Ben-Hur: A Tale of the Christ (1925)

User Rating:

8.2/10   

Director:

Fred Niblo

Writers:

Lew Wallace (novel)
June Mathis (adaptation)

Release Date:

8 October 1927 (USA)

Genre:

Adventure | Drama | Romance

Tagline:

The Picture Every Christian Ought to See!

Plot:

Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy...

Plot Keywords:

Revenge | Vamp | Anti Semitism | Affection | Sea Battle

Awards:

1 win

Cast

Ramon Novarro	...	Judah Ben-Hur
Francis X. Bushman	...	Messala
May McAvoy	...	Esther
Betty Bronson	...	Mary
Claire McDowell	...	Princess of Hur
Kathleen Key	...	Tirzah
Carmel Myers	...	Iras
Nigel De Brulier	...	Simonides
Mitchell Lewis	...	Sheik Ilderim
Leo White	...	Sanballat
Frank Currier	...	Quintus Arrius
Charles Belcher	...	Balthazar
Dale Fuller	...	Amrah
Winter Hall	...	Joseph

Also Known As:

Ben-Hur (USA) (short title)
Ben Hur (Austria) (reissue title) (Germany) (Germany) (reissue title) [de]
Ben Hur (Greece) [el]
Ben Hur (Spain) [es]
Ben Hur (Turkey: Turkish title) [tr]

Runtime:

143 min | Germany:151 min (restored version)

Country:

USA

Language:

English

Color:

Color (2-strip Technicolor) (some sequences) | Black and White (tinted)

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Finland:S | Ireland:G | UK:PG | Norway:A | Sweden:15

Filming Locations:

Anzio, Rome, Lazio, Italy

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

At $3.9 million, the most expensive silent movie ever.

Goofs:

Continuity: The position of the body of the charioteer killed in the training session at Sheik Ilderim's camp.

Movie Connections:

Referenced in Hollywood Remembers: Myrna Loy - So Nice to Come Home to (1991) (TV)

An Entertaining & Often Impressive Version of the Story

While it is now largely neglected in favor of the more familiar 1959 remake, the 1925 silent version of "Ben-Hur" is quite entertaining, and it is often impressive in its own right. Fred Niblo had a lot of good resources for this film, and he used them well. Although Niblo made some other enjoyable films, this one has to be by far his best. As Ben-Hur and Messala, Ramon Novarro and Francis X. Bushman work pretty well as the rivals whose complex relationship drives so much of the action. At an hour shorter than the 1950's version, this one moves at a good pace while keeping most of the best material.

The story lends itself easily to a large-scale production. The characters, the historical settings, and the themes all offer many possibilities to film-makers. The screenplay for this version does a good job of focusing on the parts of the story that are interesting to watch while also developing the story's key relationships and themes. Like the later version, it makes some changes from the novel, but it still contains most of the same best-known scenes.

The large-scale set piece sequences from the story work very well here. The naval battle sequence actually seems more realistic here than it is in the color and sound version. The chariot race scene is approached a little differently than it is in Wyler's version, so that direct comparisons may not be possible, but in any case Niblo's version is very good. The action is tense and exciting, and it is also fun to try to pick out the silent screen stars who appear in the audience.

There are certainly a number of reasons for the enduring popularity of the Wyler/Charlton Heston version. Fortunately, there is no need to choose one over the other. This adaptation of "Ben-Hur" deserves to be remembered in its own right, as a successful, entertaining movie that also captures the important ideas of the story.