Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876. He has little ... See full summary »
Olivia de Havilland,
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England, Robert Devereux, the Earl of Essex. Ever the victor on the battlefield, Devereux returns to London after defeating Spanish forces at Cadiz. Middle-aged Elizabeth, so attracted to the younger Devereux but fearful of his influence and popularity, sends him on a new mission: a doomed campaign to Ireland. When he and his troops return in defeat, Devereux demands to share the throne with the heir-less queen, and Elizabeth, at first, intends to marry. Ultimately sensing the marriage would prove disastrous for England, Elizabeth sets in motion a merciless plan to protect her people and preserve her throne. Written by
When MGM signed Alfred Lunt and Lynn Fontanne to a movie contract in 1931, they bought the rights to "Elizabeth the Queen" as well as two of the Lunts' other stage successes, "The Guardsman" and "Reunion in Vienna." After the Lunts' first film together, The Guardsman (1931), flopped at the box office, MGM canceled the Lunts' contract, made Reunion in Vienna (1933) with other actors (John Barrymore, Lionel Barrymore and Diana Wynyard), and put "Elizabeth the Queen" on hold until they later sold the rights to Warner Brothers. But a sequence of the Lunts playing the final scene from "Elizabeth the Queen" appears at the start of "The Guardsman" in a play-within-a-film context. See more »
Elizabeth completely smashes a mirror but in next shot a large shard of it still remains in the frame. See more »
Robert Devereux, Earl of Essex:
[after being slapped hard by Queen Elizabeth I]
I would not have taken that from your father the King; much less will I take it from a king in petticoats!
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The Private lives of Elizabeth and Essex has been one of my favorite films for some time and just goes to show that one should look at these old films rather than believe what the biographers and critics state without examination. I have read that Errol Flynn was poor in this film,but that is in serious error,IMO! He does an outstanding job in this role and his doomed romanticism MAKES the film what it is. There is no story if the audience does not believe in the love affair, and Flynn convinces in this category. He holds his own with Powerhouse Davis, and that is saying something(watch her chew up Henry Fonda in Jezebel for e.g.)! His naturalness and ease on screen are very appealing, and there is no one more handsome in such costumes. He seems very much the courtier and lover. Very underrated thespian-he is elite here in a difficult role. Bette's pyrotechnics are a marvelous counterpoint to Errol's subtle ways-she is the Greatest movie actress,period. And, they did have sexual chemistry in this film, despite personal antipathy. Great stuff!
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