| Photos (See all 36 | slideshow) | Videos (see all 4) |
| Helen Hayes | ... | Catherine Barkley | |
| Gary Cooper | ... | Lt. Frederic Henry | |
| Adolphe Menjou | ... | Maj. Rinaldi | |
| Mary Philips | ... | Helen Ferguson | |
| Jack La Rue | ... | Priest | |
| Blanche Friderici | ... | Head Nurse | |
| Mary Forbes | ... | Miss Van Campen | |
| Gilbert Emery | ... | British Major | |
| rest of cast listed alphabetically: | |||
| Alice Adair | ... | Cafe Girl (uncredited) | |
| Henry Armetta | ... | Bonello - Italian Ambulance Driver (uncredited) | |
| Herman Bing | ... | Swiss Postal Clerk (uncredited) | |
| Agostino Borgato | ... | Giulio - Hospital Porter (uncredited) | |
| Robert Cauterio | ... | Gordini (uncredited) | |
| Marcelle Corday | ... | Swiss Nurse (uncredited) | |
| Gino Corrado | ... | Italian Soldier (uncredited) | |
| Peggy Cunningham | ... | Molly - Disgraced Nurse (uncredited) | |
| George Humbert | ... | Piani - Singer (uncredited) | |
| Doris Lloyd | ... | Nurse (uncredited) | |
| Fred Malatesta | ... | Manera (uncredited) | |
| Paul Porcasi | ... | Harry - Innkeeper (uncredited) | |
Directed by | |||
| Frank Borzage | |||
Writing credits | ||
| Benjamin Glazer | (screenplay) and | |
| Oliver H.P. Garrett | (screenplay) | |
| Ernest Hemingway | (novel) | |
| Laurence Stallings | play (uncredited) | |
Produced by | |||
| Edward A. Blatt | .... | associate producer (uncredited) | |
| Benjamin Glazer | .... | associate producer (uncredited) | |
Original Music by | |||
| Herman Hand | (uncredited) | ||
| W. Franke Harling | (uncredited) | ||
| Bernhard Kaun | (uncredited) | ||
| John Leipold | (uncredited) | ||
| Paul Marquardt | (uncredited) | ||
| Ralph Rainger | (uncredited) | ||
| Milan Roder | (uncredited) | ||
Cinematography by | |||
| Charles Lang | (photographed by) | ||
Film Editing by | |||
| Otho Lovering | (uncredited) | ||
| George Nichols Jr. | (uncredited) | ||
Casting by | |||
| Fred A. Datig | (uncredited) | ||
Art Direction by | |||
| Roland Anderson | (uncredited) | ||
| Hans Dreier | (uncredited) | ||
Costume Design by | |||
| Travis Banton | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Lew Borzage | .... | assistant director (uncredited) | |
| Charles Griffin | .... | assistant director (uncredited) | |
| Arthur Jacobson | .... | assistant director (uncredited) | |
| Jean Negulesco | .... | second unit director (uncredited) | |
Art Department | |||
| Clem Jones | .... | props (uncredited) | |
| Joe Robbins | .... | props (uncredited) | |
| Joe Thompson | .... | props (uncredited) | |
Sound Department | |||
| Franklin Hansen | .... | sound (uncredited) | |
| Harold Lewis | .... | sound (uncredited) | |
Special Effects by | |||
| Loyal Griggs | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | transparencies (uncredited) | |
Camera and Electrical Department | |||
| Sherman Clark | .... | still photographer (uncredited) | |
| Robert Pittack | .... | camera operator (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Ed Gross | .... | wardrobe (uncredited) | |
Transportation Department | |||
| Joe Robbins | .... | transportation (uncredited) | |
Other crew | |||
| Grace Dubray | .... | script clerk (uncredited) | |
| Robert M. Gillham | .... | general press agent (uncredited) | |
| Charles Griffin | .... | technical advisor: war sequences (uncredited) | |
| Dr. Jardini | .... | technical advisor: hospital sequences (uncredited) | |
| Daniel Keefe | .... | business manager (uncredited) | |
| Jean Negulesco | .... | assistant: Benjamin Glazer (uncredited) | |
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| A Farewell to Arms | Gone with the Wind | Pearl Harbor | Giant | Madame Bovary |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb USA section |
When this version of A Farewell to Arms came out, Ernest Hemingway hated this film. They turned his novel and put too much emphasis on the romance angle. When Papa Hemingway said that he obviously did not know Hollywood well at all. If he did just knowing Frank Borzage directed this film should have told him something. Borzage did a whole slew of tender romantic stories in the Thirties like Three Comrades, The Mortal Storm, stuff like that. A Farewell to Arms is definitely in keeping with that tradition.
The one thing that Hemingway did like was the casting of Gary Cooper as the hero Fredric Henry. He and Coop became fast friends right up to when they both died in 1961. He saw in Cooper the ideal Hemingway hero and when Paramount acquired the rights to For Whom the Bells Toll, Hemingway insisted it be done with Cooper or nobody.
Cooper and Helen Hayes made a tender romantic couple in the Borzage tradition, probably more Borzage than Hemingway. But Adolph Zukor and Paramount also knew what sold movie tickets and Paramount was having a lot of financial troubles at this time. The studio nearly went under during the Depression. But Paramount's saviors turned out to be Bing Crosby, Mae West, and Cecil B. DeMille who returned to the studio he helped found.
Helen Hayes made several good films in the early thirties, this one and the one she won an Oscar for, The Sins of Madelon Claudet. But she never became a movie box office draw so she returned to the Broadway stage where she reigned as a Queen.
Adolphe Menjou replete with Italian accent plays Cooper's friend and romantic rival, Major Rinaldi. Menjou was great at playing both American and continental types. Soon he would sign a long term contract with MGM and gain his greatest roles during the sound era.
Hemingway purists might shun A Farewell to Arms, but those who love their screen romances, soggier the better will rave about this film.