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75 out of 91 people found the following comment useful :- In like Flynn - the ultimate Sherwood classic, 8 May 2004 Author: Igenlode Wordsmith from England
This film *is* the Robin Hood of the screen: it's merry and witty, tender and bold, impudent, dashing and brightly clad... and an undoubted legend in its own lifetime! I recently had the chance to see it in the cinema for the first time, with the release of the remastered print, and wondered if it could possibly hold up to televised childhood memories. The joyous answer is that indeed it does. It's not only the breathtaking adventure I remembered; it's a fiery and surprisingly gentle romance that isn't afraid of laughs.It's unthinkable, once you've seen it, to imagine this film with anyone other than Errol Flynn. Every subsequent interpreter has had to struggle to reclaim the part from the memory of his roguery and grace - and most modern 'Robin's have been handicapped by an insistence on authentic mediaeval murk and grime. In the 1930s, with Technicolour the latest craze, mud and homespun were the last thing a studio wanted. Flynn's Robin Hood sports the Lincoln green of legend and a forest as brightly coloured as a painted backdrop, and the rich furs and silks on show at Nottingham Castle are straight out of fairy-tale; or an illuminated manuscript.The story itself is purest escapist magic. Greedy barons, a wicked usurper, a rightful king in exile, and a proud beauty in distress... and, of course, England's eponymous outlaw hero, robbing the rich to give to the poor with a jest on his lips in true swashbuckler style. The script sparkles. And the stunts, in those days before wire-fu or CGI, are all for real and still take the breath away. Flynn was in superb physical condition at the time - co-star Basil Rathbone, who played his proud opponent and would-be suitor to Marian's hand, Guy of Gisbourne, described him simply as 'a perfect male animal' - and misses no opportunity to show off his flamboyance.Unlike today's pretty-boy heroes, however, Flynn shows a surprising talent for acting with his face alone. The expressive reaction shots throughout his boudoir scene with Marian tell a different tale to the quickfire banter of his words, and, like Marian, despite ourselves we are drawn in. Olivia de Havilland, as Marian, is somewhat ill-served by her period costume - she is at her most beautiful in this scene, without her hair confined in her wimple - but together they duel their way through a classic tempestuous romance of the high-born lady and the outlaw, ultimately risking their lives to save each other. Marian is no anachronistic action heroine, but no-one, not even Robin, can keep her from what she thinks is right.As Guy of Gisbourne, Basil Rathbone is also playing one of the landmark roles of his career, and gives a superb performance. His Gisbourne is no cardboard villain, but a clever, arrogant man, who matches wits and blades with Robin as a worthy rival, and whose courtship of Marian is not without grace. And his wily master, rufous Plantagenet Prince John (Claude Rains, in a small but well-cast part) is no fool either. He knows precisely what he wants and what he can get away with, wasting no time in bluster or empty threats.Comedy of a broader nature is provided by the cowardly Sheriff of Nottingham, and by Bess, Marian's maid. But even Bess's farcical courtship with timid Much (she has buried more husbands than he has had kisses) is not without its tender moments, and perhaps only the Sheriff is entirely a cut-out figure of fun.Few people can whistle 'the theme from Robin Hood'. But the famous Korngold score, with its full orchestral depth and rousing fanfares, is as familiar today as it was seventy years ago, when it won its Academy Award. From the faultless casting through unforgettable pageantry and timeless romance to the final spectacular duel, when Robin and Gisbourne meet "once too often", this picture richly deserves its reputation as *the* Robin Hood on film - from which on present showing it is unlikely ever to be dethroned.
