| Photos (see all 14 | slideshow) |
| Erich von Stroheim | ... | Prince Nicki von Wildeliebe-Rauffenburg | |
| Fay Wray | ... | Mitzi Schrammell | |
| Matthew Betz | ... | Schani Eberle | |
| Zasu Pitts | ... | Cecelia Schweisser | |
| George Fawcett | ... | Prince Ottokar von Wildeliebe Rauffenburg | |
| Maude George | ... | Princess Maria | |
| George Nichols | ... | Fortunat Schweisser | |
| Dale Fuller | ... | Katerina Schrammel | |
| Hughie Mack | ... | Schani's father | |
| Cesare Gravina | ... | Martin Schrammell | |
| Sidney Bracey | ... | Navratil | |
| Anton Vaverka | ... | Emperor Franz-Josef | |
| rest of cast listed alphabetically: | |||
| Archduke Leopold of Austria | ... | (uncredited) | |
| Albert Conti | ... | Imperial Guard (uncredited) | |
| Claire Delmar | ... | (uncredited) | |
| Peggy Eames | ... | (uncredited) | |
| Ray Erlenborn | ... | Altar boy (uncredited) | |
| Carey Harrison | ... | Imperial Guard (uncredited) | |
| Danny Hoy | ... | Mountain Guide (uncredited) | |
| Hans Joby | ... | Imperial Guard (uncredited) | |
| Arthur Lubin | ... | Mountain Guide (uncredited) | |
| Madlyn Mougin | ... | Prince Ottocar's Maid (uncredited) | |
| Harry Reinhardt | ... | Imperial Guard (uncredited) | |
| LaVerne Rooney | ... | Extra (uncredited) | |
| Don Ryan | ... | Archibishop (uncredited) | |
| Ferdinand Schumann-Heink | ... | Imperial Guard (uncredited) | |
| Mme. Ernestine Schumann-Heink | ... | (uncredited) | |
| Alec C. Snowden | ... | Black Brothel Servent (uncredited) | |
| Carolynne Snowden | ... | Black Girl in Brothel (uncredited) | |
| Lucille Van Lent | ... | Nicki's maid (uncredited) | |
| Wilhelm von Brincken | ... | Imperial Guard (uncredited) | |
| Carl von Haartman | ... | Imperial Guard (uncredited) | |
| Lurie Weiss | ... | Cecilia's maid (uncredited) | |
| Lulee Wilson | ... | (uncredited) | |
Directed by | |||
| Erich von Stroheim | |||
Writing credits(in alphabetical order) | ||
| Harry Carr | writer | |
| Erich von Stroheim | writer | |
Produced by | |||
| Jesse L. Lasky | .... | executive producer | |
| Pat Powers | .... | producer | |
| Adolph Zukor | .... | executive producer | |
Original Music by | |||
| Louis De Francesco | (uncredited) | ||
| J.S. Zamecnik | (uncredited) | ||
Cinematography by | |||
| Ray Rennahan | (Techicolor camera) | ||
| Hal Mohr | (uncredited) | ||
| Ben F. Reynolds | (uncredited) | ||
| Buster Sorenson | (uncredited) | ||
Film Editing by | |||
| Frank E. Hull | |||
| Josef von Sternberg | (uncredited) | ||
| Erich von Stroheim | (uncredited) | ||
| Paul Weatherwax | (uncredited) | ||
Art Direction by | |||
| Richard Day | (uncredited) | ||
| Erich von Stroheim | (uncredited) | ||
Costume Design by | |||
| Max Rée | |||
| Richard Day | (uncredited) | ||
| Erich von Stroheim | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Louis Germonprez | .... | assistant director | |
| Edward Sowders | .... | assistant director (uncredited) | |
Camera and Electrical Department | |||
| Roy H. Klaffki | .... | photographer associate | |
Editorial Department | |||
| Julian Johnson | .... | subsequent editing | |
| Julian Johnson | .... | supervising editor (uncredited) | |
Music Department | |||
| John Leipold | .... | music arranger (uncredited) | |
Other crew | |||
| Albert Conti | .... | military advisor | |
| D.R.O. Hatswell | .... | military advisor (as Donald Overall-Hatswell) | |
| Archduke Leopold of Austria | .... | technical advisor (uncredited) | |
| Wilhelm von Brincken | .... | technical advisor (uncredited) | |
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Once more Von Stroheim formulates a sharp rejectance towards the declined empire of the Habsburg monarchy in Austria, where marriages for financial reasons are discussed in whorehouses, where noble lovers disdainfully seduce and then leave simple girls from the commons. The dramaturgic constellation is sentimentally done, but the staging is all the more furious and aggressive. The humiliations of the socially inferior class depicted in this film (i.e. Mitzi has to help at the preparations for the wedding of her lost love) cannot be seen as emotional insertions, but as an evidence for the commonly thoughtless brutality of the nobleness, which is not only facing people of the lower classes, but women in general at that time. It's a good, highly artistic, socially involved film, hacked to pieces by the studio bosses - the fate of every monstrous work by this incredibly visionary director, Von Stroheim.