The Big Sleep (1946)

Director:

Howard Hawks

Writers:

William Faulkner (screenplay) &
Leigh Brackett (screenplay) ...

Release Date:

31 August 1946 (USA)

Genre:

Crime | Film-Noir | Mystery | Thriller

Tagline:

The type of man she hated . . . was the type she wanted !

Plot:

Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

Plot Keywords:

Murder | General | Private Eye | Private Detective | Blackmail

Awards:

1 win

Cast

Humphrey Bogart	...	Philip Marlowe
Lauren Bacall	...	Vivian Rutledge
John Ridgely	...	Eddie Mars
Martha Vickers	...	Carmen Sternwood
Dorothy Malone	...	Acme Bookstore Proprietress
Peggy Knudsen	...	Mona Mars
Regis Toomey	...	Chief Inspector Bernie Ohls
Charles Waldron	...	General Sternwood
Charles D. Brown	...	Norris the Butler
Bob Steele	...	Lash Canino
Elisha Cook Jr.	...	Harry Jones
Louis Jean Heydt	...	Joe Brody
rest of cast listed alphabetically:
Pat Clark	...	Mona Mars (scenes deleted)
James Flavin	...	Capt. Cronjager (scenes deleted)
Thomas E. Jackson	...	District Attorney White (scenes deleted)

Also Known As:

Le grand sommeil (Belgium: French title) (France) [fr]
Tote schlafen fest (Austria) (Germany) [de]
À Beira do Abismo (Portugal) [pt]
Al borde del abismo (Argentina) [es]
Birlesen kalpler (Turkey: Turkish title) [tr]
De diepe slaap (Belgium: Flemish title) [un]
Den djupa sömnen (Finland: Swedish title) [sv]
Der tiefe Schlaf (Austria) (TV title) [de]
El gran sueño (Mexico) [es]
El sueño eterno (Spain) [es]
Hluboký spánek (Czech Republic) (TV title) [cs]
Il grande sonno (Italy) [it]
La gran dormida (Spain: Catalan title) [ca]
Pathos kai aima (Greece) [el]
Sternwood mysteriet (Denmark) [da]
Syvä uni (Finland) [fi]
Utpressning (Sweden) [sv]
Veliki san (Serbia) [sr]
Wielki sen (Poland) [pl]

Runtime:

114 min | 116 min (pre-release version)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Portugal:M/12 | New Zealand:PG | Sweden:(Banned) (original rating) | Argentina:16 | Australia:M | Australia:PG (alternate rating) | Canada:14A (video rating) | Chile:18 | Finland:(Banned) (1947-1949) | Finland:K-16 | Germany:16 | Norway:16 | Sweden:15 (re-rating) (1961) | UK:PG | USA:Approved (PCA #10625) | Iceland:12

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

Nina Foch tested for the role of "Carmen."

Goofs:

Continuity: When Marlowe returns to his apartment after taking Carmen home from Geiger's house, there is a tight shot of his (Marlowe's) front door, on which there is a bracket holding a card that reads "Philip Marlowe - Private Investigator" and "206" in large numbers. When he opens the door to the apartment and the shot changes to a wide one, the number has disappeared.

Quotes:

Vivian: Speaking of horses, I like to play them myself. But I like to see them workout a little first, see if they're front runners or comefrom behind, find out what their whole card is, what makes them run.
Marlowe: Find out mine?
Vivian: I think so.
Marlowe: Go ahead.
Vivian: I'd say you don't like to be rated. You like to get out in front, open up a little lead, take a little breather in the backstretch, and then come home free.
Marlowe: You don't like to be rated yourself.
Vivian: I haven't met anyone yet that can do it. Any suggestions?
Marlowe: Well, I can't tell till I've seen you over a distance of ground. You've got a touch of class, but I don't know how, how far you can go.
[...]

Movie Connections:

Referenced in "Andy Barker, P.I.: The Big No Sleep (#1.5)" (2007)

Soundtrack:

And Her Tears Flowed Like Wine

Complex plot, but well written and well scripted with tough dialogue and great characters

Philip Marlowe is a private detective who is hired by General Sternwood to investigate a case of blackmail involving his youngest daughters' gambling debts. The General has lost his right hand man, Shaun Regan, and needs a man able to do the job. Marlowe investigates the blackmailer, Geiger and tails him to a house. When he hears shots he rushes in to find Geiger dead and Carmen strung out of her head. With Geiger dead, Marlowe follows the trail to Joe Brody, who also gets rubbed out, and then to Eddie Mars, who's wife is rumoured to have run off with Regan. As he digs deeper Marlowe finds only corruption and deceit but also starts to fall for the General's eldest daughter, Vivian Rutledge.

Despite the fact that this film is overly complicated at times, it still stands out as a classic bit of noir, even if aspects other than the plot are what really makes it as good as it is. The plot starts simply but quickly becomes a much more complex beast that moves beyond the issue of blackmail and into murder and lies. For many viewers, this will be a challenge - so many characters come and go in a short period that it is hard to keep track of how they all relate to each other, and the fact that we're not always supposed to know the connections just makes it more difficult at times. However, if you manage to make it past the midpoint of the film without having totally lost track of people then it becomes clearer towards the end. It may sound silly, but this time I watched the film with a pen and paper to help me keep track of who's who - it really helped; but it is worth noting that, even with help, bits of the plot will make little sense at times.

The focus of the film is not the plot - the focus of the film I think is the relationship dynamic between Marlowe and Vivian. In this regard the film really works well. The relationship between is tough but trusting no matter what; at times it is a little hard to see the affection between the two being real or realistic but it is the dialogue between the two that makes it work despite this. The writing is fantastic, the scenes between them do fizzle but the dialogue across the whole film is perfect: it is tough, memorable and basically it is the way I'm sure we all wish we could talk at some point in our lives! The material is also quite daring for the period - murder and tough talk was not unusual but the issues of drugs and nymphomania are hardly common subjects for such a mainstream film at the time.

The performances are fantastic and perfectly fit the material. Although this is not my favourite Bogart performance (I love him in Maltese Falcon) he is still brilliant here, he is cool, tough and intelligent - at times his power over women threatens to be unrealistic but his presence makes it work. His character is not as complex as in Maltese Falcon but Bogart does harried and world-weary better than anyone else. Bacall is great even if I don't personally find her that attractive; she has a great chemistry with Bogart and delivers the goods. Vickers is also good but in a less subtle role. The support cast includes tough turns from Cook, Heydt and Ridgely all of whom convince as tough guys but not to the point where they threaten to eclipse the shining star of Bogart.

Overall this is a classic film despite the fact that the plot is too difficult at times and doesn't always hang together. The flaws here are covered by a tough script that delivers the goods in terms of both dialogue and characters. The plot is a complex web but the basic energy and relationship dynamics keep the film moving really well through scenes that continue to show their influence in films today. Not a perfect film but a great bit of noir that is likely to be loved by the vast majority of viewers - just keep that pen and paper to hand though!