| Photos (see all 4 | slideshow) |
| Mary Philbin | ... | Dea | |
| Conrad Veidt | ... | Gwynplaine | |
| Julius Molnar Jr. | ... | Gwynplaine as a child | |
| Olga Baclanova | ... | Duchess Josiana | |
| Brandon Hurst | ... | Barkilphedro | |
| Cesare Gravina | ... | Ursus | |
| Stuart Holmes | ... | Lord Dirry-Moir | |
| Sam De Grasse | ... | King James II | |
| George Siegmann | ... | Dr. Hardquanonne | |
| Josephine Crowell | ... | Queen Anne | |
| Charles Puffy | ... | Innkeeper | |
| Zimbo the Dog | ... | Homo the Wolf (as Zimbo) | |
| rest of cast listed alphabetically: | |||
| Henry A. Barrows | ... | (uncredited) | |
| Richard Bartlett | ... | (uncredited) | |
| Les Bates | ... | (uncredited) | |
| Charles Brinley | ... | (uncredited) | |
| Allan Cavan | ... | (uncredited) | |
| D'Arcy Corrigan | ... | (uncredited) | |
| Carmen Costello | ... | Dea's Mother (uncredited) | |
| Carrie Daumery | ... | Lady-in-Waiting (uncredited) | |
| Howard Davies | ... | (uncredited) | |
| Nick De Ruiz | ... | Wapentake (uncredited) | |
| Louise Emmons | ... | Gypsey Hag (uncredited) | |
| J.C. Fowler | ... | (uncredited) | |
| John George | ... | Dwarf (uncredited) | |
| Jack A. Goodrich | ... | Clown (uncredited) | |
| Charles Hancock | ... | (uncredited) | |
| Lila LaPon | ... | Featured (uncredited) | |
| Torben Meyer | ... | The Spy (uncredited) | |
| Joe Murphy | ... | Hardquanones messenger (uncredited) | |
| Edgar Norton | ... | Lord High Chancellor (uncredited) | |
| Broderick O'Farrell | ... | (uncredited) | |
| Lon Poff | ... | (uncredited) | |
| Frank Puglia | ... | Clown (uncredited) | |
| Henry Roquemore | ... | (uncredited) | |
| Templar Saxe | ... | (uncredited) | |
| Allan Sears | ... | (uncredited) | |
| Scott Seaton | ... | (uncredited) | |
| Louis Stern | ... | (uncredited) | |
| Al Stewart | ... | (uncredited) | |
| Anton Vaverka | ... | (uncredited) | |
Directed by | |||
| Paul Leni | |||
Writing credits(in alphabetical order) | ||
| J. Grubb Alexander | adaptation | |
| J. Grubb Alexander | continuity | |
| Walter Anthony | titles | |
| Victor Hugo | novel "L'Homme Qui Rit" | |
| May McLean | uncredited | |
| Marion Ward | uncredited | |
| Charles E. Whittaker | uncredited | |
Produced by | |||
| Paul Kohner | .... | supervising producer | |
Original Music by | |||
| William Axt | (uncredited) | ||
| Sam Perry | (uncredited) | ||
| Erno Rapee | (uncredited) | ||
Cinematography by | |||
| Gilbert Warrenton | |||
Film Editing by | |||
| Edward L. Cahn | (as Edward Cahn) | ||
Art Direction by | |||
| Charles D. Hall | |||
| Thomas F. O'Neill | (as Thomas O'Neil) | ||
| Joseph C. Wright | (as Joseph Wright) | ||
Costume Design by | |||
| David Cox | |||
| Vera West | |||
Makeup Department | |||
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Production Management | |||
| Paul Kohner | .... | production supervisor | |
Editorial Department | |||
| Maurice Pivar | .... | editorial supervisor | |
Music Department | |||
| Joseph Cherniavsky | .... | musical director (uncredited) | |
Other crew | |||
| Walter Anthony | .... | titles | |
| Charles D. Hall | .... | technical director | |
| Carl Laemmle | .... | presenter | |
| Lew Landers | .... | production staff member (as Louis Friedlander) | |
| Jay Marchant | .... | production staff member | |
| R.H. Newlands | .... | technical researcher (as Prof. R.H. Newlands) | |
| Thomas F. O'Neill | .... | technical director | |
| Bela Sekely | .... | story supervisor (as Dr. Bela Sekely) | |
| John M. Voshell | .... | production staff member | |
| Joseph C. Wright | .... | technical director (as Joseph Wright) | |
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| Gone with the Wind | Black Magic | L'anglaise et le duc | Deadly Is the Female | Home from the Hill |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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This was our first Conrad Veidt experience. The Man Who Laughs is a spellbinding piece of visual art. Veidt's acting is sensational. I knew the plot of the story and wondered how he would portray feelings of sadness and regret with a permanent smile carved on his face. After viewing the tape, we were amazed how the emotions exuded from the TV screen. This is our second Mary Philbin experience and both of us prefer her acting in this movie to her role in The Phantom of the Opera.
We have viewed silents on the TV screen as well as the big screen. We discovered that there is more of the "larger than life" emotions projected and felt by the audience through the larger screenings that is somewhat missed on the 27" TV screen. Not so with this performance. My wife and I were both moved to watch it from the beginning...one more time.