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Tom Kennedy (VI)

Tom Kennedy is known for his work on Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode V - The Empire Strikes Back (1980) and Deep Rising (1998). See full bio »

"The IMDb Show" Tackles a New Class of Holiday Classics

"The IMDb Show" unwraps some of the most festive animated holiday specials from the past and weighs in on future winter classics.

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Congratulations to Golden Globe Nominee "The Marvelous Mrs. Maisel"

The Prime Original series "The Marvelous Mrs. Maisel" picked up a Golden Globe nomination for Best Television Series (Musical or Comedy). Check out photos from the show and browse our Golden Globes Guide for the full list of nominees.

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1 nomination. See more awards »

Known For

Filmography

Hide Hide Show Show Visual effects (8 credits)
 1999 The Mummy (visual effects producer: ILM)
 1998 Mercury Rising (visual effects producer: ILM)
 1998 Deep Rising (animation producer: ILM) / (visual effects producer: ILM)
 1997 Titanic (visual effects producer: ILM)
 1994 Radioland Murders (visual effects producer: ILM Effects Crew)
 1983 Star Wars: Episode VI - Return of the Jedi (visual effects producer - special version)
 1980 Star Wars: Episode V - The Empire Strikes Back (visual effects producer: ILM - 1997 special version)
 1977 Star Wars: Episode IV - A New Hope (visual effects producer: ILM - 1997 special version)
Hide Hide Show Show Producer (6 credits)
 2015 Habitat Earth (Documentary short) (producer)
 2012 Earthquake: Evidence of a Restless Planet (Documentary short) (producer)
 2010 Life: A Cosmic Story (Documentary short) (producer)
 2010 Citizen Sky: Epsilon Aurigae (Video documentary short) (producer)
 2008 Fragile Planet (Documentary short) (producer)
Hide Hide Show Show Miscellaneous Crew (1 credit)
 1996 Star Wars: Shadows of the Empire (Video Game) (staff: Industrial Light and Magic)
Hide Hide Show Show Self (1 credit)
 1997 Anatomy of a Dewback (Video documentary short)
Himself

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Paul Scheer on Why There Are No Bad Movies

Paul Scheer discusses The Disaster Artist and his love of awesomely bad movies. Plus, we dive into the origins of midnight movies and explore how The Room became a cult classic.

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