Die Büchse der Pandora (1929)

Director:

Georg Wilhelm Pabst

Writers:

Frank Wedekind (plays)
Ladislaus Vajda (scenario)

Release Date:

22 February 1930 (Japan)

Genre:

Crime | Drama | Romance

Plot:

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Plot Keywords:

Violence | Lust | Escape | Rose | Controversy

Awards:

1 nomination

Cast

Louise Brooks	...	Lulu
Fritz Kortner	...	Dr. Ludwig Schön
Francis Lederer	...	Alwa Schön (as Franz Lederer)
Carl Goetz	...	Schigolch
Krafft-Raschig	...	Rodrigo Quast
Alice Roberts	...	Gräfin Geschwitz - Countess Anna Geschwitz
Daisy D'Ora	...	Charlotte Marie Adelaide v. Zarnikow - braut Dr. Schöns - Dr. Schön's Bride (as Daisy d'Ora)
Gustav Diessl	...	Jack the Ripper (as Gustav Diesel)
Michael von Newlinsky	...	Marquis Casti-Piani (as Michael v. Newlinsky)
Sig Arno	...	Der inspizient - the instructor (as Siegfried Arno)

Also Known As:

Pandora's Box (UK) (USA)
Lulu
The Box of Pandora (International: English title)
La caja de Pandora (Argentina) (Venezuela) [es]
Loulou (Canada: French title) (France) [fr]
A Boceta de Pandora (Portugal) [pt]
A Caixa de Pandora (Brazil) [pt]
Il vaso di Pandora (Italy) [it]
La boite de Pandore (France) [fr]
Lulu (Greece) [el]
Pandora szelencéje (Hungary) [hu]
Pandoran lipas (Finland) [fi]
Pandoras æske (Denmark) [da]
Puszka Pandory (Poland) [pl]

Runtime:

Germany:133 min (restored version) | USA:109 min | Belgium:152 min (Copy with French titles at Brussels Musée du Cinéma) | 131 min (original version) (21.4 fps) | 110 min (VHS version)

Country:

Germany

Language:

German

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Germany:(Banned) (1933-1945) | Portugal:17 (original release) | Portugal:(Banned) (1936-1945) | Portugal:M/12 (DVD rating) | Norway:(Banned) (1929) | UK:A (1929) | UK:PG (1993) | Australia:PG | USA:TV-PG (TV rating) | Argentina:13 | Finland:(Banned) (1929) | Sweden:(Banned)

Filming Locations:

Nero-Film Studio, Berlin, Germany

Company:

Nero-Film AG

Trivia:

Georg Wilhelm Pabst nearly signed Marlene Dietrich to star, although he greatly preferred Louise Brooks. According to Pabst, Dietrich was in his office waiting to sign the contract when a cable came from Paramount saying that Brooks was willing to play the role.

Goofs:

Continuity: As Lulu looks at herself in the mirror after the wedding, the wedding dress is off her right shoulder. The position of the dress on her right arm and shoulder varies between shots from when she is confronted by Dr Schon till his death.

Quotes:

Schigolch: You should only play when you're sure to win.

Movie Connections:

Referenced in America's Sweethearts (2001)

Downbeat But Engrossing, Sordid Yet Artistic

This feature has quite an unusual feel to it - generally downbeat, but engrossing, and filled with sordid characters and settings, yet somehow artistic. Moreover, it's not downbeat or sordid in the pretentious, empty way that characterizes so many recent movies. Rather, despite portraying its characters in a largely unfavorable light, it neither exploits them nor glorifies them. These persons are shown simply to be what they are, and while there is a certain inevitability about many of the things that befall them, there is a thoughtfulness as well. You would not want to be like, or perhaps even meet, most of these characters, and yet you want to wish them better luck.

Louise Brooks gets most of the attention (both in the movie itself and from those who discuss it). The "Pandora's Box" image for her character is appropriate, in that Lulu is never ill-intentioned nor malicious, and yet she often puts the other characters in difficult situations, just by being who she is and acting naturally. All of the other significant characters are defined largely in terms of their responses to her and relationships with her, and all of the characters (including Lulu) have very evident faults and make some very preventable blunders. The result is an unusual and very interesting movie. Director G.W. Pabst deserves the credit most of all for creating the atmosphere, putting everything together, and making it work so well.