In response, Fox’s “Deadpool” star Ryan Reynolds tweeted a picture of himself being escorted out of Disneyland with the caption
Floria Sigismondi is on board to direct with Scott Bernstein and Roy Lee producing.
In this adaptation of Henry James’s novella “The Turn of the Screw,” a young woman hired as the nanny to two orphans is convinced that the country mansion they live in is haunted. Wolfhard will play one of the orphans.
Disney made the announcement on Wednesday, noting that it still has about a third of the international market to launch in, including Australia (Dec. 26), Italy (Dec. 28), Brazil (Jan. 4), Korea (Jan. 11), the U.K. (Jan. 19), and Japan (March 16).
The top international market has been China, which has nearly matched the North American total with $133 million. “Coco” has stayed strong in China following its opening weekend of $18 million, following with an impressive $43.7 million in its second frame and declining by only 21% in its third weekend.
The film, which focuses on a 12-year-old boy and the celebration of the Day of the Dead and its music, set a box office record in Mexico with $56.8 million following a late October launch ahead of the holiday.
“Coco” is also getting awards-season traction, winning the best animated feature award from the National Board of
Jackman and co-stars Zac Efron, Zendaya, and Keala Settle will perform “Come Alive” from the P.T. Barnum biopic during a commercial break in the three-hour telecast of “A Christmas Story Live.” The tune was penned by Benj Pasek and Justin Paul, who also wrote the score and songs for “Christmas Story.”
The two-and-a-half minute spot will feature elaborate staging with 150 dancers, and will be directed by “Showman” helmer Michael Gracey along with live TV vet Beth McCarthy-Miller. “Christmas Story” will originate from a soundstage on the Warner Bros. lot. Jackman and Co. will perform from an adjacent soundstage. “Showman” opens Dec. 20.
“We are creating what we expect will be a memorable performance providing energy and excitement to viewers that drives them to
Aeysha Carr (Carmichael Show, Brooklyn Nine-Nine) will pen the movie, which was picked up as a pitch and follows a hitman (Hart) whose assignment goes awry when the target isn’t who he expects. Kristen Lowe will oversee production for the studio.
Girls Trip producer Will Packer will produce via his Will Packer Productions alongside Hart through his Hartbeat banner. On the Run will be the latest in a long partnership for the producer and star, which includes the Ride Along franchise and the upcoming Universal...
Also boarding the ensemble project are Star Trek star John Cho, Carrie Brownstein (Portlandia), Billy Magnussen (Ingrid Goes West), Meredith Hagner (Search Party), Jon Barinholtz (Superstore), Nora Dunn (The Guilt Trip), and veteran actor Chris Ellis (Murder in the First).
QC Entertainment, one of the companies behind Get Out, is financing and producing the movie, with 23/34 Pictures, the outfit run by Barinholtz and David Stassen. It begins shooting this week.
The timely script, set in a politically divided America...
Gerald Brittle sued in 2016, claiming The Conjuring, The Conjuring 2 and the Annabelle spin-offs infringe on his exclusive rights to create derivative works based on case files of Ed and Lorraine Warren.
Brittle and New Line released this joint statement Wednesday: "Mr. Brittle has agreed to...
Gunn’s brother Brian Gunn and cousin Mark Gunn are writing the screenplay. James Gunn will produce the project in between scripting “Guardians of the Galaxy Vol. 3” and starting production on the Disney-Marvel tentpole, which he will direct next year.
Gunn’s longtime collaborator David Yarovesky will direct the film, and The H Collective will fully finance and produce alongside Gunn and his Troll Court Entertainment. Brian and Mark Gunn, Dan Clifton, and The H Collective’s Nic Crawley will executive produce.
The horror pic is expected to go into production in the spring of 2018. Gunn directed the 2006 horror film “Slither” and the 2010 superhero comedy-drama “Super.” In between 2014’s “Guardians of the Galaxy” and 2017’s “Guardians of the Galaxy Vol. 2,” Gunn also penned and produced the horror film “The Belko Experiment,” which was released in March.
