“Star Wars: The Last Jedi” set a record for the second-largest Thursday night preview gross in North America, trailing only “Star Wars: The Force Awakens,” which earned $57 million two years ago. “Harry Potter and the Deathly Hallows: Part 2” had been the second-highest with $43 million. “Rogue One: A Star Wars Story” opened a year ago to $29 million at Thursday night previews.
Previews began Thursday at 6 p.m. in North America — about 12 hours after Disney announced it was spending $52.4 billion to acquire 21st Century Fox assets. On Friday, the film launches at 4,232 theaters in the U.S./Canada, including nearly 410 Imax screens, 640 premium large format, 3,600 3D locations, and 212 D-Box locations.
Early surveys of audience reactions Thursday night by comScore’s PostTrack found that 68% rated “Star Wars: The Last Jedi” as “excellent” and another 21% as “very good.” A
Duncan launched June Pictures a year ago, and has produced a handful of independent films including “Operator” with Martin Starr, and “Thoroughbred,” a breakout film at the Sundance Film Festival. In a statement, CEO Alex Saks said she has solidified plans to buy out Duncan’s stake in the company.
“In light of allegations of misconduct against our investor Andrew Duncan, I am assuming sole ownership and leadership of June Pictures,” Saks said. “June Pictures is committed to a respectful work environment dedicated to producing quality films. We will continue our projects already in production and development.”
Rumors of Duncan’s alleged sexual misconduct have been circulating for the last couple of weeks. The ouster poses a potential problem for “The Florida Project,” a portrayal of children living in poverty from director Sean Baker (“[link
The story, set in an alternative 1997, centers on a runaway teenager and her yellow toy robot as they travel through a strange USA, where the ruins of gigantic battle drones litter the countryside heaped together with the discarded trash of a high tech consumerist society in decline. As their car approaches the edge of the continent, the world outside the window seems to be unraveling ever faster as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.
Muscietti, who’s attached to direct “It: Chapter 2,” would direct and produce “Electric State” with sister Barbara Muschietti and Rbs principals Joe and Anthony Russo, should the deal go through. Russell Ackerman and John Schoenfelder are also in talks to produce. Julian Angelin of The Salomonsson Agency and Simon Stålenhag will executive
An ABC spokesperson told TheWrap on Thursday that the celebrity chef after a review of the allegations made against him. “Upon completing its review into the allegations made against Mario Batali, ABC has terminated its relationship with him and he will no longer appear on ‘The Chew,'” the spokesperson said.
“While we remain unaware of any type of inappropriate behavior involving him and anyone affiliated with our show, ABC takes matters like this very seriously.
Speaking to Variety, the women described predatory incidents involving Hoffman that fit into a pattern of alleged behavior that has emerged in the wake of previous sexual-misconduct claims against the now 80-year-old actor.
Representatives for Hoffman did not make him available to provide comment for this story. In a letter to Variety’s owner Penske Media Corp., Hoffman’s attorney Mark A. Neubauer of Carlton Fields Jordan Burt called the accusations against the actor “defamatory falsehoods.”
Thomas was 16 years old and a high-school classmate of Hoffman
Boba Fett Film Rumored to be in Development by Simon Kinberg
A.P. Bio will air at 9:30 PM ET/PT February 1 following Will & Grace at 9 PM, then will return Thursday, March 1 in the same timeslot following the network’s coverage of the Winter Olympic Games.
In addition, This Is Us will return from its winter hiatus on Tuesday, January 9 at 9 PM, a week later than…
“….we’re talking about doing a remake of a movie. It’s weird, a studio offered us to do a sequel to this huge comic-book thing.
Continue reading ‘Good Time’ Directors Benny & Josh Safdie To Helm ’48 Hrs.’ Remake at The Playlist.
The multi-hyphenate superstar, who landed a star on the Walk of Fame this week and is gearing up for the release of his holiday blockbuster “Jumanji: Welcome to the Jungle,” has a jam-packed slate of projects lined up through the next presidential election. Yet Johnson says he would “100% consider” running for office.
