Citizen Kane (1941)

Director:

Orson Welles

Writers:

Herman J. Mankiewicz (screenplay) and
Orson Welles (screenplay)

Release Date:

1 May 1941 (USA)

Genre:

Drama | Mystery

Tagline:

365 days in the making - and every minute of it an exciting NEW thrill for you !

Plot:

Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

Plot Keywords:

Rosebud | Reporter | Newspaper | Power | Flashback

Awards:

Won Oscar. Another 4 wins & 9 nominations

Cast

Joseph Cotten	...	Jedediah Leland
Dorothy Comingore	...	Susan Alexander Kane
Agnes Moorehead	...	Mary Kane
Ruth Warrick	...	Emily Monroe Norton Kane
Ray Collins	...	James W. Gettys
Erskine Sanford	...	Herbert Carter
Everett Sloane	...	Mr. Bernstein
William Alland	...	Jerry Thompson
Paul Stewart	...	Raymond
George Coulouris	...	Walter Parks Thatcher
Fortunio Bonanova	...	Signor Matiste
Gus Schilling	...	The Headwaiter
Philip Van Zandt	...	Mr. Rawlston
Georgia Backus	...	Bertha Anderson
Harry Shannon	...	Kane's Father

Also Known As:

American (USA) (working title)
John Citizen, U.S.A. (USA) (working title)
Citizen Kane (Austria) (Germany) [de]
Ciudadano Kane (International: Spanish title) (Spain) [es]
El ciudadano (Argentina) (Uruguay) [es]
Obcan Kane (Czech Republic) (Czechoslovakia) [cs]
цПЮФДЮМХМ йЕИМ (Soviet Union: Russian title) [ru]
Aranypolgár (Hungary) [hu]
Burger Kane (Belgium: Flemish title) [un]
Cidadão Kane (Brazil) [pt]
Citizen Kane (France) [fr]
Citizen Kane (Denmark) [da]
Citizen Kane (Finland) (reissue title) [fi]
Citizen Kane - sensatioiden mies (Finland) [fi]
Citoyen Kane (Belgium: French title) [fr]
Ciutadà Kane (Spain: Catalan title) [ca]
Den store mand (Denmark) [da]
En sensation (Sweden) [sv]
Ha-Ezrah Kane (Israel: Hebrew title) [iw]
Himo (Finland) [fi]
Kansalainen Kane (Finland) (TV title) [fi]
O Mundo a Seus Pés (Portugal) [pt]
O politis Kane (Greece) [el]
Obywatel Kane (Poland) [pl]
Politis Kane (Greece) (reissue title) [el]
Quarto potere (Italy) [it]

Runtime:

119 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Canada:F (Ontario) | Canada:G (Manitoba/Nova Scotia/Quebec) | Netherlands:6 | South Korea:12 | Brazil:Livre | Finland:K-11 (DVD rating) | Argentina:Atp | Australia:G (original rating) | Australia:PG (DVD rating) | Chile:TE | Finland:K-16 | Germany:12 | Ireland:12 (DVD rating) (2003) | Israel:PG | Peru:PT | Portugal:M/12 | Spain:T | Sweden:15 | UK:A (original rating) | UK:U (video rating) (1985) | USA:PG

Filming Locations:

New York City, New York, USA

Company:

Mercury Productions

Trivia:

Xanadu's design is based on William Randolph Hearst's elaborate home in San Simeon and Mont St Michel in France.

Goofs:

Incorrectly regarded as goofs: In the beginning, Kane says, "Rosebud." The nurse enters the room after the word is spoken. The shooting script only mentions Kane and the nurse being in the room. However, within the movie itself Raymond the butler tells the reporter that he had heard Kane say "Rosebud" after the fight with Susan as well as just before he drops the snow globe, implying that what the viewer is shown in that scene is from Raymond's P.O.V.

Quotes:

[first lines]
Charles Foster Kane: Rosebud.

Movie Connections:

Referenced in Citizen Kate (2008)

Soundtrack:

A Hot Time in the Old Town

CITIZEN KANE may let some people down, but it's still worth seeing.

It's a difficult undertaking for someone of my generation to watch a film like CITIZEN KANE. Not because it's "too old" or "too boring", but because it has been hailed--almost universally--as the single best motion picture ever made. And while the anticipation of seeing a film with such overwhelming acclaim may be quite exhilarating, actually watching it is ultimately an intimidating and somewhat disappointing experience.

This isn't to say that I thought CITIZEN KANE was a bad film; in fact, I thought everything about it was downright brilliant. From the enchanting performances right down to the meticulously planned camera movements and clever lighting tricks, there isn't a single element of CITIZEN KANE that isn't a stunning achievement in all areas of filmmaking.

CITIZEN KANE's storyline is deceptively simple. Even though the plot unfolds by jumping in and out of nonlinear flashbacks, it is surprisingly easy to keep track of. The straightforwardness and relatively fast pace of the story are what make it seem intimidating. Because everything moves smoothly along without any standstill, it feels like we are being fooled-like there is something much greater that we just can't seem to grasp. As a first-time viewer, I knew from its reputation that there must be *something* that separates this movie from all the others; something buried within its simple plotline that everybody else has seen, but that I just could not seem to get a handle on. And then, during those final frames, that something was revealed, and it all began to make sense. To me, it was these moments of confusion and uncertainty followed by a sense of enlightenment and appreciation that made watching CITIZEN KANE such a meaningful experience.

But no matter how great of a movie CITIZEN KANE really is, it can never live up to one's expectations. Although I do feel that it is deserving of its acclamation, the constant exposure to its six decades worth of hype and praise will invariably set most modern viewers' standards at a height that is virtually unreachable--even if it really *is* the best movie of all time.