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Pierre Galliard

Pierre Galliard is known for his work on La Cérémonie (1995), L'Enfer (1994) and Merci pour le Chocolat (2000). See full bio »

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Known For

La Cérémonie
La Cérémonie Art Department
L'Enfer Set Decorator
Merci pour le Chocolat
Merci pour le Chocolat Art Department
The Swindle
The Swindle Art Department


Hide Hide Show Show Art department (24 credits)
 2013-2014 Les petits meurtres d'Agatha Christie (TV Series) (property master - 3 episodes)
- Le crime ne paie pas (2014) ... (property master)
- Pourquoi pas Martin? (2013) ... (property master)
- Témoin muet (2013) ... (property master)
 2011 Le bon samaritain (TV Movie) (property master)
 2010 Quand vient la peur... (TV Movie) (property master)
 2008 La maison Tellier (TV Movie) (props)
 2006 Sartre, l'âge des passions (TV Movie) (property master)
 2006 Comedy of Power (property master)
 2005 Nuit noire, 17 octobre 1961 (TV Movie) (props)
 2003 L'affaire Dominici (TV Movie) (property master)
 2001-2002 Le juge est une femme (TV Series) (property master - 2 episodes)
- Les délices du palais (2002) ... (property master)
- Coeur solitaire (2001) ... (property master)
 2000 Merci pour le Chocolat (property master)
 1999 The Color of Lies (property master)
 1998 La classe de neige (property master)
 1997 The Swindle (property master: France)
 1996 Passage à l'acte (props)
 1995 La Cérémonie (assistant decorator)
 1993 Les ténors (property master)
 1993 À la mode (props)
 1990 Jours tranquilles à Clichy (property master)
 1989 Stormy Summer (property master)
 1988 Les dossiers secrets de l'inspecteur Lavardin (TV Series) (props - 1 episode)
- L'escargot noir (1988) ... (props)
 1987 Masques (property master)
 1986 Mélo (property master)
 1986 Inspecteur Lavardin (property master)
 1985 Poulet au vinaigre (property master)
Show Show Actor (2 credits)
Show Show Camera and Electrical Department (2 credits)
Show Show Set decorator (2 credits)
Show Show Self (1 credit)

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Paul Scheer on Why There Are No Bad Movies

Paul Scheer discusses The Disaster Artist and his love of awesomely bad movies. Plus, we dive into the origins of midnight movies and explore how The Room became a cult classic.

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