“I couldn’t do both,” he admits when asked by Variety about his burgeoning career as a movie star, producer and the businessman behind his company, Seven Bucks Productions, which he co-owns with his longtime manager and ex-wife, Dany Garcia. “Realistically, as we go into 2018, when you look at my slate as we’re developing and shooting into 2019 and 2020, the slate goes deep into 2021, so it feels like the realistic consideration would be 2024.”
Though Johnson has political ambitions on his mind, he never set
Gunn’s brother Brian Gunn and cousin Mark Gunn are writing the screenplay. James Gunn will produce the project in between scripting “Guardians of the Galaxy Vol. 3” and starting production on the Disney-Marvel tentpole, which he will direct next year.
Gunn’s longtime collaborator David Yarovesky will direct the film, and The H Collective will fully finance and produce alongside Gunn and his Troll Court Entertainment. Brian and Mark Gunn, Dan Clifton, and The H Collective’s Nic Crawley will executive produce.
The horror pic is expected to go into production in the spring of 2018. Gunn directed the 2006 horror film “Slither” and the 2010 superhero comedy-drama “Super.” In between 2014’s “Guardians of the Galaxy” and 2017’s “Guardians of the Galaxy Vol. 2,” Gunn also penned and produced the horror film “The Belko Experiment,” which was released in March.
James Gunn and [link
The Disney-Lucasfilm tentpole began its international run on Dec 13 in 14 markets, followed by an additional 34 territories on Dec. 14, opening in first place in all except for Turkey and South Korea.
“Star Wars: The Last Jedi” generated the second-largest debut day of all time in Germany, Australia, New Zealand, Finland, Netherlands, Sweden, and Iceland — behind only 2015’s “Star Wars: The Force Awakens” in each case. The movie was the third-biggest opening day for the U.K. and Norway.
It was also the top 2017 opening day in Belgium, Denmark, Finland, France, Germany, Hungary, Iceland, Netherlands, Norway, Sweden, Switzerland, and the U.K.Disney said “Star Wars: The Last Jedi” is 63% ahead of last year’s spinoff, “Rogue One: A Star Wars Story,” and 25% behind “Star Wars: The Force Awakens” in international markets so far.
Along with the U.
Filmways produced some of the biggest TV hits of the 1960s including “The Beverly Hillbillies,” “The Addams Family,” “Petticoat Junction,” “Green Acres” and “The Hollywood Squares.”
Ransohoff later entered the movie business along with Filmways’ executive John Calley. Their first film was 1962’s “Boys’ Night Out,” followed by 1963’s “The Wheeler Dealers.” He also was behind the 1965 New Orleans-set drama, “The Cincinnati Kid,” which starred Steve McQueen, Edward G. Robinson, Ann-Margret, and Karl Malden. Ransohoff famously fired Sam Peckinpah from the film, feeling his vision was too dark, and hired Norman Jewison to direct.
He exited the company in 1972 to become an independent film producer.
Among his producing credits were Elizabeth Taylor and Richard Burton’s “The Sandpiper,” Tony Richardson
In a statement issued Thursday, Warrior Poets partners Jeremy Chilnick and Matthew Galkin said, “On behalf of Warrior Poets, we as partners have always supported our company and its endeavors. As of today, Morgan Spurlock will be stepping down effective immediately.”
The duo continued, “We will continue to lead the company as equal partners, producing, distributing & creating from our independent production company.”
With a record $314 million currently spent on synchs globally, there was no shortage of commercials with great music in 2017. But the difference between a good synch and a great synch is a song that sticks with you long after the commercial has aired. And one that might even prompt you to take some sort of action, be it a Shazam tag, a Spotify stream, or even the purchase of a concert ticket.
These 10 synchs represent some of the most unique — and successful — integrations of music the ad world had to offer this year. From
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