A Woman of Paris: A Drama of Fate (1923)

Director:

Charles Chaplin

Writer:

Charles Chaplin (written by)

Release Date:

25 February 1924 (Sweden)

Genre:

Drama

Plot:

Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station...

Plot Keywords:

Suicide | Railroad Station | Death Of Boyfriend | Broken Home | Beautiful Woman

Awards:

1 win

Cast

Edna Purviance	...	Marie St. Clair
Clarence Geldart	...	Marie's Step-Father (as Clarence Geldert)
Carl Miller	...	Jean Millet
Lydia Knott	...	Jean's Mother
Charles K. French	...	Jean's Father (as Charles French)
Adolphe Menjou	...	Pierre Revel
Betty Morrissey	...	Fifi
Malvina Polo	...	Paulette
rest of cast listed alphabetically:
Nellie Bly Baker	...	Masseuse (uncredited)
Henry Bergman	...	Head Waiter (uncredited)
Charles Chaplin	...	Station Porter (uncredited)
Frank Coghlan Jr.	...	Boy (uncredited)
Harry d'Abbadie d'Arrast	...	Man in Nightclub (uncredited)
Stella De Lanti	...	Revel's Fiancée (unconfirmed) (uncredited)
Jean de Limur	...	Man in Nightclub (uncredited)
Charles Farrell	...	Man in Nightclub (uncredited)
Bess Flowers	...	Mannequin (uncredited)
Karl Gutman	...	Orchestra Conductor (uncredited)
James A. Marcus	...	Tramp (uncredited)
Harry Northrup	...	Revel's Valet (uncredited)
Granville Redmond	...	Man in Nightclub (uncredited)
Philip Sleeman	...	Gigolo (uncredited)
Arthur Stibolt	...	Cook (uncredited)
A. Edward Sutherland	...	Cook (uncredited)
Wilhelm von Brincken	...	Restaurant Patron (uncredited)

Directed by
Charles Chaplin

Writing credits
Charles Chaplin		(written by)

Produced by
Charles Chaplin	....	producer (uncredited)

Original Music by
Charles Chaplin		(1976)
Fritz Stahlberg		(uncredited)

Cinematography by
Roland Totheroh
Jack Wilson		(uncredited)

Film Editing by
Monta Bell
Charles Chaplin		(uncredited)

Art Direction by
Arthur Stibolt		(uncredited)

Second Unit Director or Assistant Director
A. Edward Sutherland	....	assistant director (uncredited)

Camera and Electrical Department
Jack Wilson	....	second camera operator (uncredited)

Music Department
Eric James	....	music associate (1976 version)
Eric Rogers	....	conductor (1976 score)
Eric Rogers	....	music orchestrator (1976 score)
Eddy Joseph	....	music editor (1976 version) (uncredited)

Transportation Department
Toraichi Kono	....	driver: Mr. Chaplin (uncredited)

Other crew
Monta Bell	....	literary editor (uncredited)
Harry d'Abbadie d'Arrast	....	researcher (uncredited)
Jean de Limur	....	researcher (uncredited)

Production Companies

• Charles Chaplin Productions
• Regent

Distributors

• United Artists (1923) (USA) (theatrical)
• MK2 Diffusion (2001) (worldwide) (all media)
• Allied Artists (1923) (UK) (theatrical)
• Cinegate Ltd. (1978) (UK) (theatrical) (re-release)
• Cinal S.A. (1980) (Spain) (theatrical) (re-release)
• Fox Video (1992) (USA) (VHS)
• Warner Home Video (2004) (USA) (DVD)
• Warner Home Vídeo (2004) (Brazil) (DVD)
• Warner Home Video (2005) (USA) (DVD)
• Continental Home Vídeo (????) (Brazil) (VHS)
• Image Entertainment (????) (USA) (DVD)

Other Companies

• Roy Export Company Establishment  music copyright by: 1976

Also Known As:

Una mujer de París (Argentina) (Spain) [es]
Die Nächte einer schönen Frau (Germany) [de]
Eine Frau in Paris (Germany) (TV title) [de]
En kvinna i Paris (Sweden) [sv]
L'opinion publique (France) [fr]
La donna di Parigi (Italy) [it]
Nainen Pariisissa (Finland) [fi]
Opinião Pública (Portugal) [pt]
Pariser Maitressen (Austria) [de]

Runtime:

USA:78 min (1976 release)

Country:

USA

Language:

None

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono (1978 re-release) | Silent

Certification:

Germany:o.Al. | USA:TV-PG (TV rating) | Argentina:Atp | Spain:T | UK:A (original rating) | UK:PG (re-rating)

Filming Locations:

Chaplin Studios - 1416 N. La Brea Avenue, Hollywood, Los Angeles, California, USA

Company:

Charles Chaplin Productions

Trivia:

Michael Powell said in a 1977 interview that the film had such an impact on him that he'd carried it with him throughout his career. Its themes are visible in various Powell films, and the amazing thing is that, from 1923-1976, he had only seen the film once.

Quotes:

[Intertitle]: Time heals, and experience teaches that the secret of happiness is in service to others.

Movie Connections:

Featured in Chaplin Today: A Woman of Paris (2003) (TV)

Interesting Change of Pace From Chaplin

If nothing else, you have to give Charlie Chaplin a lot of credit for taking a shot at something so different from his usual fare. (Though he himself only appears on-screen for a few seconds this time, he did almost everything else in the production.) And while "A Woman of Paris" is certainly a cut below his comedy features, it's a pretty good melodrama, and you'd have to think that with experience Chaplin could have gone on to become almost as effective with straight melodrama as he was with his sentimental comedies. It's not really surprising that after this he returned to comedy for good, but that was just to keep audiences happy, not because he couldn't do drama, since this is a decent effort.

Chaplin's own frequent lady Edna Purviance is convincing as the young woman whose tangled love affairs pull her away from her true love and into a set of tangled relationships in the empty, decadent world of the Parisian idle classes. Except for being rather contrived - there are far too many coincidences and pat developments in the plot, and they do not work as well in serious drama as they would in a comedy - the story is interesting and fairly creative. It does get a bit heavy at times, since there is very little comic relief, but Adolphe Menjou helps keep it from getting unbearably serious with a good performance as the carefree, irresponsible Pierre. He shows that even without dialogue he can make this kind of character lively and memorable.

Since it doesn't quite measure up to the standard of either the best Chaplin features or the best silent melodramas, "A Woman of Paris" may not have a niche of its own, except for its historical interest. But it's quite an interesting change of pace from Chaplin, and an above average movie that's worth seeing.