An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
During the 1960s Germany, criminal mastermind Dr. Mabuse is using hypnotized victims and the surveillance equipment of a Nazi-era bugged hotel to steal nuclear technology from a visiting American industrialist.
Joan is the secretary to the public defender in a large city. She is in love with a career criminal named Eddie, and she believes that he is a basically good person who just had some tough breaks. She uses her influence to get him released early, and he tries to go straight after marrying her, but things don't work out, and they both go on the lam. Written by
Tim Horrigan <email@example.com>
PCA director Joseph I. Breen objected to the robbery scene details which were against the production code. Specifically, he listed "no flash of a man's face contorted with agony, no showing of a woman lying on the sidewalk, no hurling of bombs, no cop lying on the street, his face contorted with pain, no truck crushing out the life of a cop, no terrible screaming, no shots of bodies lying around, no figure of a little girl huddled in death, no shrieks." The print received by the PCA ran 100 minutes, and it is clear from the released print that some of these items and other scenes were cut, and the PCA finally gave it an approved certificate. See more »
During the Depression, a young couple goes on the lam after the man is accused of a crime. This gritty drama is an early example of film noir, expertly directed by Lang, the great Expressionist filmmaker, although he sometimes goes overboard with the symbolism. Lang explored similar themes in Fury (with Sidney in a similar role to this), made a year earlier, but this one is better, not marred by the melodrama and overacting of the earlier film. Fonda and Sidney are excellent as the unfortunate couple, helped by a fine supporting cast. Memorable scenes include the escape from prison, tinged with irony, and the finale, as the couple makes a run for the border.
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