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Brett Ratner Persona Non Grata at Regular L.A. Salon After Harassment Claims
1 hour ago
Serious allegations of sexual harassment and misconduct have cost Brett Ratner his luxe offices on the Warner Bros. lot as well as his producing deal on the next Wonder Woman movie (Gal Gadot reportedly threatened to pull out of the project if Ratner remained involved).
But now comes another banishment: Sources tell THR that Ratner is no longer welcome at Sally Hershberger, the hair salon on La Cienega in Beverly Hills, where the 48-year-old producer-director regularly had his locks groomed. Neither Ratner nor the salon would comment, but the good news for Ratner is that there's a Supercuts nearby on Olympic.
The Los Angeles Times has published multiple stories containing allegations from women accusing Ratner of sexual misconduct.
A version »
- Chris Gardner
Box Office: 'Coco' Trots Past 'Justice League' With $13.2M Wednesday
1 hour ago
As the long Thanksgiving holiday got underway, Disney and Pixar's Coco danced its way past holdover Justice League on Wednesday with an opening-day gross of $13.2 million after nabbing an A+ CinemaScore.
Wednesday's haul included $2.3 million in Tuesday night previews. Coco is playing in 3,987 theaters in North America.
Justice League took in $10.5 million from 4,051 theaters for a domestic total of $122.4 million.
At this pace, Coco, about the popular Mexican holiday Day of the Dead, should have no trouble winning the turkey trot with a five-day debut north of $70 million.
Between them, Disney »
- Pamela McClintock
The Marketing Mavens Behind Pennywise and the 'It' Red Balloon, 'Handmaid's Tale' Stunts and More
2 hours ago
Hollywood's marketing wars are fiercer than ever thanks to the proliferation of content. Movie studios still wage the richest campaigns — think $150 million or more for a tentpole — but television networks are stepping up their efforts to combat the likes of Netflix and Hulu, whose on-the-ground stunt for The Handmaid's Tale made global headlines. Warner Bros.' marketing machine, led by Sue Kroll, made a huge comeback in 2017 with Dunkirk and the horror blockbuster It. In regard to budgets, more is being spent on digital, but television ads remain a necessary evil. "Budgets have shifted to new platforms," »
- Pamela McClintock,Michael O'Connell
'Maryline': Film Review
3 hours ago
For his 2013 feature debut, Me, Myself and Mum, actor Guillaume Gallienne crafted a clever autobiographical comedy where he starred as both himself and his domineering French mother. Best described as a “coming in” movie where, in a major third-act twist, the director revealed that he was actually hetero despite the assumptions of everyone around him, Mum made a sizeable splash at the Cannes Directors’ Fortnight and went on to win three Cesar awards, including Best Film.
In his follow-up effort, Maryline, Gallienne once again focuses on a sole performer: in this case fellow Comedie-Francaise thespian Adeline d’Hermy, who became »
- Jordan Mintzer
Asia Pacific Screen Awards: Warwick Thornton's 'Sweet Country' Wins Top Prize
5 hours ago
The win marks the second time that Thornton and an Australian film have won the top award at the APSAs, which cover 70 countries. Thornton’s debut feature, Samson and Delilah, won the best film award in 2009.
Sweet Country’s Apsa win also follows a special jury award for the period western at the Venice Film Festival in October and a win in the Platform section of Toronto International Film Festival in September.
Editor Jill »
- Pip Bulbeck