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Jane Campion Isn’t Excited About Film Anymore: ‘Now, The Really Clever People Do Television’

1 hour ago

Filmmaker Jane Campion’s cinematic bonafides are unimpeachable: she’s still the only woman to win a Palme d’Or, she’s got one Academy Award under her belt, and she’s already made a seamless transition from deeply personal films to lauded “Peak TV” offerings. And she might not be going back.

In a revealing new interview with The Guardian, Campion is honest about why the small screen is her new favorite home, and why film may no longer have a place for her — or the kind of projects she wants to make.

“The really clever people used to do film,” she told the outlet. “Now, the really clever people do television. I’d been feeling, in the film world, that if you come up with ideas, and you share them, the first concern is: how is the audience going to react?”

Read MoreJane Campion Q&A: With ‘Top of the Lake »


- Kate Erbland

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‘One Mississippi’ Teaser: Tig Notaro Is No Longer Gay In Season Two of Amazon’s Dark Comedy

1 hour ago

Onstage, Tig Notaro is cool as a cucumber, willing to wait for the laughs and relishing silence. Her dry delivery and offbeat perspective stand in stark contrast to today’s popular neurotic, high-energy stand-up. That same quiet confidence permeates “One Mississippi,” Notaro’s autobiographical Amazon series about returning to her hometown after the death of her mother, which released a teaser for its second season today.

Read More‘One Mississippi’ Review: Tig Notaro’s Inspired Amazon Comedy is Fearless and Funny In Equal Doses

It’s been five years since Notaro’s brutally honest and heartbreakingly funny stand-up special, “Live,” skyrocketed the comedian to a new level of notoriety. Recorded just one week after Notaro learned she had breast cancer, which was the same year her mother died, the totally improvised half-hour set became instant comedy legend. Not only that, it ushered in a shift towards darker, more personal stand-up across the industry. »


- Jude Dry

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‘Midnight, Texas’: How the Author Behind ‘True Blood’ Rewrote Her Own Vampire Rules to Create a More Tolerant World

17 hours ago

It’s a cool February day in Albuquerque, New Mexico, and a group of misfits are striding with purpose across the small town set of “Midnight, Texas.” Since the events of the shoot are for the series’ season finale, details can’t be divulged about the group’s purpose or destination yet, but what’s important is that they’re doing it as a team. With so many of vampire and supernatural shows ending in the past few years, the NBC series is looking to revitalize the genre with its emphasis on inclusion, not division.

From the author behind “True Blood,” comes “Midnight, Texas,” which shares more than a few hallmarks of HBO’s ultra racy vampire show. Besides featuring a mix of supernatural beings, including one sexy vampire main character, the NBC show is also inspired by author Charlaine Harris’ experiences with southern living. Well, Texan living, in this case. »


- Hanh Nguyen

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Comic-Con 2017 Winners & Losers: ‘Westworld,’ ‘Archer,’ Halle Berry, ‘Mr. Robot’ and More

19 hours ago

The anticipation that surrounds the lead-up to the San Diego Comic-Con is always intriguing, because there’s a legitimate potential for things to fall apart. You can’t always anticipate how fans will react to big reveals or changes, not to mention new properties that are hoping to gain traction with the convention’s geek-inclined audience.

Read MoreComic-Con Stunts Prove That The Future of Entertainment Isn’t Technology, But Live Interaction

In this week’s Very Good Television Podcast, Liz and Ben are joined by IndieWire executive editor Michael Schneider, as the three of them spent the last several days running around San Diego (literally) to check out all of the excitement to be had at Comic-Con.

While there was so much to experience — in the podcast above, the trio mentions a ton of things they enjoyed over the course of the convention — there were even more notable winners and losers. »


- Liz Shannon Miller and Ben Travers

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Comic-Con Stunts Prove That The Future of Entertainment Isn’t Technology, But Live Interaction

24 July 2017 9:20 AM, PDT

A warning: Show up late for your appointment to visit “Westworld,” and you might have to spend 20 minutes making small talk with a Host.

That was IndieWire’s experience, when dropping by the marketing activation created by HBO at this weekend’s Comic-Con to promote the cerebral Emmy-nominated sci-fi drama. In the show, mega-conglomerate Delos Destinations has built realistic, artificially intelligent robots to populate a vast theme park that emulates the experience of visiting the Old West. In real-life San Diego, while waiting in a faux Delos Destinations lobby for the next available “trip,” we filled the time by chatting with “John.”

