The story, set in an alternative 1997, centers on a runaway teenager and her yellow toy robot as they travel through a strange USA, where the ruins of gigantic battle drones litter the countryside heaped together with the discarded trash of a high tech consumerist society in decline. As their car approaches the edge of the continent, the world outside the window seems to be unraveling ever faster as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.
Muscietti, who’s attached to direct “It: Chapter 2,” would direct and produce “Electric State” with sister Barbara Muschietti and Rbs principals Joe and Anthony Russo, should the deal go through. Russell Ackerman and John Schoenfelder are also in talks to produce. Julian Angelin of The Salomonsson Agency and Simon Stålenhag will executive
Boba Fett Film Rumored to be in Development by Simon Kinberg
“….we’re talking about doing a remake of a movie. It’s weird, a studio offered us to do a sequel to this huge comic-book thing.
Continue reading ‘Good Time’ Directors Benny & Josh Safdie To Helm ’48 Hrs.’ Remake at The Playlist.
Gunn’s brother Brian Gunn and cousin Mark Gunn are writing the screenplay. James Gunn will produce the project in between scripting “Guardians of the Galaxy Vol. 3” and starting production on the Disney-Marvel tentpole, which he will direct next year.
Gunn’s longtime collaborator David Yarovesky will direct the film, and The H Collective will fully finance and produce alongside Gunn and his Troll Court Entertainment. Brian and Mark Gunn, Dan Clifton, and The H Collective’s Nic Crawley will executive produce.
The horror pic is expected to go into production in the spring of 2018. Gunn directed the 2006 horror film “Slither” and the 2010 superhero comedy-drama “Super.” In between 2014’s “Guardians of the Galaxy” and 2017’s “Guardians of the Galaxy Vol. 2,” Gunn also penned and produced the horror film “The Belko Experiment,” which was released in March.
James Gunn and [link
In response, Fox’s “Deadpool” star Ryan Reynolds tweeted a picture of himself being escorted out of Disneyland with the caption
In a statement issued Thursday, Warrior Poets partners Jeremy Chilnick and Matthew Galkin said, “On behalf of Warrior Poets, we as partners have always supported our company and its endeavors. As of today, Morgan Spurlock will be stepping down effective immediately.”
The duo continued, “We will continue to lead the company as equal partners, producing, distributing & creating from our independent production company.”
The first feature of Ivan D. Gaona – and marking him out for larger-scale fiction, such is the tension of its banner action sequences – “Guilty Men” walked off with best picture (in the fiction category), as well as directing and screenplay, the latter both won by Gaona, and a total of 9 wins in 16 categories.
Focusing on movies released over the last year, “Guilty Men” faced off for best picture with Juan Andrés Arango’s “X500,” Felipe Guerrero’s “Oscuro Animal” and Juan Sebastián Mesa’s “Los Nadie,” three fest favourites. The fact that three of the four best picture contenders are first features shows how much new talent is still driving much of Colombia’s cinema.
Han Solo is dead and Princess Leia, heartbreakingly, died almost a year ago, when Carrie Fisher died after becoming ill on a flight from London, as she was going home for Christmas. Which means, out of the original Star Wars trio, the most holy of cinematic trinities, Luke Skywalker is the last one standing. This is not how anyone expected it to end, least of all Luke himself, Mark Hamill. So, while the latest entry in the Star Wars canon, The Last Jedi, written and directed by Rian Johnson, is great fun – as exciting and inspired as its predecessor, Jj Abrams’ The Force Awakens, but a lot funnier and without
The show must go on, and movies must get made, and this holds true even or especially in troubled war zones. Film-maker Sonia Kronlund has made this funny and affectionate documentary portrait of veteran Afghan movie mogul Salim Shaheen: actor, producer, director and creator of more than 100 features. He is the prince of an industry he calls “Nothingwood” – a Hollywood that must make do with nothing at all.
