Metropolis (1927)

Director:

Fritz Lang

Writers:

Thea von Harbou (screenplay)
Thea von Harbou (novel)
(more)

Release Date:

13 March 1927 (USA)

Genre:

Action | Drama | Romance | Sci-Fi | Thriller

Tagline:

There can be no understanding between the hands and the brain unless the heart acts as mediator.

Plot:

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Plot Keywords:

Cult Favorite | Number In Character's Name | Grim | Reform | Cyberpunk

Awards:

2 wins & 2 nominations

Cast

Alfred Abel	...	Joh Fredersen
Gustav Fröhlich	...	Freder, Joh Fredersen's son
Rudolf Klein-Rogge	...	C. A. Rotwang, the inventor
Fritz Rasp	...	The Thin Man
Theodor Loos	...	Josaphat
Erwin Biswanger	...	11811
Heinrich George	...	Grot, the guardian of the Heart Machine
Brigitte Helm	...	Maria
rest of cast listed alphabetically:
Fritz Alberti	...	Creative human - man who convinces Babel (uncredited)
Grete Berger	...	Working woman (uncredited)
Olly Boeheim	...	Working woman (uncredited)
Max Dietze	...	Working man (uncredited)
Ellen Frey	...	Working woman (uncredited)
Beatrice Garga	...	Woman of Eternal Gardens (uncredited)
Heinrich Gotho	...	Master of Ceremonies (uncredited)
Dolly Grey	...	Working woman (uncredited)
Anny Hintze	...	Woman of Eternal Gardens (uncredited)
Georg John	...	Working man who causes explosion of M-Machine (uncredited)
Walter Kuehle	...	Working man (uncredited)
Margarete Lanner	...	Lady in car / Woman of Eternal Gardens (uncredited)
Rose Lichtenstein	...	Working woman (uncredited)
Hanns Leo Reich	...	Marinus (uncredited)
Arthur Reinhardt	...	Working man (uncredited)
Curt Siodmak	...	Working Man (uncredited)
Henrietta Siodmak	...	Working Woman (uncredited)
Olaf Storm	...	Jan (uncredited)
Erwin Vater	...	Working man (uncredited)
Rolf von Goth	...	Son in Eternal Gardens (uncredited)
Helen von Münchofen	...	Woman of Eternal Gardens (uncredited)
Helene Weigel	...	Working woman (uncredited)
Hilde Woitscheff	...	Woman of Eternal Gardens (uncredited)

Directed by
Fritz Lang

Writing credits
Thea von Harbou		(screenplay)
Thea von Harbou		(novel)
Fritz Lang		screenplay (uncredited)

Produced by
Giorgio Moroder	....	producer (1984 restoration)
Erich Pommer	....	producer

Original Music by
Gottfried Huppertz
Abel Korzeniowski		(2004)
Giorgio Moroder		(1984)
Peter Osborne		(1998)
Bernd Schultheis		(2001)
Wetfish		(1999)

Cinematography by
Karl Freund
Günther Rittau
Walter Ruttmann

Art Direction by
Otto Hunte
Erich Kettelhut
Karl Vollbrecht

Costume Design by
Aenne Willkomm

Art Department
Otto Hunte	....	set designer
Erich Kettelhut	....	set designer
Walter Schulze-Mittendorf	....	sculptor (as Walter Schultze-Mittendorf)
Karl Vollbrecht	....	set designer
Edgar G. Ulmer	....	set designer (uncredited)

Special Effects by
Ernst Kunstmann	....	special effects
Konstantin Irmen-Tschet	....	special photographic effects sequences (uncredited)
Erich Kettelhut	....	trick photography (uncredited)

Visual Effects by
Jeff Matakovich	....	restoration
Eugen Schüfftan	....	special visual effects
Erich Kettelhut	....	painting effects (uncredited)
Ernst Kunstmann	....	assistant compositing effects artist (uncredited)
Willy Muller	....	model maker (uncredited)
Hugo O. Schulze	....	assistant trick photography (uncredited)

Camera and Electrical Department
Karl Freund	....	camera operator
Günther Rittau	....	camera operator (as Gunther Rittau)
Robert Baberske	....	assistant camera (uncredited)
Horst von Harbou	....	still photographer (uncredited)

