Wrangler Clay Phillips and his young brother are taking horses to Sonora when they come across four dancehall girls heading the same way, stuck with a wrecked buggy. He takes the girls on ... See full summary »
Claude Jarman Jr.
Susan is in the hospital with a bullet near her heart. Marian has told the police that she shot Susan in a rage as Susan was giving up singing. Marian and Luke found Susan when she was a ... See full summary »
Peter, a WW II 'displaced person' about to be deported jumps ship in New York harbor in an effort to find an ex-G.I named Tom whom he helped during the war and can prove Peter's right to ... See full summary »
In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »
Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her ... See full summary »
A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. His crew paints her picture on ... See full summary »
Gambler and bookmaker "Odds" Owen decides that the insurance racket is a business that offers better odds and less risk, and this appeals to him and he sets up shop. He underwrites anything... See full summary »
Mary Astor vs. Gloria Grahame -- But In a Comedy, Alas
Mary Astor, operator of a dude ranch near Reno and wedded to a feckless husband who has had problems with "other women" and gambling in the past, battles with golddigger in training Gloria Grahame, whose interest in suave hubby increases when she learns he's just won $40,000 on a lottery ticket. Will husband realize he should stick with stalwart Mary, or, being smitten with BLONDE FEVER, will he run off with the scheming Ms. Grahame?
While this movie has the plot (and the female cast) for a heckuva a mid-40s soap opera, this one is played as comedy. Alas. With the men playing their parts as broadly as possible, a lot of the result is painful. Nevertheless, Gloria Grahame, not yet a noir heroine, plays her not very nice role well enough, and Mary Astor, in one fairly long dramatic scene when she finally gets fed up with her worthless husband, demonstrates just how well she can act, if given the right part. Shame on MGM for sticking her with all those Mother roles.
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