Häxan (1922)

Director:

Benjamin Christensen

Writer:

Benjamin Christensen (writer)

Release Date:

27 May 1929 (USA)

Genre:

Drama | Horror

Tagline:

Benjamin Christensens stora film.

Plot:

A documentary about the history of witchcraft, told in a variety of styles, from illustrated slideshow...

Plot Keywords:

Witchcraft | Spell | Surrealism | Fake Documentary | Monastery

Cast

Maren Pedersen	...	Heksen / The Witch
Clara Pontoppidan	...	Nonne / Nun
Elith Pio	...	Heksedommer / Witch Judge (The Young Monk)
Oscar Stribolt	...	Graabroder / Doctor (The Fat Monk)
Tora Teje	...	En hysterisk kvinde / Modern Hysteric (The Kelptomaniac)
John Andersen	...	Chief Inquisitor (as Johs Andersen)
Benjamin Christensen	...	Djævlen / The Devil
Poul Reumert	...	Juveler / Jeweler
Karen Winther	...	Anna
Kate Fabian	...	Gammel jomfru / Old Maid
Else Vermehren	...	Nonne / Nun
Astrid Holm	...	Anna
Johannes Andersen	...	Heksedommer / Witch Judge
Gerda Madsen	...	Nonne / Nun
Aage Hertel	...	Heksedommer / Witch Judge

Also Known As:

Häxan: Witchcraft Through the Ages (USA) (DVD box title)
Heksen (Denmark)
The Witches (USA)
Witchcraft Through the Ages (International: English title) (short version)
La brujería a través de los tiempos (Argentina) (Spain) [es]
Czarownice (Poland) [pl]
Die Hexe (Germany) [de]
Häxan - A Feitiçaria Através dos Tempos (Brazil) [pt]
Hexen (Germany) [de]
I mageia mesa apo tous aiones (Greece) [el]
La sorcellerie à travers les ages (France) [fr]
La stregoneria attraverso i secoli (Italy) [it]
Noita (Finland) [fi]
O Haxan (Norway) [no]

Runtime:

Sweden:87 min | USA:77 min (1968 re-release) | 104 min (DVD version) | Argentina:87 min

Country:

Denmark | Sweden

Color:

Black and White (Sepiatone)

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono | Silent

Certification:

UK:15 (1994) | UK:X (1968) | Argentina:13 | Canada:PG (Ontario) | Canada:G (Quebec)

Filming Locations:

Copenhagen, Denmark

Company:

Aljosha Production Company

Trivia:

Haxan Films, the creators of the movie The Blair Witch Project (1999) took their name from this movie.

Goofs:

Continuity: The same witches fly past the screen several times. At certain points, the same witch appears on screen twice at the same time.

Movie Connections:

Featured in Divine Magic: The Witch Hunt (1995) (TV)

One of the weirdest and most bizarre of all time

More commonly known as "Witchcraft Through the Ages", this is definitely one of the most bizarre, visually arresting movies of all time, even nearly 80 years later. It starts out as a rather dry documentary, detailing medieval superstitions and folklore while showing ancient woodcarvings of witches and demons in various forms. Then we move on into the dramatic portion of the film. In one scene we see witches concocting potions using the body parts of corpses from the gallows. One witch walks in carrying a bundle of sticks, and undoes the bundle revealing a decomposed human hand hidden inside. Fans of "The Blair Witch Project" should take notice, especially considering that the Danish title of this film is "Haxan", also the name of the movie company that created "Blair Witch".

Director Benjamin Christensen appears as a leering, tongue-wagging Satan, with very realistic makeup. The witches are shown with the Devil and his minions performing various acts of sacrilege and perversion that must have been extremely shocking at the time the movie originally appeared, and would be offensive to many people still. The film was banned for many years because of the depiction of these acts (not to mention the occasional nudity), as well as sacrileges performed by nuns and monks. There are some stop-motion animation sequences (pre-Harryhousen, no less) that are very good, especially for the time. This is a difficult movie to describe. It really is something that you'd have to see for yourself.

The version I am reviewing is actually the re-issue from 1966, with a dubbed-over narration by beat novelist/junkie William Burroughs, and a modern, jazzy score featuring Jean-Luc Ponty. I enjoyed Burroughs' narration quite a bit, but oftimes the music is annoyingly inappropriate. Sometimes it works very well, but most of the time I was wishing for a standard orchestral, or vitaphone, score. A Klezmer score, even, would have been very effective. There are a few different versions available, some with subtitles and an orchestral score. Maybe one of these days they'll come out with a version featuring the Burroughs narration along with a more appropriate orchestral score. That would be perfect. As it is, this an impressive, compulsively watchable film that still goes further than most dare to go, even in these much more permissive times.