| Jean Börlin | ... | Le chasseur au chapeau tyrolien / Le prestidigitateur | |
| Inge Frïss | ... | La ballerine (as Mlle Frïss) | |
| Francis Picabia | ... | Un homme qui charge le canon | |
| Marcel Duchamp | ... | Un joueur d'échecs | |
| Man Ray | ... | Un joueur d'échecs (as Man-Ray) | |
| rest of cast listed alphabetically: | |||
| Darius Milhaud | |||
| Marcel Achard | ... | Un homme qui suit le corbillard (uncredited) | |
| Georges Auric | ... | Un homme qui suit le corbillard (uncredited) | |
| Georges Charensol | ... | Un homme qui suit le corbillard (uncredited) | |
| Georges Lacombe | ... | Un homme qui suit le corbillard (uncredited) | |
| Roger Le Bon | ... | Un homme qui suit le corbillard (uncredited) | |
| Jean Mamy | ... | Un homme qui suit le corbillard (uncredited) | |
| Rolf de Maré | ... | Un homme qui suit le corbillard (uncredited) | |
| Erik Satie | ... | Un homme qui charge le canon (uncredited) | |
| Pierre Scize | ... | Un homme qui suit le corbillard (uncredited) | |
| Louis Touchages | ... | Un homme qui suit le corbillard (uncredited) | |
Directed by | |||
| René Clair | |||
Writing credits | ||
| Francis Picabia | (screenplay) | |
| René Clair | (adaptation and screenplay) | |
Produced by | |||
| Rolf de Maré | .... | producer (uncredited) | |
Original Music by | |||
| Erik Satie | |||
Cinematography by | |||
| Jimmy Berliet | |||
Second Unit Director or Assistant Director | |||
| R. Caillaud | .... | assistant director | |
| Georges Lacombe | .... | assistant director (as G. Lacombe) | |
Music Department | |||
| Henri Sauguet | .... | orchestrator | |
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| Ballet mécanique | Chelovek s kino-apparatom | Circumstances | Hallelujah! Gorilla Revival | Meshes of the Afternoon |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb France section | Add this title to MyMovies |
This short, which is appended to Criterion's DVD release of A Nous la Liberte, is hardly the shining example of surrealist film that its proponents would have you believe. Ultimately, it is by turns overly indulgent and downright boring. Lacking the artistry of L'Age d'Or, the suspense and intrigue of La Jetee or Meshes of the Afternoon, and the joy and spontaneity of Running, Jumping and Standing Still, Entr'acte simply never takes off. Even as a curiosity, it's not all that interesting...