| Photos (see all 3 | slideshow) |
| Neil Hamilton | ... | Nathan Holden | |
| Erville Alderson | ... | Justice Montague | |
| Carol Dempster | ... | Miss Nancy Montague | |
| Charles Emmett Mack | ... | Justice Charles Montague | |
| Lee Beggs | ... | Samuel Adams | |
| John Dunton | ... | John Hancock | |
| Arthur Donaldson | ... | King George III | |
| Charles Bennett | ... | William Pitt | |
| Downing Clarke | ... | Lord Chamberlain | |
| Frank Walsh | ... | Thomas Jefferson | |
| Frank McGlynn Sr. | ... | Patrick Henry | |
| Arthur Dewey | ... | George Washington | |
| P.R. Scammon | ... | Richard Henry Lee | |
| Lionel Barrymore | ... | Capt. Walter Butler | |
| Sydney Deane | ... | Sir Ashley Montague | |
| W.W. Jones | ... | Gen. Gage | |
| Edward Roseman | ... | Capt. Montour | |
| Harry Semels | ... | Hikatoo | |
| Harry O'Neill | ... | Paul Revere | |
| Henry Van Bousen | ... | John Parker (captain of the Minutemen) | |
| Hugh Baird | ... | Maj. Pitcairn | |
| James Milady | ... | Jonas Parker | |
| Henry S. Koser | ... | Capt. Prescott (as H. Koser) | |
| Michael Donavan | ... | Maj. Gen. Warren | |
| Louis Wolheim | ... | Capt. Hare | |
| Riley Hatch | ... | Joseph Brant (chief of the Mohawks) | |
| Paul Doucet | ... | Marquis de Lafayette | |
| William S. Rising | ... | Edmund Burke | |
| Daniel Carney | ... | Personal servant of Miss Montague | |
| Edward Scanlon | ... | Household servant at Ashley Court | |
| Emil Hoch | ... | Lord North | |
| Lucille La Verne | ... | Refugee mother | |
| Edwin Holland | ... | Maj. Strong | |
| Milton Noble | ... | An old patriot | |
| rest of cast listed alphabetically: | |||
| Edward Dillon | ... | (uncredited) | |
Directed by | |||
| D.W. Griffith | |||
Writing credits(in alphabetical order) | ||
| Robert W. Chambers | screenplay | |
| Robert W. Chambers | story | |
Produced by | |||
| D.W. Griffith | .... | producer | |
Original Music by | |||
| Joseph Carl Breil | |||
| Adolph Fink | |||
Cinematography by | |||
| G.W. Bitzer | |||
| Marcel Le Picard | |||
| Hendrik Sartov | |||
| Harold S. Sintzenich | |||
Film Editing by | |||
| James Smith | |||
| Rose Smith | |||
Art Direction by | |||
| Charles M. Kirk | |||
Second Unit Director or Assistant Director | |||
| Herbert Sutch | .... | assistant director | |
| Frank Walsh | .... | assistant director | |
Art Department | |||
| William J. Bantel | .... | director of construction | |
| Charles E. Boss | .... | scenic artist | |
Visual Effects by | |||
| Warren Newcombe | .... | matte painter | |
Camera and Electrical Department | |||
| Frank J. Diem | .... | still photographer | |
| Vincent J. Farrar | .... | akeley camera operator | |
Music Department | |||
| Joseph Carl Breil | .... | music arranger | |
Other crew | |||
| John L.E. Pell | .... | historical arrangement | |
| Benjamin Turner | .... | studio projectionist | |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
America (1924)
*** (out of 4)
This film is basically a remake of The Birth of a Nation but this time the story is set during the American Revolutionary War. We have George Washington (Arthur Dewey) trying to make our country free while Capt. Walter Butler (Lionel Barrymore) tries to get the Indians on his side to attack what one hopes to become the new America. In the mean time, two young lovers (Neil Hamilton, Carol Dempster) are split apart due to them fighting on opposite sides of the war. This film was a notorious flop when originally released and everything Griffith made after this was basically done so that he could clean up debts gathered by this film. Time has certainly been kinder to the film than movie crowds in 1924 because this is a pretty strong take on the war that features a nice story, great battle scenes and some fine performances. Barrymore steals the show with his crazed performance but he never goes over the top but even without words you can see the passion on his face as he fights for what he believes is right. Hamilton and Dempster are both fine in their roles, although I'm sure stronger actors would have been better. The majority of the film deals with the actual story of the war and not the battle scenes. Griffith handles all the quiet moments very well but there's no question that the battle scenes are where the energy is at. Hundreds of extras were used and again, like previous Griffith epics, the battle scenes look incredibly realistic as if Griffith were there filming while the real battles were taking place. The story of the families being split apart probably would have worked better had it not been so familiar as to the story in The Birth of a Nation but either way this was Griffith's last epic and while it's not the masterpiece of The Birth of a Nation or Intolerance, it's still impressive film-making.