15 September 2017 9:43 AM, PDT | Indiewire | See recent Indiewire news »

At 255 titles, the Toronto International Film Festival’s smorgasbord is 20 percent smaller than last year — and still overwhelming. A number of filmmakers took creative risks that paid off with exuberant praise, from Darren Aronofsky’s outrageous “mother!” to Guillermo del Toro’s inimitable “The Shape of Water,” but many others found themselves in the doghouse, or worse, utterly ignored.

Buyers were unhappy that there wasn’t much to choose from at this sellers’ market, because many distributors cherry-picked the more promising titles ahead of time — which is its own risk, as when The Orchard’s La riot drama “Kings” didn’t meet high expectations.

Here’s how the festival shook out.

Best of the Fest

Top Tier Oscar Contenders

Guillermo del Toro’s gorgeously mounted fantasy thriller “The Shape of Water” (Fox Searchlight), shot in Toronto, was so popular that it’s vying for Tiff’s audience award (often an »

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