Jim Jarmusch - News Poster

News

10 Great Directors Who Should Make Horror Movies — IndieWire Critics Survey

  • Indiewire
10 Great Directors Who Should Make Horror Movies — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: What filmmaker would you most like to see try their hand at a horror movie?

Kristy Puchko (@KristyPuchko), Pajiba/Riot Material

I struggled with this question, because a lot of the directors I have adored have worked in horror, be it Tim Burton (“Beetlejuice,” “Edward Scissorhands”), Robert Zemeckis (“Death Becomes Her”), Edgar Wright (“Shawn of the Dead”), Frank Oz (“Little Shop of Horror”), Guillermo del Toro (“Crimson Peak”), Bong-Joon Ho (“The Host”), Jim Jarmusch (“Only Lovers Left Alive”), or Taika Waititi (“What We Do In the Shadows”). Part of what I love about the genre is the way is can be reshaped with vision, color,
See full article at Indiewire »

Adam Driver Goes Undercover For Spike Lee & Jordan Peele’s ‘Black Klansman’

  • The Playlist
At 33 years old, Adam Driver has assembled of roster of auteurs he’s worked with that would be impressive for someone twice his age. The actor has crossed Clint Eastwood, Noah Baumbach, Steven Spielberg, the Coen Brothers, Rian Johnson, J.J. Abrams, Jeff Nichols, Jim Jarmusch, Martin Scorsese, Terry Gilliam, and Steven Soderbergh off the bucket list, and now he’s getting ready to scratch out another name.

Continue reading Adam Driver Goes Undercover For Spike Lee & Jordan Peele’s ‘Black Klansman’ at The Playlist.
See full article at The Playlist »

Adam Driver Joins Spike Lee’s ‘Black Klansman,’ Produced by Jordan Peele

If an actor’s resume throughout their entire career included Martin Scorsese, Jim Jarmusch, Steven Spielberg, Steven Soderbergh, the Coens, Terry Gilliam, Leos Carax, and Rian Johnson, it’d be one of the most impressive in filmmaking. For Adam Driver, he’s managed to work with all of these directors in just the last five years. He’s now collaborating with another one of the greats, Spike Lee, for a Kkk crime thriller.

According to Deadline, Driver has joined John David Washington (Ballers), and Laura Harrier (Spider-Man: Homecoming) in Black Klansman, which follows black police detective Ron Stallworth in Colorado Springs who went undercover in the Kkk. Driver plays a fellow undercover police offer, named Flip, who is known to be a perfectionist and anti-social.

With Lee at the helm — whose vital, urgent Chi-Raq was one of 2015’s best films — and the producing backing of Jordan Peele, Jason Blum, and distribution from Focus Features,
See full article at The Film Stage »

Morelia: ‘Tempestad’s’ Tatiana Huezo Adapts ‘Prayers for the Stolen’ for Fiction Debut, ‘Noche de Fuego’ (Exclusive)

Morelia: ‘Tempestad’s’ Tatiana Huezo Adapts ‘Prayers for the Stolen’ for Fiction Debut, ‘Noche de Fuego’ (Exclusive)
Director of “Tempestad,” Mexico’s foreign-language Oscar submission, Tatiana Huezo, already one of Mexico’s most distinguished women filmmakers, will make her fiction feature debut, “Noche de fuego,” adapting Jennifer Clement’s “Prayers for the Stolen.”

One of the most buzzed-up projects at Morelia’s Sundance Lab, “Noche de fuego” is produced by Nicolas Celis and Jim Jarmusch collaborator Jim Stark (“Down By Law”) and is set up at Celis’ Pimienta Films, producer of Huezo’s docu-feature debut “The Tiniest Place” and “Tempestad,” and also a lead-producer on Alfonso Cuarón’s upcoming Spanish-language movie “Roma,” and a co-producer on “Pájaros del verano,” also in post, from Academy Award-nominated Colombian Ciro Guerra (“Embrace of the Serpent”).

