| Photos (See all 19 | slideshow) |
| Henry Kendall | ... | Fred Hill | |
| Joan Barry | ... | Emily Hill | |
| Percy Marmont | ... | Commander Gordon | |
| Betty Amann | ... | The Princess | |
| Elsie Randolph | ... | The Old Maid | |
| rest of cast listed alphabetically: | |||
| Aubrey Dexter | ... | Colonel (uncredited) | |
| Hannah Jones | ... | Mrs. Porter (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits(in alphabetical order) | ||
| Dale Collins | novel | |
| Alfred Hitchcock | adaptation | |
| Alma Reville | ||
| Val Valentine | ||
Produced by | |||
| John Maxwell | .... | producer | |
Original Music by | |||
| Adolph Hallis | (as Hal Dolphe) | ||
Cinematography by | |||
| Jack E. Cox | (as John Cox) | ||
| Charles Martin | |||
Film Editing by | |||
| Winifred Cooper | |||
| Rene Marrison | |||
Art Direction by | |||
| C. Wilfred Arnold | |||
Second Unit Director or Assistant Director | |||
| Frank Mills | .... | assistant director | |
Sound Department | |||
| Alec Murray | .... | sound | |
Camera and Electrical Department | |||
| Bryan Langley | .... | assistant camera (uncredited) | |
Music Department | |||
| John Reynders | .... | musical director | |
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| Bitter Moon | An Education | Madame Bovary | The Painted Veil | Bright Star |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
I have been a Hitchcock fan for years yet had never stumbled on this early classic. Although several posters have commented that this film can't keep to a genre and seems to be all over the place, I disagree. RICH AND STRANGE is strictly comedy, albeit quite dark at times. It is Hitch's most British of satires and with an adventure setting to boot.
A young couple goes off on a world trip after being advanced some inheritance money. The adventure starved office worker husband, seeking to sail the world, finds he can barely survive crossing the English channel and the subservient housewife willing to sacrifice all for her beloved quickly finds another when left alone for a few days.
The ensuing travels shift the two from spectators in Paris to participants in the middle east to victims in the far east. It all proves they belong together. Among the classic Hitchcock touches of dark humour are the indignities of transportation and a cat who rightfully believes he belongs on the dining room table.
Some scenes contain primitive experimental camera techniques that are quite funny when you think about it. The "look left, look right" Paris travel montage, the drunken scenes and the play on the number 19 are quite unique and funny in their right.
I think steak and kidney pudding and a predictable life will do just fine from now on.