1-20 of 84 articles from 2009 « Prev | Next »
19 hours ago | DreadCentral.com | See recent Dread Central news »
The first decade of the new millennium has come to an end, and that means it is now time for film sites all over the web to begin posting their various retrospectives and lists recalling the decade that was. I generally as a rule dislike such lists because they are always so subjective. Then I said screw it and took it upon myself to do one of my own naming the ten worst horror movies of the past decade. Besides, people love bitching on the Internet about lists like this, and who am I to deny readers yet another excuse to get into pointless flame wars over personal opinions.
Of course, this list is just my personal opinion which is not legally binding ... unless Proposition 304 passes. And we all pray that it will.
I set two rules when putting this list together: Only horror movies that received fairly wide theatrical »
- Foywonder
18 December 2009 1:00 PM, PST | Slash Film | See recent Slash Film news »
Probably still the most revered man in Hollywood, Steven Spielberg's opinions on films typically become big talking points. Already this year we've heard about his reaction to Paranormal Activity and Transformers 2, both of which he got rather excited about, and now he's given his opinion on Avatar. But before we get to that... let's consider why we should even care. One argument would be that Spielberg is a tremendously knowledgeable filmmaker who can make some incredibly informed and sophisticated assessments of movies based upon their craftsmanship, representations and context. Another one - and the one I'm going to put forward - is that Spielberg is somehow an incredible barometer of widespread public taste. There's a famous story about Star Wars that you may not have heard. George Lucas screened an early cut of the film for some of his fellow movie Brats, including Brian DePalma and Spielberg. When it was done, »
- Brendon Connelly
17 December 2009 11:42 PM, PST | Dark Horizons | See recent Dark Horizons news »
Opens: July 23rd 2010
Cast: Steve Carell, Paul Rudd, Zach Galifianakis, Bruce Greenwood, David Walliams
Director: Jay Roach
Summary: A renowned publisher encourages his friends to invite the most pathetic guests possible for their weekly dinner party. Just as they find the most pathetic man yet, the host is injured and ends up trapped with the man all night long.
Analysis: A remake of director Francis Veber's 1998 César award-winning "Le Diner des cons", 'Schmucks' is one of the highest profile comedies of next year with one of the strongest casts for the genre in recent memory. It also marks the return of "Austin Powers" and "Meet the Parents" helmer Jay Roach who has produced several films in recent years but hasn't directed since 2004's "Meet the Fockers".
The question now lies not in the performers or director but the material itself and whether a Gallic comedy can »
- Garth Franklin
4 December 2009 6:02 PM, PST | Cinematical | See recent Cinematical news »
In an industry where actresses face fewer options as they get older, Patricia Clarkson has defied the odds. Years after making her debut in Brian de Palma's 1987 crime pic The Untouchables and landing a breakthrough role in 1998's High Art, she's hit her stride and become one of Hollywood's most popular character actresses. In the decade of the '00s alone, the plaudits and awards have come left and right: an Oscar nomination for Pieces of April, two Emmy wins for HBO's "Six Feet Under,"and critics' awards for Far From Heaven, The Station Agent, Good Night, and Good Luck. (In 2009, the Year of the Cougar, Clarkson was also handpicked to star in Saturday Night Live's "Motherlover," an honor of another kind.)
So when Cinematical met Clarkson during last month's Savannah Film Festival, we jumped at the chance to talk with the actress about her career - past, »
- Jen Yamato
3 December 2009 11:57 AM, PST | ifc.com | See recent IFC news »
In 1989, Spike Lee picked up a trashcan and hurled it into the front window of Sal's Pizzeria, stirring chaos in Bed-Stuy and sending movie audiences into a tizzy about race relations in America. That same year, Oliver Stone and Brian De Palma were reopening heated debates about Vietnam ("Born on the Fourth of July," "Casualties of War"), while Steven Soderbergh and Peter Greenaway were making us squirm by challenging conventional moral codes ("sex, lies and videotape," "The Cook, the Thief, His Wife & Her Lover"). Jump ahead 20 years: today's watercooler cinema holds nary an ounce of subversive content. On the contrary, the most talked-about upscale American films of the year uphold such conservative myths as the sanctity of family and community.