Tempestad” is also nominated for an International Emmy Award and is Mexico’s candidate for next February’s 32nd Spanish Academy Goya Awards, where it has currently made the last-16 longlist for Best Ibero-American Film.

El Salvador-born,
See full article at Variety - Film News »

Tilda Swinton Reteaming With Jim Jarmusch For New Film

  • The Playlist
When Tilda Swinton works with a director she likes, there’s a good chance she’ll wind up making another movie with them should the opportunity arise. One of the filmmakers on her Rolodex is Jim Jarmusch, with the pair previously collaborating on “Broken Flowers,” “The Limits Of Control,” and “Only Lovers Left Alive.” Now, it looks like she’s gearing up to re-team with the filmmaker once again.

Continue reading Tilda Swinton Reteaming With Jim Jarmusch For New Film at The Playlist.
See full article at The Playlist »

Movie Poster of the Week: “Maigret Sets a Trap” and the Art of Nathan Gelgud

  • MUBI
This beautiful pair of illustrated posters for two late 50s Maigret adaptations by Jean Delannoy is the work of Nathan Gelgud, an artist who by now should be well known to cinephiles in New York and Los Angeles. Nathan is the creator of the auteur tote bag, an essential cinephilic fashion accessory for the 2010s, more on which later. Full disclosure: I was involved in the art direction on these posters at Kino Lorber, whose repertory division is re-releasing Maigret Sets a Trap (originally released in the Us as Inspector Maigret and later re-released as Woman Bait) at Metrograph today and will be releasing both films on Blu-ray in December. I’d been aware of Nathan’s work for a while, but it was his comic-book style resumé poster for Metrograph’s Alain Tanner retrospective this summer that convinced me he’d be perfect for Maigret. And, as luck would have it,
See full article at MUBI »

Antalya Festival: Christopher Walken, Juliette Lewis Head Star Lineup

Antalya Festival: Christopher Walken, Juliette Lewis Head Star Lineup
Turkey’s Antalya Film Festival has boosted the star wattage for its Oct. 21 opening night, with Oscar-winner Christopher Walken, Juliette Lewis and Japanese actor and Jim Jarmusch regular Masatoshi Nagase (“Radiance”) set to attend the seaside event in Turkey.

During the festival, Walken and Lewis will discuss career benchmarks at In Conversation With sessions; Walken will take home an Honorary Golden Orange Award for outstanding contribution to the art of film.

Also on hand will be Sean Baker, screening “The Florida Project,” Ai Wei-Wei producer Chin-Chin Yap, presenting “Human Flow” and Cannes winner Aida Begic with “Never Leave Me.”

In addition, Oscar-winner Danis Tanovic (“No Man’s Land”) will make his way to the historic resort city for a tribute to his work, along with that of late director Ömer Lütfi Akad, a pioneer of post-war Turkish cinema.

Palestinian filmmaker/provocateur Elia Suleiman will preside over a jury composed of Turkish actress, producer and writer
See full article at Variety - Film News »

Christopher Walken, Juliette Lewis to Be Honored at Antalya Film Festival

Christopher Walken, Juliette Lewis to Be Honored at Antalya Film Festival
Turkey's Antalya film festival will present Christopher Walken with an honorary lifetime achievement award this year.

Walken, who won an Oscar for his performance in Michael Cimino's The Deer Hunter, will receive an Honorary Golden Orange Award for Outstanding Contribution to the Art of Film, organizers said Tuesday.

Meanwhile, Juliette Lewis, who was nominated for an Academy Award for her part in Cape Fear, will be presented with the key to the city of Antalya by Mayor Menderes Turel.

The actors will be joined by other prominent guests at the Mediterranean resort for the festival. Japanese actor and Jim Jarmusch...
See full article at The Hollywood Reporter - Movie News »

Lumíère Festival: Tilda Swinton – a British Iconoclast

Lumíère Festival: Tilda Swinton – a British Iconoclast
Many actors profess to be surprised when they win an Academy Award; few look as sincerely stunned as Tilda Swinton did when she was named Best Supporting Actress in the 2007 ceremony, for her expertly frosted turn as a corrupt corporate lawyer in “Michael Clayton.” Her shock, one suspects, had less to do with how favored she was or wasn’t by the bookies than her bewilderment at being in the hunt for Hollywood gold in the first place: Little about the way the iconoclastic British star forges and curates her unusual career has courted the awards and embrace of the mainstream, yet they’ve found her anyway.

