Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally minuscule rival, Blefuscu, as well as smooth the way for the romance between the ... See full summary »
As the headline on the Daily Planet tells the public: "Mechanical Monster loots bank!" In fact, a scientist has an army of these flying robots able to steal anything in sight. Police are set up everywhere to guard an exhibition of rare jewels, but it's no use. When a robot crashes into the building, it steals all the precious stones in sight, while the policemen's bullets harm it no more than flies. Clark and Lois are at the exhibit. While Clark phones in the story from a booth, Lois stows away in the robot's compartment. Clark sees that Lois has gone missing and decides to change into Superman there in the phone booth. Superman follows the monster, while his X-ray vision allows him to spot Lois inside. His attempt to get Lois out fails. The robot knocks him onto some power lines, losing the jewelry and (nearly) Lois in the process. The robot returns to the scientist's hideout with Lois, but no jewelry. She refuses to tell the scientist where it is. He retaliates by tying her up and ... Written by
This cartoon is the first Superman story in which Clark Kent changes into his Superman costume inside a phone booth. See more »
The scientist gags Lois before placing her on the platform above the molten metal, even though he's trying to intimidate her into revealing the location of the missing jewelry. Even if she wanted to, she'd find it impossible to tell him. See more »
Up in the sky, look! It's a bird. It's a plane. It's Superman!
Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Man of Steel: Superman! Empowered with X-ray vision, possessing remarkable physical strength, Superman fights a never-ending battle for truth and justice, disguised as a mild-mannered newspaper reporter, Clark Kent.
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I'm rewatching the Fleischer shorts to get the taste of 'Man of Steel'
out of my mouth, and Superman battling giant robots, deflecting molten
metal with his cape and untangling himself from power lines is a great
antidote. This is the second in the series and one of my favourites;
it's a big improvement on the first film.
The plot is as simple as before - an evil inventor raids Metropolis
with his army of remote-controlled flying robots and Lois hitches a
lift back to his lair, followed by Superman. Lois has been redesigned
and now looks more appealing, while the animation is fluid and
energetic, the highlights being Superman bouncing across the landscape
and all the robots standing to attention. It even manages an eerie
moment, when Superman's eyes widen and he uses his x-ray vision.
It all rattles along with a Golden Age simplicity, and it's delightful.
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