IMDb > I Married a Witch (1942)
I Married a Witch
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I Married a Witch (1942) More at IMDbPro »

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Popularity: ?
Up 216% in popularity this week. See why on IMDbPro.
Robert Pirosh (screen play) and
Marc Connelly (screen play) ...
View company contact information for I Married a Witch on IMDbPro.
Release Date:
30 October 1942 (USA) See more »
She's a witch (and we do mean witch) who gets what she wants with hex appeal! See more »
A beautiful 17th-century witch returns to life to plague politician Wallace Wooley, descendant of her persecutor. Full summary » | Add synopsis »
Plot Keywords:
Nominated for Oscar. See more »
(31 articles)
The Mephisto Waltz
 (From Trailers from Hell. 8 May 2017, 1:46 PM, PDT)

Burned at the Stake: Cinematic Witchcraft Through the Ages
 (From The Film Stage. 17 February 2016, 8:25 AM, PST)

Disc Deals: 50% Off Criterion Blu-rays at Amazon
 (From CriterionCast. 17 December 2015, 9:31 AM, PST)

User Reviews:
Haunt Me, Please Haunt Me!! See more (64 total) »


  (in credits order) (verified as complete)

Fredric March ... Jonathan Wooley / Nathaniel Wooley / Samuel Wooley / Wallace Wooley

Veronica Lake ... Jennifer

Robert Benchley ... Dr. Dudley White

Susan Hayward ... Estelle Masterson

Cecil Kellaway ... Daniel

Elizabeth Patterson ... Margaret

Eily Malyon ... Tabitha Wooley

Robert Warwick ... J.B. Masterson
Robert Greig ... Town Crier
Viola Moore ... Martha
Mary Field ... Nancy Wooley

Nora Cecil ... Harriet Wooley

Emory Parnell ... Allen - Hotel Owner
Helen St. Rayner ... Singer at Wedding

Aldrich Bowker ... Justice of the Peace

Emma Dunn ... Wife of Justice of the Peace
rest of cast listed alphabetically:
Beverly Andre ... Girl at Country Club (uncredited)

Georgia Backus ... Older Woman (uncredited)
Charles Bates ... Wooley's Son (uncredited)

Brooks Benedict ... Country Club Extra (uncredited)

Billy Bevan ... Puritan Vendor (uncredited)

Edward Biby ... Spectator at Fire (uncredited)

Marie Blake ... Purity Sykes (uncredited)

Billy Bletcher ... Photographer (uncredited)

Monte Blue ... Doorman (uncredited)

Wade Boteler ... Policeman Arresting Daniel (uncredited)

Al Bridge ... Second Prison Guard (uncredited)
Ann Carter ... Jennifer Wooley - Wooley's Daughter (uncredited)
Eddy Chandler ... Motorcycle Cop (uncredited)

Chester Conklin ... Party Bartender (uncredited)
Georgie Cooper ... Wedding Guest (uncredited)

Gino Corrado ... Onlooker in Crowd (uncredited)

Gordon De Main ... Man with Masterson on Radio (uncredited)
Jack Deery ... Country Club Guest (uncredited)

Ralph Dunn ... First Prison Guard (uncredited)

Frank Elliott ... Magistrate (uncredited)

Franklyn Farnum ... Country Club Guest (uncredited)

Bess Flowers ... Matron of Honor (uncredited)
Jack Gardner ... Radio Voice (uncredited)
Joe Gilbert ... Wedding Guest (uncredited)
Florence Gill ... Woman Playing Chess (uncredited)

George Guhl ... Fred, Cop (uncredited)

William Haade ... Policeman at Ambulance (uncredited)

Reed Hadley ... Young Man (uncredited)
Oscar 'Dutch' Hendrian ... Tom, Bartender (uncredited)

Robert Homans ... Fire Chief (uncredited)

