Major Barbara (1941)

Director:

Gabriel Pascal

Writers:

George Bernard Shaw (original play)
George Bernard Shaw (scenario and dialogue)

Release Date:

2 August 1941 (UK)

Genre:

Comedy

Plot:

A young and idealistic woman, who has adopted the Salvation Army and whose father is an armament industrialist, will save more souls directing her father's business. A comedy with social commentary. |

Plot Keywords:

Salvation Army | Inheritance | Manufacturer | Father Daughter Relationship | Reference To Napoleon

Cast

Wendy Hiller	...	Major Barbara
Rex Harrison	...	Adolphus Cusins
Robert Morley	...	Andrew Underschaft
Robert Newton	...	Bill Walker
Sybil Thorndike	...	The General
Emlyn Williams	...	Snobby Price
Marie Lohr	...	Lady Britomart
Penelope Dudley-Ward	...	Sarah Underschaft
Walter Hudd	...	Stephen Underschaft
David Tree	...	Charles Lomax
Deborah Kerr	...	Jenny Hill
Donald Calthrop	...	Peter Shirley
Marie Ault	...	Rummy Mitchens
Cathleen Cordell	...	Mog Habbijam
Torin Thatcher	...	Todger Fairmile

Also Known As:

George Bernard Shaw's Major Barbara (UK) (complete title)
Axiomatikos Barbara (Greece) (TV title) [el]
Il maggiore Barbara (Italy) [it]
Major Barbara (Sweden) [sv]
Major Barbara (Germany) [de]
Majuri Barbara (Finland) [fi]

Runtime:

131 min | USA:121 min | UK:121 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

UK:A | USA:Approved (MPAA rating: certificate #03074) | Finland:K-16

Company:

Gabriel Pascal Productions

Trivia:

This is Deborah Kerr's first credited movie role.

Quotes:

Stephen Underschaft: I'm sorry sir that you force me to forget the respect due to you as my father. I'm an Englishman, I will not hear the government of my country insulted!
Andrew Underschaft: The government of your country! I am the government of your country! I and Lazarus. Do you suppose that you and half a dozen amateurs like you, sitting in a row in that foolish gavel shop, can govern a country like England? Be off with you my boy, and play with your historic parties, and leading articles, and burning questions, and the rest of your toys. And in return, you shall have the support and applause of my newspapers, and the delight of imagining that you're a great statesman.

Movie Connections:

Version of Majoor Barbara (1964) (TV)

Soundtrack:

Onward, Christian Soldiers

"What Price Salvation Now..."

George Bernard Shaw's 1905 satirical examination of salvation, "Major Barbara," is updated in this 1941 screen translation, but the story is basically the same. Munitions industrialist Andrew Undershaft, who has not seen his family in almost 20 years, returns to find that: (a) his son Stephen, at 25, has not discovered a suitable vocation; (b) his daughter Sarah has engaged herself to a pretentious but unoffending young fool, Charles Lomax; and (c) his other daughter Barbara has adopted the Salvation Army as a career toward moral self-fulfillment and social enlightenment.

The essential question in "Major Barbara" concerns the root of the Industrial Age's social ills. Barbara (well-acted by Wendy Hiller) would argue that the greed of whiskey manufacturers and the social rapacity of the ruling classes are the culprits. Her father, on the other hand, maintains that civilization's greatest sin is the existence of poverty. Further, he deplores the shameless glorification of the "meek, honest, and downtrodden" poor and the empty condescension that is offered to those who live in filth, disease, and constant hunger. And since Andrew Undershaft is the play's hero and Shaw's philosophical stand-in (Robert Morley, the actor who plays him, is even made up to resemble Shaw), there can be little doubt as to which character, father or daughter, will ultimately triumph.

Since Shaw was directly involved in this project, it's doubtful that purists will object to the fact that the film includes additional scenes that did not appear in the play's original text. A new prologue introduces us to Adolphus Cusins (Rex Harrison), the professor of Greek classics who is a dismal failure as a Hyde Park lecturer. When his speeches fail to hold or entrance an audience, he is advised by a sympathetic street patrolman (Stanley Holloway) to sample the "religious" speaking-circuit. Deciding he has nothing to lose, Adolphus heeds the policeman's advice, and while doing so, he encounters Barbara speaking to a crowd with incredibly religious fervor, and he is instantly smitten. From there, the movie segues into Shaw's original First Act.

Another important addition is the mock religious conversion of the drunken Bill Walker by wrestler-turned-Salvation-Army-sergeant Todger Fairmile, a scene only described in Shaw's original transcript. Robert Newton, a very fine actor who was especially memorable in Hitchcock's "Jamaica Inn" (1939), here plays Walker as an unbridled, unapologetic savage of a bully. His profane dismissals of the aged Miss Mitchens and the quickness of his physical abuse of the docile Army volunteer Jenny Hill provide the film's most shocking moments. But Walker's more lethal ammunition is used in his verbal taunting of Barbara ("What price Salvation, now?") after her disillusionment with and ultimate resignation from the Army of Good Samaritans. So deep is her despair that she almost commits suicide.

Her abandonment of the Army occurs after her superior accepts a large gift of money in the form of a check signed by her own father. Barbara insists that the money is tainted, that its blood money, gleaned from her father with the sweat of his underpaid workers and by the misery suffered by the victims of Undershaft's armaments industry. However, when reluctantly following up on her father's invitation to visit his munitions plant, she discovers that Undershaft's company town is a working-man's suburban paradise of modern architecture and schools and churches; and she then understands that it is not her father who drives the hellish multimillion-dollar business that makes this Eden possible. It drives him. And the film's concluding shot of Cusins, Walker, and Barbara, marching arm-in-arm with the rest of Undershaft's proletariat, is a celebration of the playwright's ironic vision.

Shaw is primarily enjoyed for the intelligent wit of his dialogue, but he had a serious purpose here. As the playwright himself reflected in 1906, a year after the play's premiere, "Undershaft...is simply a man who, having grasped the fact that poverty is a crime, knows that when society offered him the alternative of poverty or a lucrative trade in death and destruction, it offered him (a choice) between energetic enterprise and cowardly infamy."

Gabriel Pascal produced and directed – adequately. Here, his style is very understated and completely serviceable to the film's source. The scenes are paced briskly, even by modern standards. And the casting is superb, particularly Emlyn Williams's two-faced cynic/beggar, Snobby Price (the name says it all); Deborah Kerr is an affecting Jenny Hill (she obtained this film role by reciting the Lord's Prayer for producer Pascal); Torin Thatcher is in fine comic form as Todger Fairmile; and Marie Lohr manages to quietly hit all the right notes as Undershaft's priggish wife, Lady Britomart.