Much has already been written about the reactionary elements of Lee Daniels' "Precious: Based on the Novel 'Push' by Sapphire," which, despite its confrontational scenes of rape, »
- Anthony Kaufman
28 November 2009 | shocktillyoudrop.com | See recent shocktillyoudrop news »
About two years ago, this Shock writer was able to conduct a career spanning interview with actor-turned-director Keith Gordon over on Icons Of Fright. (Check that out right here .) Genre fans of course recognize him in front of the camera for his performances in Jaws 2 , John Carpenter's Christine and Brian DePalma's Dressed To Kill , as well as the Rodney Dangerfield comedy Back To School . He eventually made the shift over to directing with dramas such as The Midnight Clear and Waking The Dead , but when we initially spoke, he was just tackling episodes from Showtime's second season of Dexter . Now, he's directed episodes in every season and with "Lost Boys", the 10th episode of Dexter season four debuting this Sunday, we thought this was the ideal time »
17 November 2009 2:59 PM, PST | FEARnet | See recent FEARnet news »
In 1988 there was a short lived musical based on Stephen King's novel and Brian DePalma's 1976 film Carrie. Carrie: The Musical, which at the time cost a staggering 7+ million to produce, divided audiences and was a critical failure. It played only 16 preview shows and 5 'official' performances before it was shut down. Since the 80's, this failed horror musical has attained legendary cult status, and for Years there has been talk of a revival. Today, we're one step closer to seeing it happen. Playbill has recently announced casting for a scheduled read through of Carrie: The Musical in Manhattan. Hit the jump for more info on Carrie: The Musical and a quick trip down horror musical memory »
11 November 2009 12:30 AM, PST | DreadCentral.com | See recent Dread Central news »
With featured roles in Brian De Palma’s Carrie, John Carpenter’s Halloween, Allan Arkush's Rock 'n' Roll High School (featuring The Ramones), and Rob Zombie’s The Devil's Rejects, P.J. Soles has appeared in some of the most iconic cult/horror films of all time.
She's also an accomplished comedic actress, appearing in more mainstream fare such as Ivan Reitman's Stripes and Howard Zieff's Private Benjamin. (Okay, maybe Stripes and Private Benjamin aren't the genre movies Dread Central usually covers, but I think we remember them as well – especially P.J. displaying her comedy chops with Bill Murray).
Ms. Soles sat down with writer and horror fiend Heather Buckley for a lively interview about her acting career (which spans over 30 years, including television), her current musical endeavors, and one actor's insights into the differences between being directed by master of the macabre John Carpenter and suspense maestro Brian De Palma. »
- Heather Buckley
10 November 2009 12:00 PM, PST | MTV Movies Blog | See recent MTV Movies Blog news »
Yesterday, I saw a lot of people calling for Jamie Foxx's Oscar to be revoked following the announcement that he and Martin Lawrence are confirmed for "Sheneneh and Wanda," a comedy in which the duo will play female bank robbers. Both roles are based on earlier cross-dressed characters from the actors' TV days (Lawrence's Sheneneh is from "Martin" and Foxx's Wanda is from "In Living Color"). Foxx, who won the Academy Award for Best Actor in 2004 for "Ray" (he was also nominated for Best Supporting Actor that same year for "Collateral), returning to this drag shtick seems like a huge step backward to a lot of people.
"Seems" is the key word here, though, because it doesn't have to be a regression. Plenty of Oscar-caliber actors have cross-dressed before and since being nominated and/or winning an Academy Award, and plenty of performers have won for dressing like the opposite sex. »
- Christopher Campbell
4 November 2009 12:49 PM, PST | The Hollywood Interview | See recent The Hollywood Interview news »
Screenwriter and filmmaker Robert Towne.
