The son of a prosperous Mexican dentist, Ramon Novarro moved to Los Angeles with his family as refugees from the Mexican revolution of 1916. After stints as a ballet dancer, piano teacher and singing waiter, he became a film extra in 1917. For five years he remained an extra until director Rex Ingram cast him as Rupert in The Prisoner of Zenda (1922). He was cast with Lewis Stone and Ingram's wife, Alice Terry (Ingram was also the person who suggested that he change his name to Novarro). He worked with Ingram in his next four films and was again teamed with Terry in the successful Scaramouche (1923). Novarro's rising popularity among female moviegoers resulted in his being billed as the "New Valentino". In 1925 he appeared in his most famous role, as the title character in Ben-Hur: A Tale of the Christ (1925), and later co-starred with Norma Shearer in The Student Prince in Old Heidelberg (1927). His first talking picture was Call of the Flesh (1930), where he sang and danced the tango. He continued to appear in musicals, but his popularity was slipping. He starred with Greta Garbo in the successful Mata Hari (1931), but his career began to fade fast. In 1935 he left MGM and appeared on Broadway in a show that quickly flopped. His later career, when he was able to find work in films, consisted mostly of cameos. On October 30th, 1968, Ramon Novarro was savagely beaten in his North Hollywood home by two young hustlers. They had heard - in error - that he had thousands of dollars locked away somewhere in his home. They never found any money, and Ramon was discovered dead the next day by his servant.
IMDb Mini Biography By: Tony FontanaFound beaten to death at home in Hollywood Hills.
Cousin of Dolores del Rio
Allegedly he used to rub vaseline on his upper gum to succeed in smiling also when his mouth was got dry by emotion.
Was a close friend of Gabriel Navarro, the grandfather of rocker Dave Navarro. He chose to borrow Gabriel's surname for his stagename, but a secretary made a typing error, rendering him forever Ramon Novarro.
A book about his death, "Bloody Wednesday", was rushed into print. For some reason, very few copies are available today, making the book a collector's item.
According to Bob Gilmore's biography of composer Harry Partch (p. 47), Novarro and Partch had a homosexual love affair while in their 20s. They worked as ushers for the Los Angeles Philharmonic together, and Novarro left Partch once his acting career in silent films picked up.
Although born in Mexico, he was not a native Mexican. His parents were immigrants from Spain.
Father was M.N. Samaniegos, a dentist. Mother was Elenor Gavilan. Three sisters: Carmen Samaniegos, dancer; Luz Samaniegos; Lenore Samaniegos, nun. Four brothers: Mariano Samaniegos, dentist; Eduardo Samaniegos, architect; Jose Samaniegos, chemist; and Antonio Samaniegos, film technician.
I was always the hero - with no vices - reciting practically the same lines to the leading lady. The current crop of movie heroes are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out.
| Ben-Hur: A Tale of the Christ (1925) | $10,000/week |
| The Prisoner of Zenda (1922) | $125/week |
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