Costume and Wardrobe Department
Hermann I. Kaufmann	....	wardrobe (uncredited)

Music Department
Otto Harzner	....	conductor: original score (uncredited)

Other crew
Rudi George	....	key production assistant (uncredited)
Erich Holder	....	production assistant (uncredited)
Erich Kettelhut	....	technical consultant (uncredited)
Gustav Püttjer	....	production assistant (uncredited)
Hans Taussig	....	production assistant (uncredited)

Thanks
Rusty Lemorande	....	special thanks (1984 restoration)

Production Companies

• Universum Film (UFA)

Distributors

• Paramount Pictures (1928) (USA) (theatrical)
• Hollywood Home Theatre (1980) (USA) (VHS)
• Vestron Video (1985) (USA) (VHS) (1984 version)
• Lax Video S.A. (1986) (Spain) (VHS) (1984 version)
• Divisa Ediciones (1995) (Spain) (VHS)
• Navarre Entertainment (2002) (USA) (DVD)
• Divisa Home Video (2003) (Spain) (DVD)
• Eureka Video (2003) (UK) (DVD)
• Delta Expedition (2004) (USA) (DVD)
• Madman Entertainment (2004) (Australia) (DVD)
• Reel Media International (2004) (USA) (video)
• Reel Media International (2005) (USA) (TV)
• SBP (2005) (Argentina) (DVD)
• SBP (2005) (Argentina) (VHS) (re-release)
• Cable Video (????) (USA) (VHS)
• Continental Home Vídeo (????) (Brazil) (VHS)
• Forward (2007) (Japan) (DVD)
• Friedrich-Wilhelm-Murnau-Stiftung (2006) (UK) (DVD)
• GoodTimes Home Video (????) (USA) (VHS)
• Killiam Collection (????) (USA) (VHS)
• Kino International (USA) (restored version)
• Kino Video (2009) (USA) (DVD) (Blu-ray)
• Kino Video (????) (USA) (DVD)
• Kino Video (????) (USA) (VHS)
• Kinokuniya (2006) (Japan) (DVD)
• LS Video (????) (USA) (VHS)
• Living Colour Entertainment (2007) (Netherlands) (DVD) (two-disc special edition)
• Paramount-Ufa-Metro-Verleihbetriebe GmbH (Parufamet) (2006) (UK) (DVD) (as Parufamet)
• Reel Media International (2007) (USA) (all media)
• Stokey Video (????) (USA) (video)
• Transit Film (2006) (UK) (DVD) (as TF Transit Film)
• Vestron Video International (1986) (Belgium) (video)
• Vestron Video (1985) (USA) (video) (laserdisc)
• Video Yesteryear (????) (USA) (VHS)
• Vivarto (2008) (Poland) (all media)

Other Companies

• Alpha-Omega Digital  digital restoration (as ALPHA-OMEGA, Munich)
• August Scherl Verlag  original book publisher
• Bundesarchiv-Filmarchiv Koblenz  film processing: restoration (as Bundesarchiv-Filmarchiv, Berlin / Koblenz)
• Bundesarchiv-Filmarchiv Koblenz  restoration carried out by (as Bundesarchiv-Filmarchiv, Berlin)
• Centrimage  digital restoration (as centrimage, Paris)
• Cinémathèque Française  restoration contributor (as Cinémathèque Française, Paris)
• Deutsches Filminstitut (DIF)  restoration carried out together with (member of the Association of Cinematheques) (as Deutsches Filminstitut - DIF, Frankfurt am Main / Wiesbaden)
• Deutsches Filmmuseum Frankfurt  restoration carried out together with (member of the Association of Cinematheques) (as Deutsches Filmmuseum, Frankfurt am Main)
• Filmmuseum Berlin  restoration carried out together with (member of the Association of Cinematheques) (as Filmmuseum Berlin - Deutsche Kinemathek, Berlin)
• Filmmuseum Düsseldorf  restoration carried out together with (member of the Association of Cinematheques) (as Filmmuseum der Landeshauptstadt Düsseldorf)
• Filmmuseum Munich  restoration carried out together with (as Filmmuseum im Stadtmuseum Munich)
• Fondazione Cineteca Italiana  restoration contributor (as Fondazione Cineteca Italiana, Milan)
• Friedrich-Wilhelm-Murnau-Stiftung  restoration carried out by (as Friedrich-Wilhelm-Murnau-Foundation, Wiesbaden)
• George Eastman House  restoration contributor (as George Eastman House, Rochester)
• Gosfilmofond  restoration contributor (as Gosfilmofond, Moscow)
• Kinograph Inc.  English translation: restoration (as Kinograph, Montréal)
• Modegeschaft Knitze  costume fitting
• Museum of Modern Art, The (MoMA)  restoration contributor (as The Museum of Modern Art, New York)
• National Film and Television Archive  restoration contributor (as National Film and Television Archive, London)
• Rundfunk-Sinfonieorchester Saarbrücken  original score performed by: restoration
• Schuhgeschäft Breitspecher  men's shoes
• Schuhgeschäft Reiss  women's shoes
• Screensound Australia  restoration contributor (as Screensound Australia, Canberra)
• Studio Babelsberg  sound stages
• Transit Film  world sales: restoration (as Transit Film GmbH, Munich)
• TrickWilk, Berlin  intertitles: restoration (as trickWILK, Berlin)
• Werkstätten der UFA  costumes