Esther Howard ... Extra (uncredited)
Arthur Stuart Hull ... Wedding Guest (uncredited)
Donivee Lee ... Girl (uncredited)
Peter Leeds ... Ambulance Attendant (uncredited)

Jack Luden ... Ambulance Driver (uncredited)

Renny McEvoy ... Bellboy (uncredited)
David McKim ... Newsboy (uncredited)

James Millican ... Wedding Guest (uncredited)

Frank Mills ... Joe - Cab Driver (uncredited)

Charles R. Moore ... Rufus - Samuel's Servant (uncredited)
Edmund Mortimer ... Wedding Guest (uncredited)

Ralph Peters ... Second Prisoner (uncredited)
Gerald Pierce ... Newsboy (uncredited)

Mickey Rentschler ... Boy at Country Club (uncredited)

Cyril Ring ... Country Club Extra (uncredited)
Ronald R. Rondell ... Wedding Guest (uncredited)
Kathryn Sheldon ... Elderly Wife (uncredited)
Ernest Shields ... Waiter (uncredited)
Lee Shumway ... Fireman (uncredited)

Bert Stevens ... Country Club Guest (uncredited)
Amzie Strickland ... Girl at Country Club (uncredited)

Harry Tyler ... First Prisoner (uncredited)

Dan White ... Fireman (uncredited)

Directed by
René Clair  (as Rene Clair)
Writing credits
Robert Pirosh (screen play) and
Marc Connelly (screen play)

Thorne Smith (based upon a story: The Passionate Witch)

Norman Matson (story completion)

René Clair  dialogue (uncredited)
André Rigaud  dialogue (uncredited)
Dalton Trumbo  contributing writer (uncredited)

Produced by
René Clair .... producer (as Rene Clair)
Buddy G. DeSylva .... executive producer (uncredited)
Preston Sturges .... producer (uncredited)
Original Music by
Roy Webb 
Cinematography by
Ted Tetzlaff (director of photography)
Film Editing by
Eda Warren 
Art Direction by
Hans Dreier 
Ernst Fegté 
Set Decoration by
George Sawley 
Costume Design by
Edith Head 
Makeup Department
Wally Westmore .... makeup artist
Leonora Sabine .... hair stylist supervisor (uncredited)
Production Management
E.D. Leshin .... unit manager (uncredited)
Second Unit Director or Assistant Director
Arthur S. Black Jr. .... assistant director (uncredited)
William Forsyth .... second assistant director (uncredited)
Art Department
Sam Comer .... supervising set decorator (uncredited)
Royce Finley .... props (uncredited)
Sound Department
Harry D. Mills .... sound recordist (as Harry Mills)
Richard Olson .... sound recordist
Paul Boistelle .... sound (uncredited)
Visual Effects by
Gordon Jennings .... special photographic effects
Farciot Edouart .... transparencies (uncredited)
Camera and Electrical Department
Milton Bridenbecker .... second camera operator (uncredited)
Gene Liggett .... second assistant camera (uncredited)
Location Management
Norman Lacey .... location manager (uncredited)
Other crew
Nesta Charles .... script clerk (uncredited)
Jack Gage .... dialogue director (uncredited)
Jay Tucker .... stand-in: Fredric March (uncredited)
Crew verified as complete

