He suggests lunch. And that is about the last time in their courtship and seduction that he, a prototype man of action, really makes the moves. It’s Danny who keeps him waiting for lunch, because of her work, moves their table conversation from professional to personal, squeals “chicken!” when she has opened her hotel bedroom door and he doesn’t react, pulls him gracefully into her bedroom; and leads in their foreplay.
That, Vikander said presenting the film at San Sebastian with Wenders, was however par for the course for modern love. “Maybe for a young generation that is reality in the sense that it can be both ways. It’s about personality not gender.”