Also Known As:

Metrópolis (Argentina) (Spain) [es]
Mitropolis (Greece) [el]

Runtime:

153 min | Germany:147 min (2001 restored version) | Germany:210 min (premiere cut) | Germany:80 min (Giorgio Moroder version) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | Spain:118 min (DVD edition) | USA:117 min

Country:

Germany

Language:

German

Color:

Black and White (tinted)

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby Digital (1995 restored version) | Silent (original release)

Certification:

Germany:12 (video rating) (re-release) | Iceland:L | Germany:18 (original rating) (1927) | Germany:o.Al. (DVD re-rating) | West Germany:16 (theatrical re-release) (1962) | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Norway:12 (1986) | Peru:PT | Portugal:17 (original rating) | Portugal:M/6 (DVD rating) | South Korea:12 (DVD rating) | Spain:T (DVD rating) | Sweden:11 (re-release) | Sweden:15 (original rating) | UK:A (original rating) | UK:PG (video rating)

Filming Locations:

Berlin, Germany

Company:

Universum Film (UFA)

Trivia:

Reportedly one of Adolf Hitler's favorite films.

Goofs:

Continuity: When Freder, and Rotwang are fighting on top of the Cathedral, it is daytime. But in the shot of the workers, Grot, and Joh on the ground, it is night.

Quotes:

Maria: "We shall build a tower that will reach to the stars!" Having conceived Babel, yet unable to build it themselves, they had thousands to build it for them. But those who toiled knew nothing of the dreams of those who planned. And the minds that planned the Tower of Babel cared nothing for the workers who built it...

Movie Connections:

Referenced in The Characters of 'Star Wars' (2004) (V)

Soundtrack:

Destruction

_The_ perfect sci-fi movie!

This must be one of the greatest movies of all time. I found myself almost in a state of shock during the whole movie. Everything was perfect. The story was great, the filming was pure genius and the effects directly from another dimension.

I don't think any movie after this one have gotten so much out of the available effects of the time as this one. Nowadays they have super computers generating special effects. Sure they look good, but it's no big deal making them. Back in 1926 computers weren't even invented yet, all effects had to be done by hand or in simple editing. And when you take a look at all the thins that have been done in this movie, it's impossible not to get impressed. Huge buildings, explosions, flooding, picture phones (however did he come up with the very idea?), transformation sequences, robots and so on. No movie has ever pulled the limits of special effects as much as this one. Star Wars and Jurassic Park are also known as limit pullers in special effects, but they don't even come close.

Then you have the filming. Everything is perfect. The use of body language is tremendous, the light setting perfect, everything well timed and perfectly captured by the camera. I've never been witness to such a treat in filming other places.

And the story!!! Perfect in every detail. Intriguing, exciting and thrilling with lots of religious undertones and tyranic leaders. No wonder Hitler liked this movie...

I don't know how the original music of the film was, but the new music for the restored 139 minute version I saw was really good and moodseting.

All in all. This is one of the most perfect movies of all time, and it deserves anything it can get. Never has a 10/10 been as secure as for this movie...