The Oscars certainly seemed a world away when the 25-year-old Swinton — who caught the acting bug while studying politics at Cambridge, and joined the Royal Shakespeare Company after graduating — began her film career with Derek Jarman, Britain’s pioneering godfather of New Queer Cinema. Playing the artist
See full article at Variety - Film News »

Harvey Weinstein Accusations: How Film Festival Environments Provided a Backdrop For Sexual Assault

  • Indiewire
Harvey Weinstein Accusations: How Film Festival Environments Provided a Backdrop For Sexual Assault
In 1995, Harvey Weinstein tried to give Mira Sorvino a massage, chasing her around the room when she rebuffed him. In 1996, he sexually assaulted rising French actress Judith Godrèche in a hotel room; a year later, he had another incident with Rose McGowan. In 2008, actress Louisette Geiss fled a hotel room where Weinstein tried to get her to watch him masturbate. In 2010, he tricked another French actress, Emma de Caunes, into visiting a hotel room where he exposed himself and tried to get her lie down.

In all of these accounts, Weinstein seemed to think that the relative privacy of the hotel room provided him with a sanctuary in which he could perform deplorable acts on whomever he pleased, but the context was more specific than that: In every instance, he was at a film festival.

Read More:Harvey Weinstein Is Done: After 30 Years of Abusive Behavior, the Mogul Lies in
See full article at Indiewire »

61st BFI London Film Festival Review – Lucky (2017)

Lucky, 2017.

Directed by John Carroll Lynch

Starring Harry Dean Stanton, David Lynch, Barry Shabaka Henley, Beth Grant, and Tom Skerritt.

Synopsis:

The spiritual journey of a ninety-year-old atheist.

Late, lamented Hollywood legend Harry Dean Stanton had the sort of face the camera practically keeled over for. Less a visage than an ordnance survey map of Hollywood history, Dean Stanton’s features were testament to his extraordinary 60 year career as a ubiquitous, scene-stealing support player in the likes of Alien and Repo Man.

Small wonder that debut director John Carroll Lynch makes such sublime use of the actor’s wonderfully weathered features in his lyrical small town drama Lucky. Indeed, Stanton’s face practically is the entire story, competing with the sun-baked, cactus-strewn landscapes for sheer ruggedness.

Named after Stanton’s central character, Lucky is that rare movie that gifts the actor a juicy lead role, comparable to his iconic desert-trekking loner in Wim Wenders’ Paris,
See full article at Flickeringmyth »

Magnolia Pictures Takes North American Rights To Director Sara Driver’s Boom For Real The Late Teenage Years Of Jean-michel Basquiat

Magnolia Pictures announced today that they have acquired North American rights to Boom For Real The Late Teenage Years Of Jean-michel Basquiat, director Sara Driver’s (When Pigs Fly, Sleepwalk) love letter to New York City’s past through the eyes of people who knew the renowned artist.

The film, which world-premiered at this year’s Toronto International Film Festival to critical acclaim, will next screen at the 55Th New York Film Festival, presented by the Film Society of Lincoln Center.

Magnolia plans a 2018 theatrical release.

Boom For Real The Late Teenage Years Of Jean-michel Basquiat follows Basquiat’s life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never before seen works, writings and photographs, Driver worked closely and collaboratively with her friends and other artists who emerged from that scene: Nan Goldin, Jim Jarmusch, James Nares,
See full article at WeAreMovieGeeks.com »

‘Porto’ Trailer: Anton Yelchin Finds Romance In Portugal

  • The Playlist
It’s been just over a year since Anton Yelchin‘s tragic passing, and it’s still hard to believe he’s gone. An actor with gifts and talent he still had yet to share, we can take some comfort that there’s still one more film to treasure from Yelchin in “Porto.”

