising sound editor), Sarah Elias (foley editor), Catherine Thomas (foley artist), Andie Derrick (foley artist), Andy Kennedy (sound effects editor), Alex Ellerington (sound effects editor), Danton Tanimura (sound effects editor), Saoirse Christopherson (sound effects editor)
Episode: "War & Peace: (#1.4)"

Verna Fields Award

WINNERS

FishWitch: Zoltan Juhasz (supervising sound editor, foley artist, sound designer)
National Film and Television School. Tied with Icarus.

Icarus: Gerry Vazquez (supervising sound editor, sound designer)
Dodge College of Film and Media Arts. Tied with FishWitch.

NOMINEES

Amelia's Closet: Chris Morocco (supervising sound editor), Derek Sepe (sound effects editor), Dustin Elm (sound effects editor)
University of Southern California

Eden: Taylor Scherer (sound designer)
Dodge College of Film and Media Arts

It's Just a Gun: Xiang Li (supervising sound editor, foley artist, sound designer)
Chapman University

Jerry: Xiaodan Li (supervising sound editor, dialogue editor, adr editor, sound designer), Sam Fan (foley artist)
Chapman University

Shallow Grave: Peiqi Duan (supervising sound editor, foley artist, sound designer), Tianfu Zhang (foley artist)
Dodge College of Film and Media Arts

Those Who Are Lost: Tom Jenkins (supervising sound editor, dialogue editor, adr editor, foley artist, music editor), Max Davey (foley artist), Joe Morley (foley artist)
National Film and Television School

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