The indomitable and bulky Shaheen, perennially giving his cast and public observers rousing pep talks and calling for a round of applause, resembles Diego Maradona. He admires the Bollywood style and the Bollywood work ethic and his work resembles those films, with a strong dash of the cheap’n’cheerful action shlock produced by Menahem Golan and Yoram Globus at Cannon Films in the 80s.
The agreements sees up-to-three titles from The Incubator’s first tranche of five feature projects being pitched at next November’s Torino Film Lab Meeting Event, global co-production forum with a special emphasis on up-and-coming directors, and one title presented at the January 2019 Rotterdam Lab, a five-day workshop for emerging producers. The pacts mark the first international outreach deals at the Ecam’s Incubator, launched last month in a pioneering move by a film school to move into real-life feature film project development of five titles. Development initiatives are now common at film festivals – such as indeed Torino and Rotterdam, as Sundance and Tribeca. Their proposing partners are, however, for the most part national or regional state-run film agencies.
Ecam may have
At a screening I went to recently, one of the biggest laughs came when the lead character, a 58-year-old grieving mother, drilled a small hole into the hand of a dentist. No, not nice. But honestly, he was being inexcusably patronising.
The film was the Oscar-buzzy Three Billboards Outside Ebbing, Missouri, and the grieving mother was Mildred Hayes, played by Frances McDormand at her finest since Fargo. Mildred’s daughter was raped and murdered seven months earlier. Furious at the police’s failure to arrest the killer, she rents three billboards the size of double-decker buses outside her small town, Ebbing, Missouri, to shame the local sheriff (Woody Harrelson) into action.
See the Us cut of this listSee the rest of the UK countdownMore on the best culture of 2017
Sarah Waters’s novel Fingersmith has had a lavish, almost operatically spectacular adaptation by the Korean auteur Park Chan-wook, which isolates and intensifies the keynote of eroticism. The sexuality drenches the superbly designed fixtures, fittings and fabrics of this film and perfumes the intoxicating air that all the characters breathe.
Related: The Handmaiden review – suspense thriller drenched with sex | Peter Bradshaw's film of the week
It was hardly short of work, but “creative differences” must have become the most overused phrase in Hollywood. It was trotted out earlier this year when directors Phil Lord and Chris Miller departed the Han Solo spin-off, and when Colin Trevorrow was jettisoned from Star Wars: Episode IX. Ditto when Edgar Wright left Marvel’s Ant-Man in 2014, while there was a tart whiff of you-know-what about the reshoots on Gareth Edwards’s Rogue One.
Then there have been high-profile conflicts during production, as with Josh Trank on Fantastic Four, and last-minute balks such as Warner’s decision not to let Ben Affleck direct as well as be The Batman. It’s hard not to conclude that, in the blockbuster world, directors – far from
In Salma Hayek’s blistering and upsetting account in the New York Times of the harassment and threats she received from Harvey Weinstein after she rejected his advances, there was a small but telling description of how deals in Hollywood were made – the sort of secretive, manipulative, imbalanced deals that enabled Weinstein to get away with his abusive behaviour for so long. As an actor in Frida, the biopic of Mexican artist Frida Kahlo that she had taken to Weinstein as her own project, Hayek wrote that she would be paid “the minimum Screen Actors Guild scale plus 10%. As a producer, I would receive a credit that would not yet be defined, but no payment.
Duncan launched June Pictures a year ago, and has produced a handful of independent films including “Operator” with Martin Starr, and “Thoroughbred,” a breakout film at the Sundance Film Festival. In a statement, CEO Alex Saks said she has solidified plans to buy out Duncan’s stake in the company.
“In light of allegations of misconduct against our investor Andrew Duncan, I am assuming sole ownership and leadership of June Pictures,” Saks said. “June Pictures is committed to a respectful work environment dedicated to producing quality films. We will continue our projects already in production and development.”
Rumors of Duncan’s alleged sexual misconduct have been circulating for the last couple of weeks. The ouster poses a potential problem for “The Florida Project,” a portrayal of children living in poverty from director Sean Baker (“[link
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