Der Golem, wie er in die Welt kam (1920)

Directors:

Carl Boese
Paul Wegener

Writers:

Henrik Galeen (writer)
Paul Wegener (writer)

Release Date:

19 June 1921 (USA)

Genre:

Fantasy | Horror

Tagline:

The 1920 Horror Masterpiece.

Plot:

In 16th-century Prague, a Jewish rabbi creates a giant creature from clay, called the Golem, and using sorcery...

Plot Keywords:

Golem | Rabbi | Jewish | Fire | Black Magic

Cast

Paul Wegener	...	Der Golem / The Golem
Albert Steinrück	...	Der Rabbi Löw / Rabbi Loew
Lyda Salmonova	...	Miriam, des Rabbi Tochter
Ernst Deutsch	...	Der Rabbi Famulus
Hans Stürm	...	Der Rabbi Jehuda, der Älteste der Gemeinde (as Hanns Sturm)
Max Kronert	...	Der Tempeldiener / Temple Servant
Otto Gebühr	...	Der Kaiser / Emperor Luhois
Dore Paetzold	...	Des Kaisers Kebse
Lothar Müthel	...	Der Junker Florian / Knight Florian
Greta Schröder	...	Ein Mägdelein mit der Rose / Little Girl with Rose
Loni Nest	...	Ein kleines Mädchen / Little Girl

Also Known As:

The Golem (USA)
The Golem: How He Came Into the World (USA)
El golem (Spain) [es]
Golem (Poland) [pl]
Golem. Miten hän tuli maailmaan (Finland) [fi]
Le golem (France) [fr]
O Golem (Brazil) [pt]

Runtime:

Germany:85 min (20 fps) | USA:91 min

Country:

Germany

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Australia:M | Germany:o.Al. | Spain:13 | USA:Unrated

Filming Locations:

Berliner Union-Film Studio, Tempelhof, Berlin, Germany

Company:

Projektions-AG Union (PAGU)

Trivia:

Debut of Fritz Feld.

Goofs:

Continuity: The golem's position relative to the beam when pulling the chain to stoke the fire.

Movie Connections:

Featured in Baba Yaga (1973)

Stunning Imagery that supports the setting

I caught this restored version of the 1920 German silent classic at Lincoln Center where a new musical score was premiered by the Chamber Music Society. I had never seen the film before and was frankly amazed at the imagery in the sets and costumes and editing of the film. The film's director, Paul Wegener, wearing a thickly padded outfit and wig and high-heeled boots plays the main character, "The Golem". A mythical character from Jewish folklore. For its day, the special effects were also intriguing. I resist describing the movie as anti-semitic but I believe that the portrayal of the jewish ghetto was depicted so dramatically to show that the jews in Prague were outsiders and not welcome in mainstream society. This is evident in the fact that when a nobleman comes to the ghetto, he is greeted by a mammoth closed gate that looks like a precursor to the one used in King-Kong. And most notably, during the creation sequence, a satanic figure appears on screen that would coincide with the European belief a that time that Jews walk hand-in-hand with the Dark forces.

As far as the Golem's performance- this film is really a precursor to "Frankenstein" that Boris Karloff must have seen in its original release - there are so many similarites.

Biggest Image - at the conclusion, the Golem is surrounded by a group of "blond" Aryan-looking children that clearly distinguish them from the ghetto children that we see earlier in the film.