Read More: Jane Campion Talks Her Career and ‘Top Of The Lake: China Girl

Directed by Gabe Klinger, executive produced by Jim Jarmusch, co-starring Lucie Lucas, and shot in 35mm, the film tells the story of a romance that blooms between two foreigners in Portugal.

Continue reading ‘Porto’ Trailer: Anton Yelchin Finds Romance In Portugal at The Playlist.
See full article at The Playlist »

‘Blade Runner 2049’: Will Strong Reviews, Ryan Gosling Push Sequel to Success?

‘Blade Runner 2049’: Will Strong Reviews, Ryan Gosling Push Sequel to Success?
One of the most memorable moments at this year’s CinemaCon came on opening night when Sony Motion Picture Group chairman Tom Rothman debuted footage for “Blade Runner 2049” and said, “Netflix, my ass.”

Six months later, domestic distributor Warner Bros., international distributor and production partner Sony and production company Alcon Entertainment are about to find out whether the Denis Villeneuve-directed sequel to Ridley Scott’s iconic 1982 original has what it takes to get filmgoers off the couch.

It’s starting to look promising for the sequel, which opens Oct. 6 and stars Ryan Gosling and Harrison Ford reprising his Rick Deckard character from the 1982 film. Sony co-financed the production with Alcon Entertainment, while Warner Bros. handles the domestic rollout through its longstanding output deal with Alcon.

It’s highly beneficial that the original is held in such high regard, Rothman says, but adds that “Blade Runner 2049” is being pitched very much on its own, rather
See full article at Variety - Film News »

New York Film Festival: 13 Films We Can’t Wait to See This Year, From ‘Lady Bird’ to ‘Last Flag Flying’

  • Indiewire
New York Film Festival: 13 Films We Can’t Wait to See This Year, From ‘Lady Bird’ to ‘Last Flag Flying’
The New York Film Festival kicks off later this week, sending us straight into the second half of a very busy fall festival season. In preparation for the festival, we’ve pinpointed its most exciting offerings, from never-before-seen narratives to insightful new documentaries, and plenty of previously-screened features looking to capitalize on strong word of mouth coming out of fellow tests like Venice, Telluride, and Toronto. In short, there’s plenty to experience in the coming weeks, so consider this your roadmap to the best of the fest.

Read More:Bryan Cranston Enters Oscar Race with New York Film Festival Opener ‘Last Flag Flying

Ahead, 13 essential titles — from buzzy world premieres to highlights from the 2017 circuit— that we can’t wait to see at this year’s New York Film Festival.

Arthur Miller: Writer

Documentaries about family members are always a dubious proposition. Some can also come across as overindulgent exercises,
See full article at Indiewire »

Review: Christopher Doyle Visually Dazzles, Narratively Disappoints in ‘Hong Kong Trilogy’

An often serenely meditative exploration of sociopolitical life in contemporary Hong Kong, Christopher Doyle’s Hong Kong Trilogy is a stunningly-photographed blend of documentary and fictional narrative, following real locals playing themselves. We can’t tell where real life ends and fiction begins, and ultimately, we don’t care. The film marks Doyle’s first directorial effort, crowdfunded via a Kickstarter campaign in 2014. Doyle, the self-proclaimed Keith Richards of cinematographers, is one of the most beloved and provocative DPs in the world, endowed with an exquisite eye for composition. His new film, however, meanders around for a merciful 85 minutes before fading to black, never fusing together into anything impacting, beyond a fleetingly casual interest in the characters. Other than that, we’re left with just a handful of dazzling visuals to recall, and little more.

The film is divided across three chapters. The first, titled Preschooled, follows the students of a local private school,
See full article at The Film Stage »

Julie Delpy to Receive Honorary Tribute at 30th European Film Awards

Julie Delpy to Receive Honorary Tribute at 30th European Film Awards
Julie Delpy, the Oscar-nominated French-American writer, filmmaker and actress, will receive the European Achievement in World Cinema award at the 30th European Film Awards in December. The honor recognizes Delpy’s rich and diverse career in front of and behind the camera.

