Nosferatu, eine Symphonie des Grauens (1922)

Director:

F.W. Murnau

Writer:

Henrik Galeen (writer)

Release Date:

3 June 1929 (USA)

Genre:

Horror

Plot:

Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife. Silent classic based on the story "Dracula."

Plot Keywords:

Vampire | Real Estate Agent | Obsession | Real Estate | Lust

Cast

Max Schreck	...	Graf Orlok
Gustav von Wangenheim	...	Hutter (as Gustav v. Wangenheim)
Greta Schröder	...	Ellen Hutter, seine Frau (as Greta Schroeder)
Alexander Granach	...	Knock, ein Häusermakler
Georg H. Schnell	...	Westenra - Hutters Freund (as G.H. Schnell)
Ruth Landshoff	...	Lucy, Westenras Frau
John Gottowt	...	Professor Bulwer, ein Paracelsianer
Gustav Botz	...	Professor Sievers - der Stadtarzt
Max Nemetz	...	Käpitän der Demeter
Wolfgang Heinz	...	Matrose 1
Albert Venohr	...	Matrose 2
Eric van Viele	...	Matrose 3

Also Known As:

Nosferatu (UK) (USA)
Nosferatu, a Symphony of Horror
Nosferatu, a Symphony of Terror
Terror of Dracula
Nosferatu le vampire (Canada: French title) (France) [fr]
Die zwölfte Stunde - Eine Nacht des Grauens (Austria) (recut version) [de]
Nosferatu (Sweden) [sv]
Nosferatu (Poland) (informal short title) [pl]
Nosferatu (Brazil) [pt]
Nosferatu - symfonia grozy (Poland) [pl]
Nosferatu el vampiro (Spain) [es]
Nosferatu il vampiro (Italy) [it]
Nosferatu, o Vampiro (Portugal) [pt]
Nosferatu, una simfonia del terror (Spain: Catalan title) [ca]
Upír Nosferatu (Czechoslovakia) [cs]

Runtime:

94 min | USA:81 min | Spain:65 min (VHS version) | Spain:92 min (DVD edition) | 84 min (1994 restored version projected at 20 fps) | UK:88 min (1997 restored version) | Belgium:85 min | Sweden:84 min (DVD version)

Country:

Germany

Language:

German

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Canada:PG (Manitoba/Nova Scotia) (DVD rating) (video rating) | Finland:(Banned) (1922) | Finland:K-12 (1987) | Iceland:L | Canada:13+ (Ontario) | Brazil:12 | Czech Republic:U | Argentina:13 | Australia:PG | Germany:12 | Spain:13 | Sweden:(Banned) | UK:PG | USA:Unrated | Spain:T | South Korea:12 (DVD rating) | Portugal:M/12 (DVD rating) | Canada:G (Quebec)

Filming Locations:

Baltic Sea

Company:

Jofa-Atelier Berlin-Johannisthal

Trivia:

The creature that they say is a werewolf, during the scene at the Inn, is actually a Hyena.

Goofs:

Revealing mistakes: When Hutter is writing his letter to Ellen in Count Orlok's castle, the paper that he is meant to be writing on is clearly blank throughout the scene.

Quotes:

Knock, ein häusermakler: It will cost you sweat and tears, and perhaps... a little blood.

Movie Connections:

Referenced in The Perfect Scary Movie (2005) (TV)

a truly original Vampire film- a tale of the Gothic legend in Murnau's masterpiece

Nosferatu is a great horror movie (possibly the first ever according to some accounts), and one of the pinnacles of the German silent era of film-making. Made in the silent age by the German expressionist/auteur FW Murnau, the film has the genuine power to act creepy, odd, alluring, mythic, and beautiful by way of images and music that don't leave your mind once the film is over. It's like someone collected a stash of nightmares and pulled them together with the original Bram Stoker story of Dracula. Max Shreck, in his most notorious role (and apparently the only one really anyone's bothered to see) plays the monstrous Count Orlock, a vampire who comes out at night to tempt the living and, of course, to suck blood. Though this story of Dracula has been numerously repeated (even by the Hollywood version in the early 30s), this film is one of the prime examples of how horror SHOULD be done- dispense with cheap thrills or overloading with exposition.

A director like Murnau here, who had total artistic control (abeit the film not in circulation for many years), could transform Orlock's world into one of acute, deliberate angles, long deep shadows, and painting with light like some mad artist from the dark ages. One could almost claim that this, alongside Night of the Living Dead, changed the way audiences looked at horror films, that a style and presence could be wrung from characters that bring out the worst fears and dread in common people. Years from now, long into the digital age, there may still be room for of all things a silent, non-talking effort like Nosferatu, where the terror can still be felt through the black and white (sometimes tinted) photography and stark physical performances by Schrek and the others. In short, a film like this is one of the reasons I love to watch horror movies.