Forget It Bob, It’S Chinatown
Robert Towne looks back on Chinatown’s 35th anniversary
By
The haunting trumpet wailing plaintively over the closing credits. The bandage covering star Jack Nicholson’s nose. The best last line of a movie, ever: “Forget it, Jake. It’s Chinatown"; all elements of a film now regarded by scholars, critics and cinefiles alike as one of the greatest pieces of American celluloid ever made. Chinatown was a collaboration between a who’s-who of ‘70s film icons. Directed by Roman Polanski, produced by Robert Evans, written by Robert Towne, starring Nicholson and Faye Dunaway, shot by John Alonso, and scored by Jerry Goldsmith, Chinatown was nominated for 11 Academy Awards in 1974, but brought home only one: for its writer. Robert Towne was barely 40, and Chinatown his first produced original screenplay, his previous efforts having been literary adaptations, such as 1973’s The Last Detail. »
- The Hollywood Interview.com
3 November 2009 12:12 PM, PST | SoundOnSight | See recent SoundOnSight news »
Undertones: Volume 7 It's the time of the year again where folks' minds turn to the macabre and the ghoulish; where death is celebrated rather than feared and of course, when dusty copies of horror films are taken off the shelf to terrify and amuse. So, in honor of the Halloween season it would seem only right that this installment of Undertones concern itself with the scores of horror films or, more specifically, those that emerged during a particularly groundbreaking and ultra-violent decade of cinema - the 1970s. Many of the horror films of the 1970s did not involve supernatural beings such as vampires, werewolves and swamp things, but the terrors of home and society at large. The menacing figures of films such as Texas Chainsaw Massacre (Hooper, 1974) and Halloween (Carpenter, 1978) may have worn crazy masks and looked decidedly 'un-human' but the messages these films posited concerned themselves with that of »
- Ricky
30 October 2009 12:27 AM, PDT | FilmShaft.com | See recent FilmShaft.com news »
That’s according to the man himself. Speaking to MTV, “Mission: Impossible III” and “Star Trek” director, J.J. Abrams says he just too busy to consider directing Mission: Impossible IV:
“I’m producing with Tom,” he said recently. “My guess is, given other things, that I will not be directing the movie.”
With Abrams and Tom Cruise both directing, the hunt is on for a new director to take to the chair, just who could fill the boots of Abrams, John Woo and Brian De Palma? As if that wasn’t enough to think about, rumours have bee circulating over the last few years that Cruise may not return to the series as the central protagonist, Imf Agent, Ethan Hunt. So what did Abrams have to say on the matter?
“I don’t want to give anything away yet, but I will say that it’s a story that »
- Craig Sharp
28 October 2009 1:00 PM, PDT | FilmExperience | See recent FilmExperience news »
Alexa from Pop Elegantiarum here to share some creepy film craftiness for Halloween Week. One of my favorite Halloween memories is a sleepover I had with some friends in middle school. A bunch of us girls bundled up after a night of trick-or-treating to watch Brian De Palma's masterpiece of horror, Sisters, starring Margot Kidder as a set of loony French-Canadian Siamese twins. This was Brian De Palma's first foray into Hitchcock homage; really, though, it's just a solid horror flick wrapped in a mystery story (sprinkled with some humor). I still get chills when Dominique stabs her male suitor after he just bedded her sister, Danielle.
Maybe that's why I'm digging Jeff Cashvan's weird little "pyrographic portrait" of this scene in wood. Something about it just oozes horror. You can see more of Jeff's wood world here.
* »
- Alexa
27 October 2009 5:54 AM, PDT | Fangoria | See recent Fangoria news »
Given man's unwavering fascination with woman, it's no surprise that the female star acts as the anchor to a dominant portion of horror pictures. I mean really, who wants to see a bare chested man tearin ass through the woods screaming at the top of his lungs while a bladed assailant nips at his heels? I don't - I know that much, although I'm certain there are plenty of men who would disagree (and that's okay with me, to each his own!). The simple fact remains however, women bring a unique appeal and certain sensual atmosphere to film that no man ever could. And it's not all about gratuitous T&A.
There's a comforting quality in the hands of the heroine; a fascinating maternal strength that, as a man I cannot genuinely relate to. I can however admire, and in many cases it's nearly impossible to not admire the lone »
- no-reply@fangoria.com (Matt Molgaard)
26 October 2009 11:36 AM, PDT | Pretty/Scary | See recent pretty-scary news »
Two-time Academy Award-winning actress Hilary Swank will be honored with the "Hollywood Actress Award" at the The 13th Annual Hollywood Film Festival and Hollywood Awards today, October 26th.
Swank stars in the 2010 thriller The Resident about a doctor who suspects she may not be alone in her Brooklyn loft, and learns that her landlord has formed a frightening obsession with her. Swank's other genre credits include Brian De Palma's real-life crime drama The Black Dahlia, opposite Josh Hartnett and Scarlett Johansson, Sam Raimi's The Gift, with Cate Blanchett and Keanu Reeves, Christopher Nolan's Insomnia, opposite Al Pacino and Robin Williams, The Reaping, and Buffy the Vampire Slayer.
