Based on the Edward Bulwer-Lytton novel. Set in the shadows of Mt. Vesuvius just before its famous eruption, the film begins with Glaucus, a Roman legionnaire, returning to his home from ... See full summary »
This costume series portrays aspects of life in Pompeii, a coastal luxury resort near Naples catering for the very rich of imperial Rome, mainly before but culminating in the eruption of ... See full summary »
Anthology film about three owners of a yellow Rolls-Royce. A British diplomat buys the car for his French wife. A mobster's girlfriend has an affair in Italy. A US woman drives a Yugoslav partisan to Ljubljana on the eve of Nazi invasion.
When British officer Harry resigns from his regiment, he is labeled a coward by his family and friends. Harry receives four white feathers as a mark of a coward. In order to redeem himself ... See full summary »
Peaceloving blacksmith Marcus refuses lucrative offers to fight in the arena...until his wife dies for lack of medical care. His life as a gladiator coarsens him, and shady enterprises make him the richest man in Pompeii, while his son Flavius (who met Jesus on a brief visit to Judaea) is as gentle as Marcus once was. The final disaster of Marcus and Flavius's cross purposes is interrupted by the eruption of Vesuvius. Written by
Rod Crawford <email@example.com>
The foreword at the beginning of the film is a disclaimer stating that this film is not based on Bulwer-Lytton's novel at all. (It does not use the novel's plot, nor does it have any of the novel's characters.) However, the disclaimer goes on to say that the filmmakers are indebted to him for the description of the destruction of Pompeii. See more »
Historically inaccurate, but fun and inoffensive viewing
If you liked "Gladiator," then "The Last Days of Pompeii" is a good choice for an empty afternoon of slash-em-up moralizing. The sets are expansive and ornate, there's loads of action and the story, though pretty one-note, is well-written and well-acted. Normally I can't stand classical actors, but the performances in "Pompeii" are so energetic that I got sucked in, anyway. The moral underpinning of the movie does include a couple of appearances by Jesus Christ, complete with awed crowds of followers and the obligatory boys choir, but compared with some of the later Jesus epics that Hollywood produced ("King of Kings" and "The Greatest Story Ever Told"), "Pompeii" handles the material with considerable flair. The only major nitpick I have for this movie is its freewheeling use of history. At most, the story only covers 20 years, but Jesus died around 35 AD and Vesuvius erupted in 79 AD. But then, when has Hollywood let the truth get in the way of a good story?
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