A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work. Written by
Col Needham <firstname.lastname@example.org>
Alfred Hitchcock claimed that the FBI had him under surveillance for three months because the film dealt with uranium. See more »
When Devlin and Alicia go to find Sebastian riding horses, there is a quick two second shot of all four characters next to each other on horses and two arms are visible walking the horses of Sebastian and the woman he is riding with. See more »
Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
[reporters and photographers converse amongst themselves outside the courtroom]
Is there any legal reason why sentence should not be pronounced?
No, your honor.
Yes, I have something to say. You can put me away, but you can't put away what's going to happen to you, and to this whole country next time. Next time we are going...
I wouldn't say any more. We'll need that for the ...
See more »
Opening credits prologue: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six.... See more »
Notorious is absolutely one of Hitchcock's best films. The suspense sneaks up on you, and I found myself on the edge of my seat. Cary Grant is in love with Ingrid Bergman, (but who wouldn't be) caught in a triangle of love, deceit and lies. They both shine as the super stars they are in this meticulously filmed masterpiece. Hitchcock's hand is all over this film. And as is usual for the master, he never misses a beat, never puts in a sloppy scene, and sees it all in his mind's eye (and on paper) before committing it to film. This is why he is The Master of his craft. Bergman is at her lovely best, that sometimes smiling, sometimes pouty mouth, that cute nose, and those stupendously beautiful eyes. This film, which I've just seen for the first time (why, oh why, did I wait so long?) is up there, near the top, I have to see it again and again.
50 of 63 people found this review helpful.
Was this review helpful to you?