| Photos (see all 1 | slideshow) |
| Erich von Stroheim | ... | Walter, prof d'anglais | |
| Michel Simon | ... | Lemel, prof. de dessin | |
| Armand Bernard | ... | Mazeau, le concierge | |
| Aimé Clariond | ... | M. Boisse, le directeur | |
| Serge Grave | ... | André Baume | |
| Marcel Mouloudji | ... | Philippe Macroix | |
| Jean Claudio | ... | Mathieu Sorgue | |
| Jean Buquet | ... | La Mouche | |
| Robert Rollis | ... | Un élève | |
| Félix Claude | ... | Un élève | |
| Claude Roy | ... | Le petit garçon à la tortue | |
| René Génin | ... | Donnadieu, prof. de musique (as R. Génin) | |
| Jacques Derives | ... | Planet (as J. Derives) | |
| Martial Rèbe | ... | Le surveillant du dortoir (as M. Rèbe) | |
| Pierre Labry | ... | Bernardin (as P. Labry) | |
| Albert Malbert | ... | Alexis, le meunier (as Malbert) | |
| Robert Le Vigan | ... | César le passe-muraille | |
| rest of cast listed alphabetically: | |||
| Charles Aznavour | ... | Un élève (uncredited) | |
| André Dionnet | ... | Un élève (uncredited) | |
| Michel Gaud | ... | Un élève (uncredited) | |
| Serge Gaud | ... | Un élève (uncredited) | |
| André Mouloudji | ... | Un élève (uncredited) | |
| Robert Ozanne | ... | L'infirmier (uncredited) | |
| Serge Reggiani | ... | Un élève (uncredited) | |
| Michel Retaux | ... | Le volontaire (uncredited) | |
Directed by | |||
| Christian-Jaque | |||
Writing credits(in alphabetical order) | ||
| Jean-Henri Blanchon | (adaptation) (as J.H. Blanchon) | |
| Jacques Prévert | uncredited (dialogue) | |
| Pierre Véry | novel | |
Original Music by | |||
| Henri Verdun | (as H. Verdun) | ||
Cinematography by | |||
| Marcel Lucien | |||
Film Editing by | |||
| William Barache | (as W. Barache) | ||
Set Decoration by | |||
| Pierre Schild | (as P. Schild) | ||
Production Management | |||
| François Carron | .... | production manager | |
| A. Michaud | .... | unit manager | |
| Planché | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jean Darvey | .... | assistant director | |
Sound Department | |||
| Jacques Hawadier | .... | sound engineer (as Hawadier) | |
Camera and Electrical Department | |||
| André Germain | .... | camera operator | |
| Mirkine | .... | still photographer | |
| Walter | .... | camera operator | |
Editorial Department | |||
| Claude Nicole | .... | assistant editor | |
Other crew | |||
| Simonne Bourdarias | .... | script girl | |
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| Spoorloos | Picnic at Hanging Rock | Io non ho paura | The Secret Garden | Les invasions barbares |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section | Add this title to MyMovies |
Youth culture in the 20th century is literally a mystery. It may have started, innocently enough, with a couple of grand celebrated coming of age novels - Booth Tarkington's "Seventeen" in the U.S. and Alain-Fournier's "Le Grand Meaulne" in France, both published appropriately enough in the teens of the last century. But from then on appeared mystery and action novels aimed squarely at a teenage public in no hurry to grow up and set in a contemporary setting (unlike, say, period pieces like "Treasure Island" or "Kidnapped", or all-out fantasies like "The Lord of the Rings"). The elements of danger, mystery and suspense were always present in that sub-genre of literature as if the thrill of puberty and adolescence had to be naturally expressed through the predominant feeling of fear, left over from the terror of childhood fairy tales. This tradition yielded an untold number of "Hardy Boys" novels and Boy Scout romances on both sides of the Atlantic. This is the tradition that would eventually produce "Scoobidoo" cartoons as well as the Harry Potter novels and that gave the book from which "Les Disparus de St-Agil" is extracted. It is a worthy film with many brilliant adult and juvenile actors (Eric Von Stroheim, Michel Simon and the young Marcel Mouloudji who would eventually loose his first name to become the singer-composer Mouloudji of St-Germain-des-Prés fame in the 50's; even eventual singer-actor Serge Reggiani appears uncredited as one of the boys). This story of children disappearing and reappearing while solving a murder-disappearance enigma with supernatural overtones that has stumped more mature minds in their boarding school is a microcosm of adolescent identity acted out with all the natural of Jean Vigo's earlier "Zéro de conduite", thanks to Jacques Prévert's gift for believable dialog. The school's secret society is called "les chiche-capons", which is synonymous with after-school shenanigans and has become the name of a famous French pop group today. The expression is an argot rendering of the chicken games kids play to dare themselves into being braver (chiche = I dare you; capon = chicken, coward, non-entity). Christian-Jacque's direction of this claustrophobic drama is modern, sympathetic, limpid and utilitarian but very different from the sweep and scope of his "comic epics" like "Les Perles de la Couronne" (1937, for Sacha Guitry) or "Fanfan La Tulipe" (1952, with Gérard Philipe).