»
- Superheidi
23 October 2009 3:01 PM, PDT | AOL - TVSquad | See recent AOL - TVSquad news »
It's the season for scary movies - bad scary movies, good scary movies, campy scary movies, any kind of scary movie. And depending on what cable company you subscribe to, there are plenty of free offerings right now on demand.
FearNet is the obvious go-to place for freebies, although it has its detractors hanging around this blog. One of the best choices available now is Return of the Living Dead III. Unless you're a hardcore horror geek, you may not know this one. And the plot -- a young couple near a military base are torn apart when she becomes one of the living dead -- may not sound exciting. But the first zombie onscreen is convincingly freaky, and the surprise ending is actually kind of a surprise.
FearNet also has Severed Ties, in which a severed arm comes back to life as a reptilian killing machine. And who doesn't »
- Nick Zaino
23 October 2009 1:00 PM, PDT | Hitfix | See recent Hitfix news »
When I was in Austin for Fantastic Fest, one of the big screenings was for "The Vampire's Assistant," which Universal hopes will jumpstart a "Cirque Du Freak" series for them based on the books by Darren Shan. Like John Dies At The End, which I reviewed yesterday, the main character in the books is also the author, and in this case, Darren Shan is the one who meets a vampire and ends up becoming his assistant. And the vampire? John C. Reilly. Reilly's been a hard-working character actor for the last 20 years, since his fantastic debut in Brian De Palma's "Casualties »
22 October 2009 5:58 PM, PDT | DreadCentral.com | See recent Dread Central news »
Torso, by Brian Michael Bendis, is one of the best graphic novels out there. A gritty and gripping hunt for a serial killer, its attention to detail is staggering, and its pace is better than most bestsellers. To say it'd make a great movie is a no-brainer, which is why I'm surprised that it's taken so damn long to get made!
Despite numerous false starts (once with David Fincher attached to direct), the author himself is telling us that there's still a chance we might see the serial killer epic realized for the big screen. Bendis talked to MTV recently about the status of the project:
"Last December we got the green light ... and then three days later there was no green light," he said. "Imagine you get a call, you won the lottery... [then] no, you didn't. It's much worse than never getting the call. It was a very exciting moment, »
- Masked Slasher
19 October 2009 8:02 PM, PDT | Beyond Hollywood | See recent Beyond Hollywood news »
Columbia Pictures and Ghost House Pictures’ sequel to David Slade’s 2007 vampire movie “30 Days of Night” have commenced shooting as we speak, which means a lot of the cast are already in place, though oddly enough, still no word if another actress will be taking over Melissa George’s role from the first movie. In lieu of that, here are some notable casting news, including Mia Kirshner (left) as the lead vampire/villain of the piece, Lillith. Kirshner is no stranger to gothic/dark comic book movie sequels, having starred in “The Crow: City of Angels”, though she hasn’t had a major role in a while, with the last one being Brian De Palma’s “The Black Dahlia” in 2006. Other members of the cast include two former “Lost” castaways Harold Perrineau (also in “28 Weeks Later”) and Kiele Sanchez (recently in “A Perfect Getaway”). Also along for the ride are model-turned-actress Diora Baird, »
- Nix
19 October 2009 9:33 AM, PDT | Cinematical | See recent Cinematical news »
A blood-drenched young woman who immediately morphs from prom queen to telekinetic murderer is not the sort of fare that usually inspires musicals. Nevertheless, Brian De Palma's Carrie found its way into a song and dance production back in 1988. But it was no Evil Dead: The Musical ... it was a disaster. First, there was a a stint in Stratford that lasted three weeks. Then, five performances on Broadway. Just five -- the cheers mixed with plentiful booing and terrible reviews until it closed after a handful of shows -- thus becoming one of the most expensive flops in history.
I don't know if it's because Fame is in the air, and the production was choreographed by Debbie Allen and worked on by Dean Pitchford, but Variety reports that producers are bringing together a 29-hour Equity reading of the flop. The creators -- composer Michael Gore, lyricist Pitchford, and »
- Monika Bartyzel
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