5.9/10
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16 user 1 critic

Up in the Air (1940)

Approved | | Action, Comedy, Music | 9 September 1940 (USA)
A none-too-popular (nor good) radio singer, Rita Wilson is murdered while singing on the air in a radio studio. Radio page boy, Frankie Ryan, and his janitor pal, Jeff, solve the mystery ... See full summary »

Director:

Writers:

(screen play) (as Edmund Kelso), (original story) (as Edmund Kelso)
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Cast

Cast overview, first billed only:
...
Frankie
...
Anne
...
Jeff
...
Tex
...
Rita Wilson (as Lorna Grey)
...
Farrell
Clyde Dilson ...
Marty
...
Hastings
John Holland ...
Quigley
...
Stevens
...
Van Martin
Maxine Leslie ...
Stella
...
Delaney
Jack Mather ...
Tim Wallace
...
Pringle
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Storyline

A none-too-popular (nor good) radio singer, Rita Wilson is murdered while singing on the air in a radio studio. Radio page boy, Frankie Ryan, and his janitor pal, Jeff, solve the mystery for the none-too-sharp police. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

We Interrupt This Program Because Of...MURDER! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 September 1940 (USA)  »

Also Known As:

Assassinato ao Microfone  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The earliest documented telecast of this film in the New York City area occurred Saturday 6 May 1944 on pioneer television station WNBT (Channel 1). Post-WWII television viewers got their first look at in Los Angeles Tuesday 13 September 1949 on KTLA (Channel 5) and in New York City Sunday 23 April 1950 on WPIX (Channel 11). See more »

Connections

Remade as There Goes Kelly (1945) See more »

Soundtracks

Oh, Bury Me Not on the Lone Prairie
(uncredited)
Traditional
Sung by Gordon Jones
See more »

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User Reviews

 
Outstanding work by Mantan
23 September 2005 | by (Portland Oregon USA) – See all my reviews

The morning after watching this, my wife and I sat at the kitchen table discussing it, and found we had nothing to talk about but Mantan Moreland. The plot is pretty much a series of contrivances to hang situations on, and the inevitable solution of the "who killed..." mystery doesn't seem to be the driving force. It's all about Mantan. I have seen him as comedy relief in a dozen movies, and he always steals every scene he is in, but I have never seen him dominate like this. He makes everyone else into his straight man, and constantly subverts and deflates authority figures. Every time someone says "I've got an idea," or "I've been thinking," he's on the spot with his "UH-OH!" There is nothing cowardly (as it often appears in his Charlie Chan roles) about his fierce common- sense determination to move away from trouble, not toward it. He sometimes seems like the only one who is not dangerously foolish. Mantan and Frankie Darro work together really well here and, though modern sensibilities may be jarred by Darro donning blackface to try to get them a radio job as a comedy duo, they come across as peers and friends, not boss and lackey as so often occurs in films of this era. The highest point is Mantan's dance scene - inserted into the story for no reason but its sheer entertainment value - in which he is so suave, smooth, cool, cute, and downright huggable it's difficult not to exclaim in delight. The movie plugs along gamely in the moments when Mantan is not on screen, and provides some pretty fair musical numbers, but he is the real shining light in this production.


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