| Photos (See all 26 | slideshow) | Videos |
| Charles Laughton | ... | Sir Humphrey Pengallan | |
| Horace Hodges | ... | His Butler | |
| Hay Petrie | ... | His Groom | |
| Frederick Piper | ... | His Agent | |
| Herbert Lomas | ... | His Tenant | |
| Clare Greet | ... | His Tenant | |
| William Devlin | ... | His Tenant | |
| Jeanne De Casalis | ... | His Friend (as Jeanne de Casalis) | |
| Mabel Terry-Lewis | ... | His Friend (as Mabel Terry Lewis) | |
| A. Bromley Davenport | ... | His Friend (as Bromley Davenport) | |
| George Curzon | ... | His Friend | |
| Basil Radford | ... | His Friend | |
| Leslie Banks | ... | Joss Merlyn | |
| Marie Ney | ... | Patience - His Wife | |
| Maureen O'Hara | ... | Mary - His Niece | |
| Emlyn Williams | ... | Harry the Pedlar - Sir Humphrey's Gang | |
| Wylie Watson | ... | Salvation Watkins - Sir Humphrey's Gang | |
| Morland Graham | ... | Sea Lawyer Sydney - Sir Humphrey's Gang | |
| Edwin Greenwood | ... | Dandy - Sir Humphrey's Gang | |
| Mervyn Johns | ... | Thomas - Sir Humphrey's Gang | |
| Stephen Haggard | ... | The Boy - Sir Humphrey's Gang | |
| Robert Newton | ... | Jem Trehearne - Sir Humphrey's Gang | |
| rest of cast listed alphabetically: | |||
| Robert Adair | ... | Captain Murray (uncredited) | |
| Marie Ault | ... | Coach Passenger (uncredited) | |
| O.B. Clarence | ... | Coach Passenger (uncredited) | |
| William Fazan | ... | Undetermined Role (uncredited) | |
| Archie Harradine | ... | Undetermined Role (uncredited) | |
| Mary Jerrold | ... | Miss Black (uncredited) | |
| Harry Lane | ... | Undetermined Role (uncredited) | |
| Sam Lee | ... | Undetermined Role (uncredited) | |
| Alan Lewis | ... | Undetermined Role (uncredited) | |
| John Longden | ... | Captain Johnson (uncredited) | |
| Aubrey Mather | ... | Coachman (uncredited) | |
| Philip Ray | ... | Undetermined Role (uncredited) | |
| A. George Smith | ... | Undetermined Role (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Sidney Gilliat | (screenplay) & | |
| Joan Harrison | (screenplay) | |
| Sidney Gilliat | (dialogue) | |
| Alma Reville | (continuity) | |
| J.B. Priestley | (additional dialogue) | |
| Daphne Du Maurier | novel (uncredited) | |
Produced by | |||
| Erich Pommer | .... | producer | |
| Charles Laughton | .... | producer (uncredited) | |
Original Music by | |||
| Eric Fenby | (music) | ||
Cinematography by | |||
| Bernard Knowles | (photography: in collaboration with) | ||
| Harry Stradling Sr. | (as Harry Stradling) | ||
Film Editing by | |||
| Robert Hamer | |||
Set Decoration by | |||
| Thomas N. Morahan | (settings) (as Tom Morahan) | ||
Costume Design by | |||
| Molly McArthur | (costumes) | ||
Makeup Department | |||
| Ern Westmore | .... | makeup artist | |
Production Management | |||
| Hugh Perceval | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roy Goddard | .... | assistant director | |
| Edward Joseph | .... | assistant director (uncredited) | |
Art Department | |||
| John Hoesli | .... | assistant art director (uncredited) | |
| Albert Whitlock | .... | scenic artist (uncredited) | |
Sound Department | |||
| Jack Rogerson | .... | sound recordist | |
Special Effects by | |||
| Harry Watt | .... | special effects | |
Visual Effects by | |||
| W. Percy Day | .... | matte painter (uncredited) | |
Stunts | |||
| Bob Simmons | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Gus Drisse | .... | camera operator | |
Music Department | |||
| Frederick Lewis | .... | musical director (as Frederic Lewis) | |
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| The Secret of Treasure Island | Gone with the Wind | Que la fête commence... | Giant | Suspicion |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
Even though it is one of the weakest works of Hitchcock, the film surprisingly provides rich cinematic flourishes. For a 1939 film, it captures on screen the atmosphere and dark mood of the novel quite vividlythe stormy scene, the cave, and the inn (with the name board flapping in the wind). It is another matter that the albino parson of the book is transformed into a squire (with an unbelievable eyebrow make-up) in the film who commands his steed to be brought inside his dining hall. Daphne du Maurier's novel was adapted for cinema by the trio of Sidney Gilliat, Joan Harrison and J.B. Priestley, and reportedly the author did not approve of the end-product.
As in many Hitchcock films there is a recurring reference to marriage. Here a good woman remains faithful to her boorish and cruel husband through thick and thin.
As in most Hitchcock films there is a lot of sexual innuendo without any sex on screen, especially when Pengallen (Charles Laughton) makes the young girl (Maureen O'Hara) his prisoner. (The only film where Hitchcock showed sex on screen was "Frenzy.") And as in many a Hitchcock film, a bad guy turns out to be a good guy. This is one of the rare films of Hitchcock where the director does not make a cameo appearance.
The best cinematic flourishes were-the focus on the thin hands of the 17 year old who cannot be shackled by the soldiers as the handcuffs are too big, the opening "prayer" that serves as a grim introduction and finally the last scene of the film: Chadwick, the squire's butler, who thinks he can hear his dead master calling him for help in death.