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Casablanca (1942)

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In Casablanca in December 1941, a cynical American expatriate encounters a former lover, with unforeseen complications.

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(screenplay), (screenplay) | 3 more credits »
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872 ( 302)
Top Rated Movies #36 | Won 3 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
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Carl (as S.K. Sakall)
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Yvonne (as Madeleine LeBeau)
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Sam
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Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

As big and timely a picture as ever you've seen! You can tell by the cast it's important! gripping! big! See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated PG for mild violence | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

23 January 1943 (USA)  »

Also Known As:

Everybody Comes to Rick's  »

Box Office

Budget:

$950,000 (estimated)

Opening Weekend:

$181,494 (USA) (12 April 1992)

Gross:

$1,661,267 (USA) (12 July 1992)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Producer David O.Selznick, to whom Ingrid Bergman was under contract, at first did not want to loan her out for the movie. After he heard rumors that Sweden might become an ally of Germany, he was afraid that her career might be in danger, because she was Swedish. Therefore he changed his mind and loaned her out before her image might get tainted. See more »

Goofs

When Laszlo enters Rick's for the first time, he puts his hat on a chair next to the one he sits in. Later, before Capt. Renault sits on the same chair, Laszlo picks up the hat and puts it on the floor. When Laszlo leaves, he does not pick up his hat. But when he leaves Rick's, he is holding his hat. See more »

Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]
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Connections

Featured in Fila ton vatraho sou: Episode #1.7 (2007) See more »

Soundtracks

Die Wacht am Rhein
(1854) (uncredited)
Music by Karl Wilhelm (1854)
Lyrics by Max Schneckenburger (1840) (from his poem)
Arranged by Max Steiner
Sung by the Germans at Rick's
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Frequently Asked Questions

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User Reviews

Of all the classics in all the films in all the world, this is the best!
11 August 2004 | by (United States) – See all my reviews

This is a film that MUST belong in every video collection in the U.S. is not in the world. The stories about it's making are legendary from the constant rewrites to the apocrypha of casting stories.

What is amazing to me, and the reason I believe it holds audiences almost spellbound in successive viewings, is the connection with the horrors of World War II was almost every single cast member. Sidney Greenstreet had lost a son in combat, and a number of the cast members fled Europe to escape the ravages of a Hitler regime. Even the evil Nazi character Major Strasser (played with relish by Conrad Veidt) had left Nazi Germany to escape almost sure internment and possible death in a concentration camp. Here was a man who was a legend in German film history as the murdering somnambulist (a possible warning about the Nazi soldiers to come?) and because of the vicious anti-Semitism and racism of the Germany of the '30s and '40s, we in America and in Hollywood were given a great gift.

Everyone in this film is fabulous, but it is the chemistry of Rick (Bogart) and Ilsa (Bergman) been truly holds the film together. When I saw this film almost frame by frame in the limited book series of classic films that were produced in the late 1960s, I was stunned by the subtlety of facial expressions that conveyed so much of Rick Blaine's character by a marvelous actor Humphrey Bogart. There is a reason why he was named the actor of the century.

While every person in the film becomes a real flesh and blood presence, the story of Rick and Ilsa is the center of this cinema feast.

I must confess that I have seen this picture so many times that I can recite every single line in the movie to the consternation of my wife who can't watch it with me anymore.

The line that sticks out the most for me, and which against cheers from New Yorkers whenever it plays in the theater. It is when Bogart says to the Nazis seated at his table, "There are parts of New York I wouldn't advise you to invade." And what makes this line so memorable is that Humphrey Bogart did indeed star in another motion picture for Warner Brothers where that very thing formed the basis for the script. That movie was "All Through The Night." I love this movie too, and I'm not even a New Yorker.

There have been many attempts to revisit "Casablanca," but only the original makes you really feel what it was like to live through "The Good War" in a faraway place like Casablanca in French Morocco.

Even though such trickery as midget airport workers, fog machines and cardboard cutout airplanes were utilized, this film convinces through its beautiful story with many layers, and characters that are so well realized.

If you've never seen this movie before, shame on you and see it immediately. If you only seen it once, I believe you will come back to it more than once. This is just about the most perfect film ever made and it is a miracle that that is so considering that there were so many hands in the pie. (Excuse me for my mixing my metaphors. It's late, and I get emotional just thinking about this classic film masterpiece.)

Play it again and again and again and again, Sam.


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