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| Bette Davis | ... | Julie | |
| Henry Fonda | ... | Preston Dillard | |
| George Brent | ... | Buck Cantrell | |
| Margaret Lindsay | ... | Amy | |
| Donald Crisp | ... | Dr. Livingstone | |
| Fay Bainter | ... | Aunt Belle | |
| Richard Cromwell | ... | Ted | |
| Henry O'Neill | ... | General Bogardus | |
| Spring Byington | ... | Mrs. Kendrick | |
| John Litel | ... | Jean La Cour | |
| Gordon Oliver | ... | Dick Allen | |
| Janet Shaw | ... | Molly Allen | |
| Theresa Harris | ... | Zette | |
| Margaret Early | ... | Stephanie Kendrick | |
| Irving Pichel | ... | Huger | |
| Eddie 'Rochester' Anderson | ... | Gros Bat (as Eddie Anderson) | |
| Matthew 'Stymie' Beard | ... | Ti Bat (as Stymie Beard) | |
| Georges Renavent | ... | De Lautruc (as George Renavent) | |
| rest of cast listed alphabetically: | |||
| Lew Payton | ... | Uncle Cato | |
| Trevor Bardette | ... | Sheriff at Plantation (uncredited) | |
| Al Bridge | ... | New Orleans Sheriff (uncredited) | |
| Maurice Brierre | ... | Drunk (uncredited) | |
| Daisy Bufford | ... | Flower Girl (uncredited) | |
| Frederick Burton | ... | First Director (uncredited) | |
| Georgia Caine | ... | Mrs. Petion (uncredited) | |
| Davison Clark | ... | Deputy sheriff (uncredited) | |
| Ann Codee | ... | Madame Poulard (uncredited) | |
| Frank Darien | ... | Bookkeeper (uncredited) | |
| Suzanne Dulier | ... | Midinelte (uncredited) | |
| Jack George | ... | Orchestra Leader (uncredited) | |
| Jesse Graves | ... | Servant (uncredited) | |
| George Guhl | ... | Fugitive Planter (uncredited) | |
| John Harron | ... | Jenkins (uncredited) | |
| Dolores Hurlic | ... | Errata (uncredited) | |
| Philip Hurlic | ... | Erronens (uncredited) | |
| Fred Lawrence | ... | Bob (uncredited) | |
| Sam McDaniel | ... | Driver (uncredited) | |
| Edward McWade | ... | Second Director (uncredited) | |
| Louis Mercier | ... | Bar Companion (uncredited) | |
| Charles Middleton | ... | Officer (uncredited) | |
| Jack Norton | ... | Drunk (uncredited) | |
| Tony Paton | ... | Drunk (uncredited) | |
| Cliff Saum | ... | Ball Assistant Director (uncredited) | |
| Jacques Vanaire | ... | Durette (uncredited) | |
| Charles Wagenheim | ... | Customer (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| Owen Davis | (play "Jezebel") (as Owen Davis Sr.) | |
| Clements Ripley | (writer) & | |
| Abem Finkel | (writer) & | |
| John Huston | (writer) and | |
| Robert Buckner | (writer) | |
Produced by | |||
| Henry Blanke | .... | associate producer (uncredited) | |
| Hal B. Wallis | .... | executive producer (uncredited) | |
| William Wyler | .... | producer (uncredited) | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Ernest Haller | (photography by) | ||
Film Editing by | |||
| Warren Low | |||
Art Direction by | |||
| Robert M. Haas | (as Robert Haas) | ||
Costume Design by | |||
| Orry-Kelly | |||
Makeup Department | |||
| Carl Axzelle | .... | makeup artist (uncredited) | |
| Margaret Donovan | .... | hair stylist (uncredited) | |
| Karl Herlinger | .... | makeup artist (uncredited) | |
| Hal Lierley | .... | hair stylist (uncredited) | |
| Bert Sutch | .... | makeup artist (uncredited) | |
Production Management | |||
| Robert Fellows | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| John Huston | .... | second unit director (uncredited) | |
| Arthur Lueker | .... | second assistant director (uncredited) | |
Sound Department | |||
| Robert B. Lee | .... | sound | |
Stunts | |||
| Audrey Scott | .... | stunt double: Bette Davis (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
Other crew | |||
| Dalton S. Reymond | .... | technical advisor | |
| Robert S. Taplinger | .... | publicity director (uncredited) | |
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The American South has always had an aura of sadness around it. I don't know why exactly. This film tends to reinforce that perception. Characters start off with high hopes for the future, only to succumb to some unfortunate fate, as a direct result of their Southern roots.
In pre-Civil War New Orleans, Julie Marsden (Bette Davis) is a wealthy young woman, engaged to respected banker Preston Dillard (Henry Fonda). But Julie is strong-willed, independent, and impetuous, traits considered unwomanly by that era's Southern aristocracy. Against Preston's wishes, Julie wears a red dress, instead of the customary white, to a gala ball. This event sets up the rest of the story.
While the support cast in "Jezebel" is fine, especially Fay Bainter, the film would not be the same without Bette Davis. I just can't see anyone else in the role of Julie. Davis' performance and the film's setting are what make this film so memorable. The costumes, the production design, the cinematography, and the music combine to convey a genuine sense of the antebellum South, with its stately manners that conceal narrow-mindedness and barbaric "chivalry".
Normally, I don't care for films whose subject matter is long ago history. But "Jezebel" is an exception, because it is so well made. I guess it is the tone of the film that really got my attention. The stately beauty of that time and place masks an underlying sadness, as a prelude to tragedy. Some might call it melodrama. But to me, that's just good drama.