52 out of 59 people found the following comment useful :- Errol Flynn was the best swashbuckler of the sound era..., 22 May 2000 Author: ironside (robertfrangie@hotmail.com) from Mexico
Michael Curtiz received only a single Academy Award for directing the best of wartime espionage movies "Casablanca" but made great classics like "Captain Blood", "The Charge of the Light Brigade", "The Sea Hawk" and "The Adventures of Robin Hood," orchestrating enthusiastically great stars and skilled technicians... He refined with charm and elegance plot and character with fluid camera movement and exquisite lightning, mixing action with peculiar sense of humor capturing with brilliant photography the natural look of Sherwood Forest, the cool tones of Nottingham Castle and the inn at Luton with its crackling fireplace...The film had great marvelous scenes: When Robin decides to tackle with a staff Little John (Alan Hale); Robin's swordsplay with the gallant Friar Tuck (Eugene Palette); Robin and his Forest outlaws giving a warm welcome to Lady Marian and to the treasure's wagon lead by Sir Guy and the High Sheriff ; The Archery Tournament; Robin's Merry Men entering Nottingham Castle; and the magnificent final duel, with a masterful score, between Robin & Sir Guy... Errol Flynn was the best swashbuckler of the sound era... He was ideally cast as the Saxon knight Sir Robin of Locksley who became a rebel outlaw robbing the rich to feed the poor... With his Merry Men he saved Saxon England against Norman ambitions... His most frequent enemies were the noisy High Sheriff of Nottingham (Melvin Cooper), the evil Bishop of Black Canon (Montagu Love), the eloquent chief conspirator Sir Guy of Gasbourne, and Prince John...Flynn's splendid figure 'leaping, jumping, scaling and swinging' made him a great leader of men sheltering the old and the helpless... He was a romantic hero 'twinkling' with malice, gallantly courting the exquisite Olivia De Havilland... Olivia De Havilland was a pretty and delicate woman in love with a brave and reckless outlaw...Basil Rathbone, superb as the arrogant Sir Guy of Gisbourne, spreads terror by torturing, rivaling Robin for Lady Marian...Claude Rains was the treacherous prince John who orders his Norman knights to oppress the helpless Saxons suffocating them with thefts, and burning their farms... He vows that Robin must be captured...Winner of 3 Academy Awards (Art Direction, Original Score and Film Editing) "The Adventures of Robin Hood" is a delighted tale of high adventure, a tale of action and colorful pageantry, a great film for all the family...
48 out of 60 people found the following comment useful :- My favorite classical movie and a real masterpiece, 21 September 2004 Author: Christian_Neumann
This is it; this is THE classical movie I grew up adoring as a kid. It inspired my dreams of knights and virgin ladies, had me fight great battles against evil enemies in our backyard and made me conclude my quest with honor, courage and endless romance."Robin Hood" (as I shall call it henceforth) features all the criteria of a masterpiece: great actors, great staff, a great plot and a great overall product. Plus, this movie contains elements which, as normal as they may seem today, were revolutionary back in the late 1930s: a full-scale blockbuster that finally triggered the success of Technicolor and color movies as such, production costs of an astonishing 2 million dollars, sophisticated sword fighting and arrow shooting that even the masters of today's action sequences respect, a great score used to underline the peculiar character of every scene, huge crowds of people fighting simultaneously, and a romantic couple of Errol Flynn and Olivia De Havilland, who in their emotional harmony may be unrivaled to this day.Even though this was a super-modern state-of-the-art blockbuster, "Robin Hood" has maintained a curious innocence which still strikes me today. Women are not raped by Prince John's soldiers; they are merely pushed to the ground, but the message is loud and clear ("the mistreatment of our women"). The very same soldiers could be knocked out by a wooden table or chair instead of being martially hacked into bits and pieces by the film's hero. In its entirety, "Robin Hood", though presenting so much hardship and violence, is as smooth and gentle as they come, just like a ferry-tale banned on celluloid.Of course, some may say that the original Robin Hood is nobody but b/w star Douglas Fairbanks, and they may be right, but this "Robin Hood" is far from being a mere remake: It is another, even greater original. Today, of course, "Robin Hood" may seem simple and outdated, but this movie has more atmosphere and character than all but a dozen films I have seen ever since. In fact, it is my belief that this Curtiz/Keighley product paved the way for the great legends (Titanic, Casablanca, Braveheart) we are so accustomed to today.I have decided to give this movie a 10 out of 10 score, which does not mean that it is perfect, but in my opinion its status as a timeless masterpiece, to be enjoyed by people for generations to come, and its revolutionary approach and features, which I mentioned above, allow no other judgment.
32 out of 40 people found the following comment useful :- Errol Flynn VS Basil Rathbone, Round 2 I think, 11 April 2004 Author: DarthBill from United States
The other early romanticism take on the Robin Hood legend, aside from the silent Douglas Fairbanks version. This one puts famed Hollywood hell raiser pirate Errol Flynn in the title role of Robin Hood. As would be expected of that scoundrel/scallywag Flynn's famous devil-may-care-heroics, the Flynn Robin Hood outrightly refuses to support Prince John when he commits what Robin views as treachery - trying to get himself made king and abusing the land and the people in what may or may not be the aftermath of his older brother King Ricahrd the Lion-Hearted's death while battling in the crusades. After nearly getting killed by John and Gisbourne's men, Robin goes on the run, with Will Scarlet and along the way acquiring Much, Little John, a cantankerous Friar Tuck, and a whole army of merry men in tights. From there, he becomes the great outlaw we all know and love, fighting Gisbourne, the bumbling Sheriff and Prince John anyway which way he can and sweeps that adorable sweetie pie Maid Marion off her feet.Sure the costumes may look fake today and the film itself overly colorful, but it's still a fun time. Sure Errol Flynn doesn't have a well articulated British accent either, but at least he doesn't sound like he's from the heart land of America. Flynn is certainly a lot quicker on his feet than Kevin Costner was, which comes in handy when you're in a duel to the death. Basil Rathbone is a fairly menacing Gisbourne, smarter than the Robert Addie or Michael Wincott versions (he looks kind of like Christopher Lee), and Olivia de Havilland is a very pretty Marion without being overly sexual and slutty about it (as was the case with many leading ladies back then). Out of the versions I've seen this is probably the only one where the Sheriff is an idiot and Gisbourne is the real menace (Gisbourne died early in the Kevin Costner verison of Robin Hood, and on TV's "Robin of Sherwood" he was just this weird neurotic guy, and I'm afraid I don't remember the Patrick Bergin version of Robin Hood very well).There are least five big action sequences here, namely Robin's two escapes from Nottingham, an ambush in Sherwood Forest and the climax between Robin's & King Richard's men at Nottingham castle. Naturally, there is a duel to the death that features shadows on the wall going at it while the actors are off screen. Good stuff, especially for the children.