Production CompaniesDistributors

Additional Details

Also Known As:
"Me casé con una bruja" - Mexico (imdb display title), Spain (DVD title), Spain (imdb display title)
"Meine Frau, die Hexe" - Austria, Germany
"Я женился на ведьме" - Soviet Union (Russian title)
"Boszorkányt vettem feleségül" - Hungary
"Casei com Uma Feiticeira" - Portugal
"Casei-me com uma Feiticeira" - Brazil (imdb display title)
"De bruid kon tooveren" - Netherlands (informal literal title)
"Farlig som synden" - Sweden
"Ho sposato una strega" - Italy
"J'ai épousé une sorcière" - Belgium (French title) (imdb display title)
"Ma femme est une Sorciere" - France (DVD title)
"Ma femme est une sorcière" - France
"Mijn lief heksje" - Netherlands (alternative title)
"Mijn vrouw is een toverheks" - Belgium (Flemish title) (imdb display title)
"Min Kone er en Heks" - Denmark (imdb display title)
"Noita tahtoo naimisiin" - Finland
"Ozenilem sie z czarownica" - Poland
"Ozenio sam se vesticom" - Yugoslavia (Serbian title) (literal title)
"Pantreftika mia magissa" - Greece (transliterated ISO-LATIN-1 title)
"Sihirbaz Bir Kadinla Evlendim" - Turkey (Turkish title) (imdb display title)
See more »
77 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Mirrophonic Recording)
Brazil:14 (DVD rating) | Finland:S | Germany:6 (re-rating) | Spain:13 | Sweden:15 | UK:A (original rating) | UK:U (tv rating) | UK:PG (video) | UK:U (video rating) (2006) | USA:Approved (PCA #8351) | USA:Passed (as classified and passed by) (The National Board of Review) | West Germany:16 (nf)

Did You Know?

Sol Saks, creator of "Bewitched" (1964), stated in an interview for "E! True Hollywood Story: Bewitched" (1999) that he drew inspiration both from this film and Bell Book and Candle (1958) in creating the iconic TV series. Columbia Pictures owned the rights to both of those movies. Since it also owned the television studio that was to produce "Bewitched," Saks didn't worry about getting sued.See more »
Factual errors: The film opens with a scene of Puritans in the Massachusetts colony burning witches. No-one was ever burned for witchcraft in America. The accused witches of Salem, Massachusetts, and its environs were hanged, with the exception of Giles Corey, who was pressed to death with rocks. Burning was the European method of executing witches, and pop culture has long confused the two historical spheres.See more »
First Prisoner:Hey, that's Wallace Wooley! Don't tell me they're tossing him in the clink.
Second Prisoner:Looks that way. Well, pay off, brother. They're not electing no con for governor. Bensinger is a cinch.
First Prisoner:[to Wooley] Ehh! Why wouldn't you keep straight until after you was elected like everybody else does!
See more »
Movie Connections:
Featured in Hollywood Ghost Stories (1986)See more »
I Love You TrulySee more »


How does the movie end?
Is 'I Married a Witch' based on a book?
How old is Jennifer?
See more »
45 out of 60 people found the following review useful.
Haunt Me, Please Haunt Me!!, 4 June 2004
Author: Peter Fairburn ( from Shediac River, New Brunswick

I'm sure there are many women just as beautiful as Veronica Lake. I'm sure there were, and will be, directors as gifted as Rene Clair. And I'm sure there are Irish mischief makers as amusing as Cecil Kellaway. And politicians as stuffy and pompous as Frederic March. But the combination here in this wonderful fluff is without equal.

Some Hollywood ace, befuddled and benumbed on a steady diet of coke and guacamole, has decided to remake this amazing film. Perhaps we will be shown a flash of real naked witch. But it will never be as sensual as the imagined view of Lake, as she appears in a smoke-filled hotel room. Perhaps in the re-make we will be shown the two characters locked together in a passionate embrace. But it will never equal what we imagine as we see the two ascend the stairs in this wonderful original.

It's not that Hollywood is doomed to produce banality in this new century; it's just that they seem to like it. There are very few films as good as I Married A Witch and there are very few directors who can call on studios like Paramount to supply them with gifted artists and craft persons to equal this witty and wonderful confection. Why even Susan Hayward, who did well with her strident image of bitchiness, is just right here. I suspect that new generations of filmgoers will never see this lovely film, for it is now OOP - out of print. But the horror of it all is I suspect those who made the new film never bothered to screen the old one, being convinced that they had nothing to learn about the craft of cinema.

That they were wrong becomes more obvious as the distance between the old and the new is measured in financial disaster. Perhaps next they might try to remake Sous Les Toits de Paris.

Was the above review useful to you?
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