James Gunn and [link
The “Wonder Woman” director will receive the annual Creative Impact in Directing Award — the first female director to receive the honor. Previous recipients of this award have included Jeff Nichols, Charlie Kaufman, David O. Russell, and Philip Seymour Hoffman.
The award celebrates her career, from the award-winning first feature, “Monster,” to her most recent work directing Warner Bros.’ “Wonder Woman,” which was recently named one of AFI’s Best Films of The Year. Jenkins and the film’s star, Gal Gadot, will also receive the National Board of Review Spotlight Award. Gadot, who will receive the Rising Star Award at the fest’s awards gala the evening before, will present the Creative Impact Award to Jenkins.
“Patty Jenkins has directed one of the most critically acclaimed and commercially successful films of the
“A phone call would have been nice,” said Scott, already a Best Director Golden Globe nominee for the film. “At first I was disappointed. Then I was mad.”
The Times article also established the timeline of events that led to the $10 million decision to replace Spacey while still bringing the feature to theaters by Christmas (the original release date was December
Rian Johnson sat down with Paul Thomas Anderson in Los Angeles on December 2nd to discuss “Phantom Thread.” Johnson has already gone on record about his admiration of Daniel Day-Lewis’ final movie, here he gets to go deep.
Continue reading Rian Johnson Interviews Paul Thomas Anderson About ‘Phantom Thread’ at The Playlist.
Abbate, a longtime producer with the animation studio, is now executive vice president for Warner Animation Group, and Chris Leahy has been appointed senior vice president.
“Allison and Chris are well-known and well-respected in the animation community and will be key to expanding our operations at Warner Animation Group,” Toby Emmerich, president and chief content officer for Warners, said in a statement. “We have ambitious plans for Wag and will rely on Allison and Chris to attract world-class animation talent to help us develop and deliver a robust slate of both animated and live-action/hybrid titles.”
Over a 20-year career in the film business, Abbate has produced several animated pictures, including “The Iron Giant,” which earned her a BAFTA Award in 2000. Her credits also include “Fantastic Mr. Fox,” “Tim Burton’s [link
The WGA West, which reps over 10,000 writers, issued the statement a few hours after the entertainment conglomerates announced the transaction. The guild cited antitrust concerns and said that the six major media conglomerates have exercised control over the entertainment industry for decades, “often at the expense of the creators who power their television and film operations.”
The WGA sounded that theme repeatedly earlier this year during often-acrimonious negotiations on a new master contract, asserting repeatedly that the six companies had generated combined operating profits of $49 billion in 2016.
Here’s the entire statement issued Thursday:
“In the relentless drive to eliminate competition, big business has an insatiable appetite for consolidation. Disney and Fox have spent decades profiting from the oligopolistic control that the six
The multi-hyphenate superstar, who landed a star on the Walk of Fame this week and is gearing up for the release of his holiday blockbuster “Jumanji: Welcome to the Jungle,” has a jam-packed slate of projects lined up through the next presidential election. Yet Johnson says he would “100% consider” running for office.
“I couldn’t do both,” he admits when asked by Variety about his burgeoning career as a movie star, producer and the businessman behind his company, Seven Bucks Productions, which he co-owns with his longtime manager and ex-wife, Dany Garcia. “Realistically, as we go into 2018, when you look at my slate as we’re developing and shooting into 2019 and 2020, the slate goes deep into 2021, so it feels like the realistic consideration would be 2024.”
Though Johnson has political ambitions on his mind, he never set
Mitchell enjoyed playing a character unafraid to challenge racists, though he acknowledged that part might have been a touch unrealistic. “Most black men in his situation wouldn’t have said anything,
In Manville’s hands, Cyril is iron-willed with a flinty charm that keeps both Reynolds and the audience on their toes. From a particular flick of her eyes to an unnerving scene where she baits Reynolds for a fight he will undoubtedly lose, Cyril never gives anyone — least of all her brother — an inch.
It’s a stunning and subtle performance, and one that subverts what Hollywood expects from and offers actresses over 40. “I’ve got a movie, a TV series, and a play,
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