29 out of 38 people found the following comment useful :- Technicolour comfort food for the eyes!, 3 February 2005 Author: Marcus Eden-Ellis from United Kingdom
You know that there are things in your life that you just derive a great deal of comfort from. It may be an old worn jersey, a hot cup of tomato soup on a cold day or the simple smile of your children. All these things are true for me and I will add The Adventures of Robin Hood to that list. I first saw the film when I was a small boy and I have deliberately avoided buying the DVD on the basis that over-familiarity could breed contempt. I much prefer the serendipity of finding it scheduled on a wet winter Sunday afternoon. Then I can relax in front of the fire and just revel in Errol's hammy balletic performance as Hood, or the simply too-beautiful-for-words Olivia in soft focus or the delightfully dastardly duo Rathbone and Raines...superb! Just do yourself a favour occasionally and let this Technicolour wonder wash over you - forget that it bears no relationship to actual history; just accept this Hollywood version of how England once was (and should still be). Cheers!
26 out of 33 people found the following comment useful :- Easily the best ever Robin Hood film, and a contender for the best ever film., 16 May 2005 Author: loza-1
Historically, this film is a heap of hooey. If Robin Hood ever existed, he would have lived about 150 years after the period in which the film is set. Modern historians are of the opinion that good King Richard and bad King John should be the other way around. This film should be thus regarded as fantasy.The fact that so many Robin Hood films have been made since, and not one of them remotely measures up to The Adventures of Robin Hood shows just how good the film is.Favourite scenes? Well, there's the scene in the great hall at Nottingham castle where Errol Flynn gives cheek to everyone. The escape, the ambush and the final showdown with Sir Guy of Gisborne. (Basil Rathbone makes a superb villain.) I'm very impressed with the sharpshooting. This was done by Howard Hill. Howard Hill appears a few times in the film. In the escape from the great hall he is the only archer among Guy of Gisburne's crossbowmen. In the archery tournament scene, he is Owen the Welshman (in spite of what it says in the credits at the end.) It has been said before, and I'll say it again: Errol Flynn did not play Robin Hood; he is Robin Hood.Performancewise, the cast are superb, with hardly a poor performance among them.I did at one time think that Una O'Connor was hamming it up a bit. However, I have recently worked in Buckinghamshire with a woman with exactly the same accent and - yes - exactly the same laugh. (Absolutely true). Therefore, Una O'Connor, who plays Marian's servant who resembles Chaucer's Wife of Bath, is brilliant!
18 out of 23 people found the following comment useful :- It makes me feel like a kid!, 21 October 2001 Author: SmileysWorld from United States
I am almost ashamed to say it,but I only recently saw this film for the first time at the ripe old age of 36.After it was over, I thought,"Why on earth did I wait so long?".This is really a fun movie full of adventure,romance,with a healthy dose of laughs. Errol Flynn,by far gives the most credible performance of the Robin Hood character.He oozes charm and wit,here.This film is a great trip back to a special time in movie making when we didn't need extreme sex and violence to entertain us.Now that I have seen it,this movie definitely goes on my video shelf.If you have children,or if you love to feel like one,as I do,I highly suggest you give this a look.Great film.
