Modern Times (1936)

Director:

Charles Chaplin

Writer:

Charles Chaplin (written by)

Release Date:

25 February 1936 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

He stands alone as the greatest entertainer of modern times! No one on earth can make you laugh as heartily or touch your heart as deeply...the whole world laughs, cries and thrills to his priceless genius!

Plot:

The Tramp struggles to live in modern industrial society with the help of a young homeless woman.

Plot Keywords:

Machine | Invention | Police | Tramp | Jail

Awards:

2 wins & 1 nomination

Cast

Charles Chaplin	...	A Factory Worker (as Charlie Chaplin)
Paulette Goddard	...	A Gamin
Henry Bergman	...	Cafe Proprietor
Tiny Sandford	...	Big Bill (as Stanley Sandford)
Chester Conklin	...	Mechanic
Hank Mann	...	Burglar
Stanley Blystone	...	Gamin's Father
Al Ernest Garcia	...	President of the Electro Steel Corp. (as Allan Garcia)
Richard Alexander	...	Prison Cellmate (as Dick Alexander)
Cecil Reynolds	...	Minister
Mira McKinney	...	Minister's Wife (as Myra McKinney)
Murdock MacQuarrie	...	J. Widdecombe Billows (as Murdoch McQuarrie)
Wilfred Lucas	...	Juvenile Officer
Edward LeSaint	...	Sheriff Couler (as Ed Le Sainte)
Fred Malatesta	...	Cafe Head Waiter

Also Known As:

The Masses (USA) (working title)
Les temps modernes (Belgium: French title) (France) [fr]
Tiempos modernos (Argentina) (Spain) [es]
Asri zamanlar (Turkey: Turkish title) [tr]
Dr. Hauser & Co. Ges.m.b.H. (Austria) [de]
Dzisiejsze czasy (Poland) [pl]
Modern idök (Hungary) [hu]
Moderní doba (Czechoslovakia) [cs]
Moderna tider (Sweden) [sv]
Moderne Zeiten (West Germany) [de]
Moderne tider (Denmark) [da]
Moderne tijden (Belgium: Flemish title) [un]
Nykyaika (Finland) [fi]
Oi modernoi kairoi (Greece) [el]
Tempi moderni (Italy) [it]
Tempos Modernos (Portugal) [pt]
Temps moderns (Spain: Catalan title) [ca]
Zmanim Modernim (Israel: Hebrew title) [iw]

Runtime:

87 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Noiseless Recording Sound System)

Certification:

Singapore:PG | Spain:T | Portugal:M/6 | USA:Approved (PCA #1596) | USA:Passed (National Board of Review) | USA:TV-G (TV rating) | Netherlands:AL | Argentina:Atp | Chile:TE | Denmark:A (2003) | Norway:7 | South Korea:All | Sweden:Btl | UK:U | Australia:G | West Germany:6 (bw)

Filming Locations:

Hollywood Boulevard & Vine Street, Hollywood, Los Angeles, California, USA

Company:

Charles Chaplin Productions

Trivia:

The film originally ended with Charles Chaplin's character suffering a nervous breakdown and being visited in hospital by the gamin, who has now become a nun. This ending was filmed, though apparently only still photographs from the scene exist today (they are included in the 2003 DVD release of the film). Chaplin dropped this ending and shot a different, more hopeful ending instead.

Goofs:

Continuity: When Charlie goes to let the gamin into the department store, the escalators are off, allowing him to rush down the stairs going up. However, when he goes back downstairs and notices the burglars, the escalator is working, allowing him to do his stunts.

Quotes:

A gamin: [Last lines] What's the use of trying?
A factory worker: Buck up - never say die. We'll get along.

Movie Connections:

Referenced in Career Opportunities (1991)

Soundtrack:

The Prisoner's Song

Hilarious work of genius

Hilarious, touching, anarchic, revolutionary, realist, surreal, of its time, timeless - Modern Times is a multifaceted work of genius. When it's over and you recall the number of sight gags and magic sequences Chaplin has packed into 85 minutes, it is incredible - the conveyer belt and nut turning; Chaplin caught in the cogwheels; the feeding machine; the Red Flag march; the "nose powder"; the roller skating ballet; the waiter with tray caught up in the dance (my favourite); the gibberish song - and many more. Then there is his mixing of silent and sound techniques, making the best of both worlds, not falling between stools as some directors might have done.

Of course, there is also a political and social dimension; many of the scenes refer to the impact of technical advances, of bureaucracy, and of the then current depression, on the ordinary "little man". And it is the little man, the individual caught up in society's complex machinery, whom Chaplin championed. He may have sympathised with left-wing political parties and unions in so far as they supported ordinary working people, but Chaplin's essential beliefs are enshrined in the final "words" and shot, with him telling Paulette Godard, that she should keep smiling, they will get along, as they walk, a couple of individuals, into an uncertain future. Beyond politics, the individual has to rely on his or her own resources and spirit to survive.