Edited from
Kinoglaz (1924)
- The whole magician sequence.
Odinnadtsatyy (1928)
- The dam shot.
Edited into
Damned! Daney (1991) (V)
Le tombeau d'Alexandre (1993)
Bodysong (2003)
References
Die grüne Manuela - Ein Film aus dem Süden (1923)
- In the last reel, there is a poster for the showing of the film at the Proletarian Cinema (Kiev).
Das Erwachen des Weibes (1927)
- The poster of the film is shown several time.
Prodannyy appetit (1928)
- The poster for this film is shown
Referenced in
Porky's (1982)
- Band members in the dark waiting for the cue to start playing
Koyaanisqatsi (1982)
Lisbon Story (1994)
The Rules of Attraction (2002)
The Right Way (2004)
Homestarrunner.com: Everything Else, Volume 1 (2005) (V)
- In "Experimental Film", the imagery and scenes of Strong Sad watching film sprocket holds go by refers to this early experimental movie, which has a section where the sides of the film are exposed, and the characters look outside their own frame/world at the holes running by
For Want of All Else (2006)
- Referencing the earlier film's intricate, go-for-broke visual aesthetic, director Nathan Vass briefly appears as the Man With a Movie Camera.
Dreams and Desires: Family Ties (2006)
- Narrator attempts to imitate Vertov's camera technique
Hungerford: Symphony of a London Bridge (2009)
- Certain shots in the film - such as the shadow of the camera - were intended as tributes to Vertov's film.
Featured in
"Fejezetek a film történetéböl: Az orosz és a szovjet némafilm (#1.4)" (1989)
Sergei Eisenstein. Avtobiografiya (1996)
Cinéma Vérité: Defining the Moment (1999)
Pomnyu, lyublyu... IV (2000)
The Cutting Edge: The Magic of Movie Editing (2004)
- Clip included; editing analysed.
Ti piace Hitchcock? (2005) (TV)
- At the end of the movie, the main character changes his thesis focus from German film to Russian film. This is the Russian film he is watching.
"The Gunthridge Show: The Persistence of Memory (#1.2)" (2007)
- Footage from this film was edited into this episode
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