The Paris-born Delpy is best known for her role opposite Ethan Hawke in Richard Linklater’s “Before Sunrise” (1995), “Before Sunset” (2004) and “Before Midnight” (2013), which she co-wrote. Delpy received an Oscar nomination in screenwriting for “Before Sunset” and “Before Midnight” (shared with Linklater and Hawke) as well as a Golden Globe nomination for her performance in the latter.

A graduate of Nyu’s Tisch School of the Arts, Delpy has directed, written or acted in more than 30 films. She’s been nominated at the European Film Awards twice, first as an actress in Volker Schlöndorff’s “Homo Faber,” in 1991, and as a director in 2007 with “2 Days in Paris,” which also earned a Cesar nomination. Her
See full article at Variety - Film News »

‘Boom For Real’ Clip: Sara Driver’s Documentary On Famed Artist Jean-Michel Basquiat – Toronto

  • Deadline
‘Boom For Real’ Clip: Sara Driver’s Documentary On Famed Artist Jean-Michel Basquiat – Toronto
Exclusive: Sara Driver’s documentary Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat, offers insight into the artist and New York native’s formative years. The docu is having its world premiere today at the Toronto Film Festival. Driver, a close friend to Basquiat and part of art scene of the 1970s and ’80s, worked with other artists who emerged from that scene like Nan Goldin, Jim Jarmusch, James Nares, Fab Five Freddy, Lee Quinones, and Luc Sante. She…
See full article at Deadline »

Toronto: Le Pacte Acquires France on Javier Fesser’s ‘Campeones’ (Exclusive)

Madrid — In a bellwether deal, Jean Labadie’s Le Pacte, one of France’s most distinguished independent distributors, has secured French distribution rights to “Campeones,” directed by Academy Award-nominated Javier Fesser (“Binta and the Great Idea”).

Sold by Madrid-based Latido Films and produced by Spain’s Morena Films (“Altamira,” “Cell 211,” “Comandante”), Telefonica pay TV division Movistar + (“Tadeo Jones 2,” “Dragonkeeper”) and Fesser’s Películas Pendleton, “Campeones” has already tied down a Spanish distribution deal with Universal Pictures Intl. (Upi), whose releases include some of the biggest Spanish comedies ever.

Le Pacte’s French rights pick-up is another early market indicator of interest in the film,” as Latido Films prepares to move “Campeones,” currently in post-production, at Toronto’s market.

Founded by Labadie in 2007, Le Pacte plays off a mix of big name auteur titles (Jim Jarmusch’s “Paterson,” Ken Loach’s “I, Daniel Blake”), films from on-the-rise French talent (such as Thomas Lilti, whose
See full article at Variety - Film News »

Adam Driver, David Lowery, and Jeff Nichols Debate Indies, Studio Movies, Netflix, and Legacies

Adam Driver, David Lowery, and Jeff Nichols Debate Indies, Studio Movies, Netflix, and Legacies
Last weekend in Little Rock, Arkansas, Jeff Nichols launched Premiere, the first event of his newly minted Arkansas Cinema Society. The writer-director of “Loving,” “Mud,” and “Midnight Special” screened a selection of smart movies, including Jim Jarmusch’s “Paterson” and J.J. Abrams’ “Star Wars: The Force Awakens,” hosted by star Adam Driver, whose family spent summers in Arkansas. Austin-based David Lowery brought “Pete’s Dragon” and “A Ghost Story” and producer Noah Stahl came with current release “Patti Cake$.”

I interviewed Driver, Lowery, and Nichols about how they define creative independence as they balance high- and low-budget movies. (It has been edited for length and clarity.)

Working with the studios

Jeff Nichols: I’m smack dab in the middle of the first draft of “Alien Nation” for Fox, trying to balance sensibilities. When you set out to work on something with a big price tag on it in terms of production cost,
See full article at Thompson on Hollywood »
loading
An error has occured. Please try again.

See also

Credited With | External Sites