Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
After the death of her famous opera-singing aunt, Paula is sent to study in Italy to become a great opera singer as well. While there, she falls in love with the charming Gregory Anton. The two return to London, and Paula begins to notice strange goings-on: missing pictures, strange footsteps in the night and gaslights that dim without being touched. As she fights to retain her sanity, her new husband's intentions come into question. Written by
Although she eventually became very attached to the part and insisted on acting in this film, Ingrid Bergman was initially reluctant to take on the role of Paula. Bergman considered herself to be a very strong and independent woman, and worried that she would be unable to convincingly play the timid and fragile character. Bergman took great pride in her portrayal of a weak character and considered it one of her greatest challenges as an actress. See more »
When Nancy is following Elizabeth up the stairs, they are both carrying several folded sheets. Immediately when they reach the top of the landing the camera focuses close-up on Nancy, who is looking at the closed off top floor - in this shot she is not carrying the sheets. See more »
Paula Alquist Anton:
It isn't here, you must have dreamed you put it there. Are you suggesting that this is a knife I hold in my hand? Have you gone mad, my husband?
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The opening and closing credits are displayed over a background of a burning gaslight. If you look at the shadow on the wallpaper, you see a man strangling a woman. See more »
This American-made version of the English thriller "Gaslight" is well-crafted and well-acted, with many moments of good suspense and tension.
Ingrid Bergman and Charles Boyer work very well in the two leads, and they get considerable help from the rest of the cast and the production.
The character of the fragile, self-doubting Paula is an ideal role for Bergman, who conveys Paula's anxious uncertainty while keeping her sympathetic and even engaging. Boyer likewise comes across very believably as her calculating husband, and the two leads make their characters into a strong foundation for the tense story.
Joseph Cotten does not really seem as if he could be a Scotland Yard detective, but in a more general way, he succeeds pretty well as a sympathetic policeman who wants to help personally while striving to get at the facts of the matter. A very young Angela Lansbury gives her character some pointed moments, and she becomes a useful part of creating the right atmosphere.
The story does, of course, have some less plausible elements, but it is written carefully enough that the seams rarely show. In fact, it seems to have been constructed rather carefully, so as to provide subtle hints that can be made use of later on. It all makes for a satisfying drama that also provides a pretty good showcase for its stars.
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