John asked what kind of experience we were looking for during our stay in Westworld, as well as which of the weapons laid out in the display case in front of us were the most intriguing. Meanwhile, we asked if he could identify the song tinkling out from »


- Liz Shannon Miller

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Sigourney Weaver Modeled Her Icy ‘Defenders’ Villain on Wealthy Trump Supporters

24 July 2017 8:10 AM, PDT

Outspoken activist and celebrated actress, Sigourney Weaver did not mince words when it comes to politics. Without naming names, she made it quite clear what she thinks of wealthy businessmen who pat themselves on the backs for supporting the arts while profiting off of the planet’s demise. Like all great actors, she channeled that anger into her her latest role as Alexandra in “Marvel’s The Defenders,” coming to Netflix in August.

Read More‘Marvel’s The Defenders’: Watch the Action-Packed Comic-Con Trailer That Even Makes Iron Fist Look Cool

Speaking to Inverse at San Diego Comic-Con over the weekend, Weaver said:

“My role models for this were all men in business, men I’ve met who are great patrons of the arts, but all their money comes from burning fossil fuels or some awful other thing. They think they’re terrific, they love what they’re doing, »


- Jude Dry

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‘Game of Thrones’ Review: Family Means Nothing in ‘Stormborn,’ As History Begins to Die Too

23 July 2017 8:13 PM, PDT

[Editor’s Note: The following review contains spoilers for “Game of Thrones” Season 7, Episode 2, “Stormborn.”]

Family has meant nearly everything in the world of “Game of Thrones.” The reputation of notable houses, the legacy of rulers and great men that line those history books have done as much to guide the actions of these characters as their own instincts. But after the events of “Stormborn,” that guiding principle of using the past to help shape the future looks to be as outdated as it’s ever been.

Take Aerys Targaryen, the Mad King whose very nickname casts a shadow on Westeros’ coming war, even after his successor’s successor’s successor has been wiped from the throne. In Dany’s new stronghold of Dragonstone (introduced at the top of this episode like Xanadu or some Transylvanian castle from a pre-code monster flick), Varys’ past allegiances are the first to be questioned. Dany’s short learning curve as a leader has meant a careful weeding out »


- Steve Greene

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‘Ballers’ Premiere Review: Season 3’s ‘Seeds of Expansion’ Promises to Extend The Action Beyond Miami

23 July 2017 7:31 PM, PDT

Read More‘Ballers’ Season Finale Review: Here’s How Hard The Rock Balled in Season 2 [Editor’s Note: The following review contains spoilers for “Ballers” Season 3, Episode 1, “Seeds of Expansion.”]

As always, the life of a baller is filled with ups and downs, especially on “Ballers.” Thus, in the season premiere, we see the beginning of key storylines for Vernon (Donovan Carter), Charles (Omar Miller) and Ricky (John David Washington): Vernon’s got a new apparel business in the works, Charles is taking on more responsibility as a member of the Dolphins’ front office… and whoops, looks like Ricky is going to be a father, courtesy of a not-so-stable past (and present) hook-up.

It’s an awful lot of set-up, which we’ll undoubtedly dig into more as the season progresses, but none of the questions surrounding those narratives are as important as this one…

Someone read our dream journal: Season 3 of “Ballers” literally begins with The Rock balling. Specifically, he’s playing a »


- Liz Shannon Miller

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‘Twin Peaks’ Review: Part 11 Puts a Funny Spin on David Fincher as Agent Cooper Edges Closer to Reality

23 July 2017 7:00 PM, PDT

[Editor’s Note: The following review contains spoilers for “Twin Peaks: The Return” (2017), Season 3, Episode 11, “Part 11.”]

“Damn good” only begins to describe Part 11 of “Twin Peaks: The Return,” an episode in which a lot of pieces came together both for the series’ central mystery and within its hero’s restricted mind.

First, let’s address what’s in the box. For all the parodies and homages that reference David Fincher’s iconic scene in “Seven,” this one may take the cake– well, the pie. The long drive into the desert. The long row of telephone lines on the side of the road. A mysterious box. An unarmed man held at gunpoint. These are the same images that evoked trepidation in Fincher’s film, but Lynch created a playful tone for “Twin Peaks.”

Read More‘Twin Peaks’: David Lynch’s Short Film, The Cast Reacts to Dougie, and More Highlights From Comic-Con

From the remixed version of “Viva Las Vegas” that kicks off Cooper’s »


- Ben Travers

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