A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
Now back in San Francisco after their holiday in New York, Nick and Nora find themselves trying to solve another mystery. It's New Year's Eve and they are summoned to dinner at Nora's elderly, and very aristocratic, family. There they find that cousin Selma's husband Robert has been missing for three days. Nick reluctantly agrees to look for him but the case takes a twist when Robert is shot and Selma is accused of murder. Several other murders occur but eventually Nick gathers everyone into the same room to reveal the identity of the killer. Written by
On the train-arrival message board shown at the beginning of the film, a list of holidays can be seen (days when the trains would follow a different schedule). One of the holidays listed is "Decoration Day" - this is now known as "Memorial Day" in the U.S. "Decoration Day" was the more common title for the holiday when the film was made in 1936; the name refers to the practice of 'decorating' the graves of fallen soldiers. It was not officially renamed to "Memorial Day" until 1967. See more »
When Nick and Abrams go to the hotel looking for Polly's brother, the desk clerk tells them he is in room 212. However, when we see them open the door to the room, the number on the door is 221. See more »
[on a train]
Nickie! Nickie! What are you doing?
Just practicing, dear. Will you have a little slice of throat?
See more »
The Thin Man series.........a lifestyle which probably never really existed but wasn't it fun? Lots of money, booze and murder all wrapped up in a neat little package. Nick and Nora, looking sophisticated, solving everyone's problems while consuming a case of various spirits, and loving each other dearly. What a life!!
This second entry in the series really holds up well.....usually sequels are much weaker but not so here. The supporting cast is great with the exception of Penny Singleton (Dorothy McNulty at this point in her career and before she went on to play Blondie). She is like fingernails on a blackboard.....that voice!!! And look for her dance number when she almost falls backward after slamming into the side of the stage! I found her very irritating. Elissa Landi is a little bit over the top as well but she is so attractive that it doesn't matter much. Jessie Ralph is the prototype of the battle axe from hell and Joseph Calliea is his usual suave, oily crook. Then there is James Stewart, before his days of stardom......you have to look twice to be sure that it is the same man. We are so ingrained in his later stuttering, hesitant persona that it is difficult to recognize him......and he was quite handsome!
But of course it is William Powell and Myrna Loy that carry the show as the charming sophisticates whose repartee is brisk and surprisingly modern. There was never a better light comedy team on film (well, maybe Tracy and Hepburn). Thank heavens they are captured on film forever.
Watch this film....you'll love it. Plus there is the added bonus of seeing San Francisco in the 30's.....and don't forget Asta!!!!
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