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The Circus (1928)

Unrated | | Comedy, Romance | 1928 (Turkey)
The Tramp finds work and the girl of his dreams at a circus.

Director:

(as Charlie Chaplin)

Writer:

(as Charlie Chaplin)
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Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small... See full summary »

Director: Charles Chaplin
Stars: Charles Chaplin, Edna Purviance, Albert Austin
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Cast

Complete credited cast:
...
...
Harry Crocker ...
Rex - A Tight Rope Walker
George Davis ...
A Magician
Henry Bergman ...
Tiny Sandford ...
The Head Property Man (as Stanley J. Sandford)
John Rand ...
An Assistant Property Man
Steve Murphy ...
A Pickpocket
...
A Tramp (as Charlie Chaplin)
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Storyline

The Tramp finds himself at a circus where he is promptly chased around by the police who think he is a pickpocket. Running into the Bigtop, he is an accidental sensation with his hilarious efforts to elude the police. The circus owner immediately hires him, but discovers that the Tramp cannot be funny on purpose, so he takes advantage of the situation by making the Tramp a janitor who just happens to always be in the Bigtop at showtime. Unaware of this exploitation, the Tramp falls for the owner's lovely acrobatic stepdaughter, who is abused by her father. His chances seem good, until a dashing rival comes in and Charlie feels he has to compete with him. Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Add Synopsis

Plot Keywords:

ring | tramp | police | circus | rival | See All (151) »

Taglines:

Charlie Chaplin in the Greatest Picture of His Entire Career... See more »

Genres:

Comedy | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

1928 (Turkey)  »

Also Known As:

Cirkus  »

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Box Office

Budget:

$900,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

For the scenes with the lions, Charles Chaplin made some 200 takes, in many of which he was actually inside the lion's cage. His looks of fear are not all merely acting. See more »

Goofs

After the tramp washes the shaving cream from his face, he dries himself with a towel but the towel never touches his face (this is probably so that it won't mess up the stage makeup). See more »

Quotes

Merna: I've run away from the circus.
See more »

Connections

Referenced in Big Fish (2003) See more »

Soundtracks

Swing Little Girl
(1969) (uncredited)
Written and Performed by Charles Chaplin for the 1969 release
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Chaplin's comedy about comedy is sweet, funny and beautiful
9 December 2006 | by See all my reviews

The Little Tramp is chased into a circus tent during a performance; his antics prove funnier than those of the clowns, and the ringmaster hires him for the show. When a comedian plays a character who is inadvertently hilarious, it can seem narcissistic: just check out Jerry Lewis's "The Errand Boy" where Lewis has his supporting cast praise the comic genius of the character played by Jerry Lewis. Despite this danger, and despite Chaplin's off-screen egotism, the premise plays beautifully, especially since The Little Tramp (though not Chaplin) is such a terrible comedian when he's trying to be one. My favorite moment is when the ringmaster demands the auditioning Tramp to be funny right that instant: the Tramp grins and shyly dances around a bit, gingerly falls down, puts his cane between his legs and meekly lifts himself back up. "Terrible!" roars his would-be employer. This film has more self-awareness over comedy conventions that any other Chaplin I know of. The Tramp ineptly (but hilariously) performs a couple of standard comedy routines with the other circus clowns. Later, there's a funny twist to the old banana peel gag; and near the end he crashes into an old general store, looking as if he's thrust himself back into his old Keystone days. This is Chaplin's last true silent film, and the Keystone moment feels like a nostalgic farewell to the past. "The Circus" is funny throughout, but the opening scenes are probably the best. There's a marvelous funhouse sequence and a priceless routine where The Tramp pretends to be a motorized dummy. (Has anyone seen the Swiss clock routine from "Your Show of Shows"?) He also falls in love with the ringmaster's cruelly treated daughter, which leads to a poignant ending. I enjoyed the music, which Chaplin composed for this film in 1969. His scores are always repetitive; but they're also sweet and funny and they enhance the action. I could have done without the title-sequence song (which he sings himself)—something about looking up at rainbows. Otherwise, this comedy is near-perfect and holds its own against Chaplin's even greater features, "The Gold Rush," "City Lights" and "Modern Times."


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