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The Great Dictator (1940)

G | | Comedy, Drama, War | 7 March 1941 (USA)
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Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

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Top Rated Movies #52 | Nominated for 5 Oscars. Another 6 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
Napaloni - Dictator of Bacteria
...
...
...
Herring
...
Madame Napaloni
...
Bacterian Ambassador (as Carter De Haven)
...
Hannah
Maurice Moscovitch ...
Mr. Jaeckel (as Maurice Moscovich)
...
Mrs. Jaeckel
...
Mr. Mann
Paul Weigel ...
Mr. Agar
...
Barber's Customer
Esther Michelson ...
Jewish Woman
...
Storm Trooper Stealing Fruit
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Storyline

Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Once again - the whole world laughs! See more »

Genres:

Comedy | Drama | War

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

7 March 1941 (USA)  »

Also Known As:

The Dictator  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

€9,826 (Italy) (22 December 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Charles Chaplin cast his wife Paulette Goddard as the female lead, playing a cleaner. He insisted that she scrub the floor of the whole set only for her to refuse. Chaplin stopped filming until she agreed to do so. (Their relationship was on the rocks at this stage, which could explain his treatment of her.) See more »

Goofs

(at around 29 mins) When the Jewish Barber first finds his shop full of webs, you can see the shadow of the camera on his left shoulder. See more »

Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
See more »

Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »


Soundtracks

String Quintet in E, Op. 13 No. 5: Minuet
(uncredited)
Music by Luigi Boccherini
Played on piano a bit by Charles Chaplin
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Credit where it's due
7 January 1999 | by (Taegu, South Korea) – See all my reviews

Aside from giving this film its proper socio-historical credit as one of only 2 U.S films which condemned Hitler, Naziism and the Holocaust prior to U.S. involvement in WWII, it's a great time as well. Much of the humor remains visual, and some of the funniest (and most famous) scenes are done in the silent mode (e.g. the globe). Although a bit more lacking in continuity and editing than many of Chaplin's earlier films, to do it credit simply as a passable first effort at a new medium is to damn it with faint praise. It's unique. No serious student of film can neglect to see and appreciate The Great Dictator as a classic amalgam of film talents.


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