15 out of 19 people found the following comment useful :- Errol Flynn IS Robin Hood, 19 January 2005 Author: Ezekiel Steiner from Los Angeles
This is undoubtedly the best filmed version of the Robin Hood legend ever made. Errol Flynn leads a remarkable cast that seems to jump off the screen in their Technicolor brilliance. Flynn seems born to play this role (or any Swashbuckling Role for that matter). I urge all fans to read his highly entertaining autobiography My Wicked, Wicked Ways. After reading it you see that if he wasn't born to play these types of roles then he certainly spent his life practicing for them. The co-director Michael Curtiz is responsible for so many of the films one thinks about when the 'golden age of the studios' is mentioned – the list is amazing with Casablanca and Yankee Doodle Dandy among them. And just listen to the music! Erich Wolfgang Korngold's musical score is without a doubt one of the finest pieces ever written for the silver screen. If you are a listener of classical music on the radio you are bound to hear the score to this film at least a few times a year. One cannot blame Hollywood for not matching this level of perfection in other Robin Hood versions. Does lighting ever strike in the same place twice?
13 out of 16 people found the following comment useful :- "You Speak Treason"................................"Fluently", 16 June 2006 Author: bkoganbing from Buffalo, New York
Although my personal favorite among Errol Flynn's films is The Sea Hawk, most will argue that his career role was this one in The Adventures of Robin Hood. It certainly has a deserved enduring popularity that's lasted for generations.Just about every version of the Robin Hood legend from Douglas Fairbanks's silent classic to the one in 1997 with Kevin Costner, deals with the same story facts. A young nobleman, deprived of his lands and title by Prince John and his cohorts, takes to Sherwood Forest and gathers a band which practices their own form of financial leveling. Robbing from the rich and giving to the poor until the day comes when good King Richard the Lionhearted comes back from the Crusades and sets things right.Were there ever a more attractive and idealistic a pair of young lovers on the screen than Errol Flynn and Olivia DeHavilland? If there were, I'd be hard pressed to name them. They did eight films together from 1935 to 1941 and this one is probably the best. Errol all dash and charm and shy and retiring Olivia who just lights up the screen with beauty and romance.Directors Michael Curtiz and William Keighley photographed this in some gorgeous technicolor. And they put together an almost perfect cast. You can't tell at all which scenes were directed by Curtiz and which by Keighley so seamless is the film's fabric.The small roles are truly memorable. The best comic moments in the film come from Melville Cooper, the not quite so bold Sheriff of Nottingham and from Herbert Mundin and Una O'Connor as Much the Miller's Son from Robin Hood's band and DeHavilland's maid. Herbert Mundin was the first one in this cast to die, he was killed in an automobile accident just two years after this film was finished. He was a funny little man who played nervous types, a kind of English Don Knotts. But in what was probably his career role, he literally decides the fate of English history here in a superb act of bravery. We expect bravery and courage from the Errol Flynns on the screen, but Mundin's performance shows the virtue can be found in some of us you wouldn't expect. His is my favorite performance apart from the leads.Basil Rathbone and Claude Rains make a superb pair of villains as Prince John and Guy of Gisborne. Rains covets the throne and Rathbone covets Olivia. They both provide the right touch of menace and make their performances real.As I write this Olivia DeHavilland is the last surviving member of this classic film. During her career she fought hard with her studio to get roles where she would be more than the crinoline heroine waiting for her man to finish his brave deeds. She knew her worth and talent and got a pair of Oscars to prove it.Back in the day DeHavilland dismissed films like The Adventures of Robin Hood. But several years back she attended a revival of both The Adventures of Robin Hood and Dodge City two very different type films she did with Errol Flynn.As she watched it she saw the reverence and respect the audience had for both of these classics. When they were over she got a stunning ovation and she confessed that looking back now, she was real proud to have been associated with these films.You have every reason to be proud Olivia. And we're real proud of you.
14 out of 21 people found the following comment useful :- Gangsters in tights, 5 June 2004 Author: Oct (wjphillips@clara.co.uk) from London, England
Two of the most stirring period propaganda pieces of the Second World War were Laurence Olivier's "Henry V" and Sergei Eisenstein's "Ivan the Terrible". I wonder if either director had seen "Robin Hood".The colour scheme of "Henry V", often said to be based on the Book of Hours, seems to owe a lot to Carl Jules Weyl's (and Natalie Kalmus's) full-blooded palette. The procession of outlaws disguised as black-cowled monks into Prince John's coronation recalls the oprichniki entering the cathedral behind the Tsar in Part Two of Eisenstein's paranoid epic.Whatever, "Robin Hood" is a lot of fun. Kids who see it for the first time don't realise it was shot over 60 years ago. It exemplifies Warner's, and Curtiz's, understanding that a movie must keep moving. It never halts to wallow in its production values; its rat-tat-tat narrative, badinage and use of light and shadows are in line with the aesthetic of WB's gangster pictures. Korngold's score is likewise brisk and stirring, never langorous. Maybe this happy marriage between prestige and the studio's style of taut, urgent storytelling is what has made this unquestionably the most enjoyable of pre-war epics. Unlike Reinhardt's "Midsummer Night's Dream" or Paul Muni's stately biopics, nobody is on his best behaviour.
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