| Photos (see all 46 | slideshow) | Videos (see all 4) |
| Colin Clive | ... | Dr. Henry Frankenstein | |
| Mae Clarke | ... | Elizabeth | |
| John Boles | ... | Victor Moritz | |
| Boris Karloff | ... | The Monster (as ?) | |
| Edward Van Sloan | ... | Dr. Waldman | |
| Frederick Kerr | ... | Baron Frankenstein | |
| Dwight Frye | ... | Fritz | |
| Lionel Belmore | ... | Herr Vogel | |
| Marilyn Harris | ... | Little Maria | |
| rest of cast listed alphabetically: | |||
| Ted Billings | ... | Villager (uncredited) | |
| Mae Bruce | ... | Screaming Maid (uncredited) | |
| Arletta Duncan | ... | Bridesmaid (uncredited) | |
| Francis Ford | ... | Hans (uncredited) | |
| Mary Gordon | ... | Mourner (uncredited) | |
| Soledad Jiménez | ... | Mourner (uncredited) | |
| Michael Mark | ... | Ludwig (uncredited) | |
| Pauline Moore | ... | Bridesmaid (uncredited) | |
| Inez Palange | ... | Villager (uncredited) | |
| Paul Panzer | ... | Mourner at gravesite (uncredited) | |
| Cecilia Parker | ... | Maid (uncredited) | |
| Rose Plumer | ... | Villager (uncredited) | |
| Cecil Reynolds | ... | Waldman's secretary (uncredited) | |
| Ellinor Vanderveer | ... | Medical student (uncredited) | |
Directed by | |||
| James Whale | |||
Writing credits | ||
| Mary Shelley | (novel) (as Mrs. Percy B. Shelley) | |
| Peggy Webling | (play) | |
| John L. Balderston | (adaptation) | |
| Francis Edward Faragoh | (writer) & | |
| Garrett Fort | (writer) | |
| Robert Florey | uncredited & | |
| John Russell | uncredited | |
Produced by | |||
| E.M. Asher | .... | associate producer | |
| Carl Laemmle Jr. | .... | producer | |
Original Music by | |||
| Bernhard Kaun | (uncredited) | ||
Cinematography by | |||
| Arthur Edeson | |||
| Paul Ivano | (uncredited) | ||
Film Editing by | |||
| Clarence Kolster | |||
Art Direction by | |||
| Charles D. Hall | |||
Makeup Department | |||
| Pauline Eells | .... | wig maker (uncredited) | |
| Jack P. Pierce | .... | makeup artist (uncredited) | |
| Jack P. Pierce | .... | makeup designer (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph A. McDonough | .... | assistant director (uncredited) | |
Art Department | |||
| Ed Keyes | .... | property master (uncredited) | |
| Herman Rosse | .... | set designer (uncredited) | |
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
| William Hedgcock | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Franz Dallons | .... | props | |
| Oscar Dallons | .... | props | |
| Paul Dallons | .... | props | |
| John P. Fulton | .... | special effects (uncredited) | |
| Ken Strickfaden | .... | electrical effects (uncredited) | |
Camera and Electrical Department | |||
| Sherman Clark | .... | still photographer (uncredited) | |
| Jack Freulich | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Mae Bruce | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising editor | |
Music Department | |||
| Giuseppe Becce | .... | composer: stock music (uncredited) | |
| David Broekman | .... | musical director (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
| Richard Schayer | .... | scenario editor | |
| Frank Graves | .... | electrical effects assistant (uncredited) | |
| Raymond Lindsay | .... | electrical effects assistant (uncredited) | |
| Robert Livingston | .... | double: Colin Clive, closing distant shot (uncredited) | |
| Cecil Reynolds | .... | medical consultant (uncredited) | |
| Gerald L.G. Sampson | .... | technical advisor (uncredited) | |
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| Bride of Frankenstein | Young Frankenstein | The Curse of Frankenstein | The Revenge of Frankenstein | Frankenstein |
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I just wonder in awe at the uniqueness and charm of this movie, the atmospherics, sets, backgrounds, lighting, effects, sound and visuals etc. Even by watching you just get a totally uncanny sense of being part of and being real-time witness of a magnificent period of cinematic history.
You can almost taste the 1930's. It's the nearest thing you'll ever experience of whats its actually like to get in a time machine. Just switch off the lights and you can even imagine yourself being a 1930's cinema goer. Beautiful experience!
This film is nothing less than a classic! It just encapsulates the best of everything involved in movie making!