Overview
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Release Date:
13 March 1927 (USA)
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Tagline:
There can be no understanding between the hands and the brain unless the heart acts as mediator.
Plot:
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences. full summary | full synopsis
Awards:
2 wins
&
2 nominations
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User Comments:
Heart is the Mediator Between Brains and Muscles A Futuristic View of the Fight of Classes
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- Alpha-Omega Digital digital restoration (as ALPHA-OMEGA, Munich)
- August Scherl Verlag original book publisher
- Bundesarchiv-Filmarchiv Koblenz film processing: restoration (as Bundesarchiv-Filmarchiv, Berlin / Koblenz)
- Bundesarchiv-Filmarchiv Koblenz restoration carried out by (as Bundesarchiv-Filmarchiv, Berlin)
- Centrimage digital restoration (as centrimage, Paris)
- Cinémathèque Française restoration contributor (as Cinémathèque Française, Paris)
- Deutsches Filminstitut (DIF) restoration carried out together with (member of the Association of Cinematheques) (as Deutsches Filminstitut - DIF, Frankfurt am Main / Wiesbaden)
- Deutsches Filmmuseum Frankfurt restoration carried out together with (member of the Association of Cinematheques) (as Deutsches Filmmuseum, Frankfurt am Main)
- Filmmuseum Berlin restoration carried out together with (member of the Association of Cinematheques) (as Filmmuseum Berlin - Deutsche Kinemathek, Berlin)
- Filmmuseum Düsseldorf restoration carried out together with (member of the Association of Cinematheques) (as Filmmuseum der Landeshauptstadt Düsseldorf)
- Filmmuseum Munich restoration carried out together with (as Filmmuseum im Stadtmuseum Munich)
- Fondazione Cineteca Italiana restoration contributor (as Fondazione Cineteca Italiana, Milan)
- Friedrich-Wilhelm-Murnau-Stiftung restoration carried out by (as Friedrich-Wilhelm-Murnau-Foundation, Wiesbaden)
- George Eastman House restoration contributor (as George Eastman House, Rochester)
- Gosfilmofond restoration contributor (as Gosfilmofond, Moscow)
- Kinograph Inc. English translation: restoration (as Kinograph, Montréal)
- Modegeschaft Knitze costume fitting
- Museum of Modern Art, The (MoMA) restoration contributor (as The Museum of Modern Art, New York)
- National Film and Television Archive restoration contributor (as National Film and Television Archive, London)
- Rundfunk-Sinfonieorchester Saarbrücken original score performed by: restoration
- Schuhgeschäft Breitspecher men's shoes
- Schuhgeschäft Reiss women's shoes
- Screensound Australia restoration contributor (as Screensound Australia, Canberra)
- Studio Babelsberg sound stages
- Transit Film world sales: restoration (as Transit Film GmbH, Munich)
- TrickWilk, Berlin intertitles: restoration (as trickWILK, Berlin)
- Werkstätten der UFA costumes
Additional Details
Also Known As:
Metrópolis (Argentina) (Spain) [es]
Metropolis (Turkey: Turkish title) [tr]
Mitropolis (Greece) [el]
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Runtime:
153 min | Germany:147 min (2001 restored version) | Germany:210 min (premiere cut) | Germany:80 min (Giorgio Moroder version) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | Spain:118 min (DVD edition) | USA:117 min
Aspect Ratio:
1.33 : 1 more
Fun Stuff
Trivia:
In the novelization, the robot is described as a woman "of glass and metal," and her name is Parody; Maria's features are sculpted onto its face by Rotwang itself, using Maria as a guide.
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Goofs:
Continuity: The lever on the heart-machine pulled by the false Maria to destroy it is pointing upwards and downwards between shots.
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Quotes:
Freder:
It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?
Joh Frederson:
In their proper place, the depths.
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Soundtrack:
On Your Own
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FAQ
A Note Regarding Spoilers
Is "Metropolis" based on a novel?
How did they shoot the rings around the machine when it was transforming into the guise of Maria?
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In the future, the society of Metropolis is divided in two social classes: the workers, who live in the underground below the machines level, and the dominant classes that lives in the surface. The workers are controlled by their leader Maria (Brigitte Helm), who wants to find a mediator between the upper class lords and the workers, since she believes that a heart would be necessary between brains and muscles. Maria meets Freder Fredersen (Gustav Fröhlich), the son of the Lord of Metropolis Johhan Fredersen (Alfred Abel), in a meeting of the workers, and they fall in love for each other. Meanwhile, Johhan decides that the workers are no longer necessary for Metropolis, and uses a robot pretending to be Maria to promote a revolution of the working class and eliminate them.
"Metropolis" is a fantastic futuristic view of the fight of classes. When "Metropolis" was shot, it was a romantic revolutionary period of mankind history, with socialist movements around the world. Fritz Lang directed and wrote the screenplay of this masterpiece certainly inspired in this historical moment and defending a position of agreement and understanding between both sides, showing that they need each other. I wonder how this great director was able to produce such special effects in 1927, with very primitive cameras and equipment. The city of Metropolis is visibly inspired in New York. The performance of Brigitte Helm is stunning in her double role, and this movie is mandatory for any person that says that like cinema as an art. My vote is ten.
Title (Brazil): "Metropolis"